The poetics of imitation in the Italian theatre of the Renaissance:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Toronto [u.a.]
Univ. of Toronto Press
2013
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | X, 222 S. cm |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1804150655290441728 |
|---|---|
| adam_text | Titel: The poetics of imitation in the Italian theatre of the Renaissance
Autor: Di Maria, Salvatore
Jahr: 2013
Contents
Preface vii
1 Imitation: The Link between Past and Present 3
The Humanists Turn to the Ancients 6
From the Classical Stage to the Theatre of the Renaissance 17
The Poetics of the New Theatre 21
2 Machiavelli s Mandragola 26
The Characters: Source versus Imitation 32
The Critics 36
New Characters 38
Machiavellian Morality 41
3 Clizia: From Stage to Stage 45
The Sons: Euthynicus versus Cleandro 48
The Fathers: Lysidamus versus Nicomaco 50
The Wives: Cleostrata versus Sofronia 55
A Machiavellian Perspective 61
4 Cecchi s Assiuolo: An Apian Imitation 64
The Plot: A Contaminatio of Sources 65
vi Contents
Ambrogio: An Original Antator senex 70
Oretta s ImmoraHty as a Reflection of the Times 79
5 Groto s Emilia: Fiction Meets Reality 84
From the Sources to the Adaptation 86
The Stage Pretence of Realism Undermined 93
Erifila: A Venetian Courtesan 100
6 Gli duoifratelli rivali: Delia Porta Adapts Bandello s Prose
Narrative to the Stage 105
The Plot 106
The Source s King versus the Play s Viceroy 113
Eufranone versus Lionato 115
The Women 117
New Characters and the Comic Element 121
7 Orbecche: Giraldi s Imitation of His Own Prose Narrative 128
The Plot 129
Orbecche and the Question of Women s Position 132
Sulmone versus Malecche: The Debate on Kingly Prerogatives 137
Machiavellian Princeship Anchored to Religious Morality 144
8 Dolce s Marianna: From History to the Stage 148
1. The Historical Source 149
2. Josephus s Herod versus Dolce s Erode 152
3. Mariamme versus Marianna 158
4. Erode and the Theatre Audience 162
Conclusion 167
Notes 173
Bibliography 199
Index 213
|
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| spellingShingle | Di Maria, Salvatore 1942- The poetics of imitation in the Italian theatre of the Renaissance Theater (DE-588)4059702-7 gnd Drama (DE-588)4012899-4 gnd Antike (DE-588)4068754-5 gnd Adaption Literatur (DE-588)102289935X gnd |
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| title | The poetics of imitation in the Italian theatre of the Renaissance |
| title_auth | The poetics of imitation in the Italian theatre of the Renaissance |
| title_exact_search | The poetics of imitation in the Italian theatre of the Renaissance |
| title_full | The poetics of imitation in the Italian theatre of the Renaissance Salvatore Di Maria |
| title_fullStr | The poetics of imitation in the Italian theatre of the Renaissance Salvatore Di Maria |
| title_full_unstemmed | The poetics of imitation in the Italian theatre of the Renaissance Salvatore Di Maria |
| title_short | The poetics of imitation in the Italian theatre of the Renaissance |
| title_sort | the poetics of imitation in the italian theatre of the renaissance |
| topic | Theater (DE-588)4059702-7 gnd Drama (DE-588)4012899-4 gnd Antike (DE-588)4068754-5 gnd Adaption Literatur (DE-588)102289935X gnd |
| topic_facet | Theater Drama Antike Adaption Literatur Italien |
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