Shared meanings in the film music of Philip Glass: music, multimedia and postminimalism
The study of music within multimedia contexts has become an increasingly active area of scholarly research. However, the application of such studies to musical genres outside the 'classical' film canon, or in television and other media remains largely unexplored in any detail. Tristian Eva...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Farnham, Surrey ; Burlington, VT
Ashgate
[2015]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | The study of music within multimedia contexts has become an increasingly active area of scholarly research. However, the application of such studies to musical genres outside the 'classical' film canon, or in television and other media remains largely unexplored in any detail. Tristian Evans demonstrates how postminimal music interacts with other media forms, focusing on the film music by Philip Glass, but also taking into account works by other composers such as Steve Reich, Terry Riley, John Adams and others inspired by minimalist and postminimal practices. Additionally, Evans develops innovative ways of analysing this music, based on an interdisciplinary approach, and draws on research from areas that include philosophy, linguistics and film theory. The book offers one of the first in-depth studies of Philip Glass's music for film, considering The Hours and Dracula, Naqoyqatsi, Notes on a Scandal and Watchmen, while examining re-applications of the music in new cinematic and televisual contexts. The book will appeal to musicologists but also to those working in the fields of film music, cultural studies, media studies and multimedia. - Tristian Evans is lecturer in Music at Bangor University, UK. He completed BMus, MA and doctoral studies at Bangor between 2002-10, receiving support from the AHRC's doctoral programme. (Klappentext) |
| Beschreibung: | xvii, 221 Seiten Diagramme, Notenbeispiele |
| ISBN: | 9781409433293 |
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Datensatz im Suchindex
| _version_ | 1811004295728857088 |
|---|---|
| adam_text |
Contents
List of Figures vii
List of Music Examples ix
Foreword by Michael Riesman xi
Acknowledgements xv
Introduction 1
1 Glass, Postminimalism and the Media: Initial Questions and
Contexts 5
2 ‘The Satisfaction of a Drive’: Postminimal Music and the
Advertising Media 23
3 Postmodern Unfoldings? Narrative, Temporality and Repetition
in Postminimal Music 53
4 ‘Notes on a Soundtrack’: Reading Glass’s Recent Film Scores 83
5 Metamorphic Meanings in Glass’s Intertextual Soundtracks 98
6 This Is (Not) a Soundtrack: Dracula the Movie or Music Drama? 125
7 Existential Conflict in Naqoyqatsi, Book of Longing and
Watchmen 147
8 Conclusions: Reviewing Concepts and Approaches 171
Bibliography 191
Electronic Resources 205
Selected Discography 207
Selected Filmography 209
Artworks 212
Index 212 |
| any_adam_object | 1 |
| author | Evans, Tristian 21. Jh |
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| author_facet | Evans, Tristian 21. Jh |
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| author_sort | Evans, Tristian 21. Jh |
| author_variant | t e te |
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| bvnumber | BV041197127 |
| classification_rvk | LP 95900 |
| ctrlnum | (OCoLC)922903691 (DE-599)BVBBV041197127 |
| discipline | Musikwissenschaft |
| format | Book |
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| isbn | 9781409433293 |
| language | English |
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| spelling | Evans, Tristian 21. Jh. Verfasser (DE-588)1077116314 aut Shared meanings in the film music of Philip Glass music, multimedia and postminimalism Tristian Evans (Bangor University, Wales, UK) Farnham, Surrey ; Burlington, VT Ashgate [2015] © 2015 xvii, 221 Seiten Diagramme, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier The study of music within multimedia contexts has become an increasingly active area of scholarly research. However, the application of such studies to musical genres outside the 'classical' film canon, or in television and other media remains largely unexplored in any detail. Tristian Evans demonstrates how postminimal music interacts with other media forms, focusing on the film music by Philip Glass, but also taking into account works by other composers such as Steve Reich, Terry Riley, John Adams and others inspired by minimalist and postminimal practices. Additionally, Evans develops innovative ways of analysing this music, based on an interdisciplinary approach, and draws on research from areas that include philosophy, linguistics and film theory. The book offers one of the first in-depth studies of Philip Glass's music for film, considering The Hours and Dracula, Naqoyqatsi, Notes on a Scandal and Watchmen, while examining re-applications of the music in new cinematic and televisual contexts. The book will appeal to musicologists but also to those working in the fields of film music, cultural studies, media studies and multimedia. - Tristian Evans is lecturer in Music at Bangor University, UK. He completed BMus, MA and doctoral studies at Bangor between 2002-10, receiving support from the AHRC's doctoral programme. (Klappentext) Glass, Philip / Criticism and interpretation Glass, Philip 1937- (DE-588)11895864X gnd rswk-swf Motion picture music / History and criticism Medien (DE-588)4169187-8 gnd rswk-swf Filmmusik (DE-588)4017129-2 gnd rswk-swf Minimal music (DE-588)4346530-4 gnd rswk-swf Glass, Philip 1937- (DE-588)11895864X p Filmmusik (DE-588)4017129-2 s Minimal music (DE-588)4346530-4 s Medien (DE-588)4169187-8 s DE-604 Erscheint auch als Online-Ausgabe 978-1-4094-3330-9 Erscheint auch als Online-Ausgabe, EPUB 978-1-4724-0357-5 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026172082&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Evans, Tristian 21. Jh Shared meanings in the film music of Philip Glass music, multimedia and postminimalism Glass, Philip / Criticism and interpretation Glass, Philip 1937- (DE-588)11895864X gnd Motion picture music / History and criticism Medien (DE-588)4169187-8 gnd Filmmusik (DE-588)4017129-2 gnd Minimal music (DE-588)4346530-4 gnd |
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| title | Shared meanings in the film music of Philip Glass music, multimedia and postminimalism |
| title_auth | Shared meanings in the film music of Philip Glass music, multimedia and postminimalism |
| title_exact_search | Shared meanings in the film music of Philip Glass music, multimedia and postminimalism |
| title_full | Shared meanings in the film music of Philip Glass music, multimedia and postminimalism Tristian Evans (Bangor University, Wales, UK) |
| title_fullStr | Shared meanings in the film music of Philip Glass music, multimedia and postminimalism Tristian Evans (Bangor University, Wales, UK) |
| title_full_unstemmed | Shared meanings in the film music of Philip Glass music, multimedia and postminimalism Tristian Evans (Bangor University, Wales, UK) |
| title_short | Shared meanings in the film music of Philip Glass |
| title_sort | shared meanings in the film music of philip glass music multimedia and postminimalism |
| title_sub | music, multimedia and postminimalism |
| topic | Glass, Philip / Criticism and interpretation Glass, Philip 1937- (DE-588)11895864X gnd Motion picture music / History and criticism Medien (DE-588)4169187-8 gnd Filmmusik (DE-588)4017129-2 gnd Minimal music (DE-588)4346530-4 gnd |
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