Unity and variety in orthodox music: theory and practice ; proceedings of the Fourth International Conference on Orthodox Church Music, University of Eastern Finland, Joensuu, Finland, 6 - 12 June 2011
Gespeichert in:
| Format: | Tagungsbericht Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Joensuu
University of Joensuu & International Society for Orthodox Church Music
2013
|
| Schriftenreihe: | Publications of the International Society for Orthodox Church Music
4 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 489 S. Ill., Notenbeisp. |
| ISBN: | 9789529988334 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Preface
..................................................................................................................................5
Conference Programme
..............................................................................................9
Opening Addresses
Ivan Moody.
.............................................................................................................................................13
Perttu Vartiainen
.....................................................................................................................................14
Matti
Kotiranta
.......................................................................................................................................15
Introduction to ISOCM
.........................................................................................................................16
Conference Papers
Christian
Troelsgård,
Chant papyri and the Jerusalem Tropologion
.
An important group of source for the study of the
formation of the earliest Orthodox Christian chant repertories
........................................................20
Serafim
Seppälä,
Is Existence a Song? Orthodox remarks on the relation between music and ontology
....................29
Ivan Moody,
Theology in Sofia Gubaidulina
s
St
John Passion and St John Easter
.............................................43
Hilkka
Seppälä,
The Unity and Variety of Church Music Traditions. A Theological View
......................................56
Šimon Marinčák,
Notes on Congregational Participation in the Eparchy of
Mukačevo
..............................................63
Thomas Apostolopoulos,
Levels of Orality in Byzantine Music
...............................................................................................73
Mora
Kritikou,
Kalophoriic Settings ofStichcra Idiomela in Byzantine and Cypriot Tradition: Points of Conver¬
gence and Divergence
.......................................................................................................................82
Michael Stroumpakis,
The Interpretative tradition of hymns in Athonite monaslicism. Diversity and unity. A first
approach
............................................................................................................................................99
Dimitrios Balageorgos,
Unity and variety in Orthodox music: The case of the Great Doxology (second half of the
18
century
-
beginnings of the
79
century)
.......................................................................................121
Achilleas Chaldaeakes,
Singing antiphonally: unity or variety?
.........................................................................................139
John A. Graham,
Without Parallel: Voice-Crossing and Textual Rhythm in West Georgian Chant
........................164
Ekaterine Diasamidze-Craham,
The Coexistence of Russian and Georgian Chant
...........................................................................179
Davit Shugliashvili,
Similarities and Differences in the Georgian Chant School Traditions
.........................................183
Ivana Perković,
Musical symbols in Serbian liturgical poetry (Srbljak)
..................................................................191
Svetlana
Kujumdzieva,
Music for
St Petka
ofTărnovo........................................................................................................
199
Nina Zakharina,
A
Sticheron
for the Feast of the Dormition of the Mother God
......................................................212
Jaakko Olkinuora,
New aspects of studying hymnography: The Doxastikon of the Aposticha of the feast of the
Entrance
..........................................................................................................................................230
488
M.B.
Мака ровская,
О двух
богослужебію-певческих
традициях в современном старообрядчестве, приемлющем
священство
....................................................................................................................................240
Melitina Makarovskaya,
Concerning two liturgical singing traditions among contemporary priested Old Believers
(Popovtsy)
.......................................................................................................................................251
Nicolae
Gheorghiţă,
Observations on the technique of transcription
(έξήγησις)
into the New Method of analytical
music notation of the Sunday Koinonikon of the
17
and
18
centuries
........................................261
H.
В. Рамазанова,
Две ветви старообрядческой певческой книжности в Российской национальной
библиотеке
....................................................................................................................................295
Natalia Ramazanova,
Two Branches of Old Believer Literature in the Russian National Library
...................................308
Bogdan
Djaković,
New Identities in Contemporary Serbian Orthodox Church Music: The Gypsy Liturgy of St. John
Chrysostom by
Zoran Mulić
(2010)...............................................................................................318
Дмитрий Черняк,
Опыт прояснения метрики пространного пения в псалмах для употребления за
богослужением
...............................................................................................................................325
Dmitry
Chernyak,
An Exploration of the Metrical System of Melismatic Singing of Psalms in liturgical use in
Edinovercy Orthodox Parishes
.......................................................................................................336
Ardian Ahmedaja,
Fan S. Noli and Musical Practice in the Orthodox Church in Albania
.........................................345
Irina Gerasimova,
The Requiem Liturgy by Nikolai Dileckij: Questions of Reconstruction
...................................370
Daniel Galadza,
The Russicum, Russia, and
Ruthenians:
The Life and Work of
Ludwig
Pichler, S]
......................379
H.
IO.
Плотникова,
«Реквириалышя» Служба
Божия
Василия Титова: Открытия и .шгадки
...........................393
Natalia Plotnikova,
The Requiem Divine Liturgy by Vasily
Titov:
Findings and Enigmas
.....................................407
Costas Manoras,
The Musical Traditions of the choir of the Greek Cathedral ofSt Sophia London
.........................421
Inge Kreuz,
Cenlonizatiun in Old Russian Liturgical Chant
............................................................................442
Галина Алексеева,
Память ви.шптиискои традиции в русской певческой терминологии (на материале
Азбуки
XVII
века ВАН
32.16.18)................................................................................................453
Galina Alexeeva,
Reflections of Byzantine tradition in Russian singing
terminology
(on the basis of
17
century
Azbuka
from the Russian Academy of Science Library no.
32.16.18)............................................459
Petri
Piiroinen,
Vaeltajan lauluja : A spiritual song collection in post-war Finland
...........................................464
Dávid Panc/.a,
The
Filotean
Pripěla.
Analysis of text and melody
.........................................................................471
LIST OF PARTICIPANTS
.................................................................................................................486
Bayerische
Staatsbibliothek
München
489
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| spelling | Unity and variety in orthodox music theory and practice ; proceedings of the Fourth International Conference on Orthodox Church Music, University of Eastern Finland, Joensuu, Finland, 6 - 12 June 2011 [eds.: Ivan Moody ...] Joensuu University of Joensuu & International Society for Orthodox Church Music 2013 489 S. Ill., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Publications of the International Society for Orthodox Church Music 4 Kirchenmusik (DE-588)4030736-0 gnd rswk-swf Orthodoxe Kirche (DE-588)4043912-4 gnd rswk-swf (DE-588)1071861417 Konferenzschrift 2011 Joensuu gnd-content Orthodoxe Kirche (DE-588)4043912-4 s Kirchenmusik (DE-588)4030736-0 s DE-604 Moody, Ivan 1964-2024 Sonstige (DE-588)135040841 oth International Conference on Orthodox Church Music 4 2011 Joensuu Sonstige (DE-588)1037789881 oth Publications of the International Society for Orthodox Church Music 4 (DE-604)BV036058067 4 Digitalisierung BSB Muenchen 3 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026170610&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Unity and variety in orthodox music theory and practice ; proceedings of the Fourth International Conference on Orthodox Church Music, University of Eastern Finland, Joensuu, Finland, 6 - 12 June 2011 Publications of the International Society for Orthodox Church Music Kirchenmusik (DE-588)4030736-0 gnd Orthodoxe Kirche (DE-588)4043912-4 gnd |
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| title | Unity and variety in orthodox music theory and practice ; proceedings of the Fourth International Conference on Orthodox Church Music, University of Eastern Finland, Joensuu, Finland, 6 - 12 June 2011 |
| title_auth | Unity and variety in orthodox music theory and practice ; proceedings of the Fourth International Conference on Orthodox Church Music, University of Eastern Finland, Joensuu, Finland, 6 - 12 June 2011 |
| title_exact_search | Unity and variety in orthodox music theory and practice ; proceedings of the Fourth International Conference on Orthodox Church Music, University of Eastern Finland, Joensuu, Finland, 6 - 12 June 2011 |
| title_full | Unity and variety in orthodox music theory and practice ; proceedings of the Fourth International Conference on Orthodox Church Music, University of Eastern Finland, Joensuu, Finland, 6 - 12 June 2011 [eds.: Ivan Moody ...] |
| title_fullStr | Unity and variety in orthodox music theory and practice ; proceedings of the Fourth International Conference on Orthodox Church Music, University of Eastern Finland, Joensuu, Finland, 6 - 12 June 2011 [eds.: Ivan Moody ...] |
| title_full_unstemmed | Unity and variety in orthodox music theory and practice ; proceedings of the Fourth International Conference on Orthodox Church Music, University of Eastern Finland, Joensuu, Finland, 6 - 12 June 2011 [eds.: Ivan Moody ...] |
| title_short | Unity and variety in orthodox music |
| title_sort | unity and variety in orthodox music theory and practice proceedings of the fourth international conference on orthodox church music university of eastern finland joensuu finland 6 12 june 2011 |
| title_sub | theory and practice ; proceedings of the Fourth International Conference on Orthodox Church Music, University of Eastern Finland, Joensuu, Finland, 6 - 12 June 2011 |
| topic | Kirchenmusik (DE-588)4030736-0 gnd Orthodoxe Kirche (DE-588)4043912-4 gnd |
| topic_facet | Kirchenmusik Orthodoxe Kirche Konferenzschrift 2011 Joensuu |
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