Practical approach to 18th century counterpoint:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Lonf Grove
Waveland Press
2013
|
| Ausgabe: | Rev. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XV, 335 S. zahlr. Notenbeisp. cm |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
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| 003 | DE-604 | ||
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| 100 | 1 | |a Gauldin, Robert |d 1931- |e Verfasser |0 (DE-588)1032164603 |4 aut | |
| 245 | 1 | 0 | |a Practical approach to 18th century counterpoint |c Robert Gauldin |
| 246 | 1 | 3 | |a Practical approach to eighteenth century counterpoint |
| 250 | |a Rev. ed. | ||
| 264 | 1 | |a Lonf Grove |b Waveland Press |c 2013 | |
| 300 | |a XV, 335 S. |b zahlr. Notenbeisp. |c cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 648 | 7 | |a Geschichte 1700-1800 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Kontrapunkt |0 (DE-588)4032307-9 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4151278-9 |a Einführung |2 gnd-content | |
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| 689 | 0 | 1 | |a Geschichte 1700-1800 |A z |
| 689 | 0 | |5 DE-604 | |
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Datensatz im Suchindex
| _version_ | 1804150615858741248 |
|---|---|
| adam_text | Contents
PREFACE
xiii
1
INTRODUCTION
1
Doctrine of the Affections,
2
Texture,
2
Aspects of Formal Construction,
3
Performance Practice and Musical Editions,
3
Thoroughbass,
4
The Major-Minor Modes and their Diatonic Scale Degrees,
7
Diatonic Chords and their Harmonic Function,
9
Non-Diatonic Scale Degrees and Chords,
11
Modulation,
12
Cadential Formulas,
13
Sequential Patterns,
15
2
MELODY
23
Tempo, Meter, and Phrasing,
23
Vocali
Instrumental Cross Influence,
25
Technical Features of Baroque Melody,
26
vu
viii
Contents
GENERAL CHARACTERISTICS
OF COUNTERPOINT;
PEDAGOGICAL FOUNDATIONS
33
Pedagogical Foundations of Baroque Polyphony,
35
4
TWO-VOICE NOTE-AGAINST-NOTE COUNTERPOINT
41
Typical Melodic Problems in the Counterpointing Voice,
42
Harmonic Intervals,
43
Melodic Motion between Consecutive Harmonic Intervals,
45
Harmonic Implications,
47
Voice-Leading Reduction,
51
Chordal Dissonance
, 53
Tonicization and Modulation within the Phrase,
54
5
SIMPLE DIMINUTION:
2:1
ELABORATION
OF THE COUNTERPOINTING VOICE
57
Diminution with Consonant Intervals,
58
Diminution with Dissonant Intervals,
61
Suspensions in Simple Diminution,
66
Chordal Dissonance in Simple Diminution,
67
6
FURTHER RHYTHMIC DIMINUTION; TWO-VOICE CHORALE PRELUDES
69
Further Contrapuntal Diminution,
69
The Two-Voice Chorale Prelude,
75
Compositional Unification in the Chorale Prelude,
75
7
FREE COUNTERPOINT; SIMPLE TWO-REPRISE FORM
83
Simple Two-Reprise Form,
85
8
FURTHER DIMINUTION TECHNIQUES IN TWO-VOICE TEXTURE
96
Figuration Preludes,
102
Contents ix
9
REAL IMITATION AND DOUBLE
COUNTERPOINT
107
Real Imitation at the Octave and Fifth,
107
Double Counterpoint at the Octave,
113
10
THE TWO-PART CANON AND INVENTION
117
Two-Part Canon,
117
The Two-Part Invention,
122
11
INTRODUCTION TO THREE-VOICE TEXTURE; NOTE-AGAINST-NOTE
AND SIMPLE DIMINUTION
131
Note-Against-Note with Consonance only,
131
Note-Against-Note with Chordal Dissonance,
135
Simple
2:1
Elaboration in Three Voices,
137
12
FURTHER RHYTHMIC DIMINUTION;
THREE-VOICE CHORALE PRELUDES
141
Further Rhythmic Diminution,
141
Three-Voice Chorale Preludes,
144
13
CHROMATICISM
155
Non-
Structural Chromaticism in the Major Mode,
157
Non-Structural Chromaticism in the Minor Mode,
159
Structural Chromaticism,
162
14
FREE COUNTERPOINT IN THREE VOICES;
EXTENDED TWO-REPRISE FORM
167
Free Counterpoint in Three-Voice Texture,
167
The Baroque Suite,
170
Extended Two-Reprise Form,
174
x
Contents
15
TONAL IMITATION: FURTHER STUDIES IN
INVERTIDLE
COUNTERPOINT
177
Tonal Imitation,
177
Double Counterpoint at the Tenth and Twelfth,
186
Triple Counterpoint,
189
16
ADDITIONAL CONTRAPUNTAL DEVICES: FURTHER STUDY OF CANON
194
Melodic Mirror,
194
Stretto,
197
Augmentation and Diminution,
200
Additional Study in Canon,
202
17
THE THREE-VOICE FUGUE
209
Historical Background,
209
The Fugues ofj. S. Bach,
210
The Exposition,
211
The Counter-Exposition,
217
Re-entries of the Subject,
218
Episodes,
219
Contrapuntal Devices,
222
The Overall Structure of the Fugue,
223
18
INTRODUCTION TO FOUR-VOICE TEXTURE; FURTHER STUDY
IN CHORALE PRELUDE
229
Contrapuntal Diminution of Note-Against-Note Settings,
229
The
F
our-Voice Chorale Prelude,
234
Free Four-Voice Counterpoint,
240
Textures in Excess of Four Voices,
242
19
VARIATIONS
244
Historical Background,
244
Continuous Variations,
245
Theme and Variations,
256
Contents xi
20
FURTHER STUDIES IN FUGUE
260
The Four-Voice Fugue,
260
The Larger Organ Fugues,
265
The Double Fugue,
266
The Triple Fugue,
272
Five- and Six-Voice Fugues,
274
21
CHORAL WRITING
276
Words and Music,
276
Throughcomposed Polyphonic Settings,
279
Fugai
Movements,
284
The Chorale in Choral Works,
285
22
THE PEDAGOGICAL FOUNDATIONS OF COUNTERPOINT
IN THE CLASSICAL PERIOD
289
Background,
289
Fux and the Five Species,
290
The Application of Species to Classical Counterpoint,
291
23
EXAMPLES OF COUNTERPOINT IN THE CLASSICAL PERIOD
298
Incidental Passages of Polyphony within
Homophonie
Movements,
299
Hybrid Forms,
301
The
Fugai
Movement,
302
Canonic Technique,
304
Various Other Contrapuntal Devices,
306
APPENDIX: CHARACTERISTICS OF DANCE MOVEMENTS
310
BIBLIOGRAPHY
313
Textbooks,
313
Anthologies,
317
Treatises,
318
Other Reference Sources,
321
INDEX OF NAMES AND WORKS
325
INDEX OF TERMS
331
|
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| spelling | Gauldin, Robert 1931- Verfasser (DE-588)1032164603 aut Practical approach to 18th century counterpoint Robert Gauldin Practical approach to eighteenth century counterpoint Rev. ed. Lonf Grove Waveland Press 2013 XV, 335 S. zahlr. Notenbeisp. cm txt rdacontent n rdamedia nc rdacarrier Geschichte 1700-1800 gnd rswk-swf Kontrapunkt (DE-588)4032307-9 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content Kontrapunkt (DE-588)4032307-9 s Geschichte 1700-1800 z DE-604 Digitalisierung BSB Muenchen 20 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026168561&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Practical approach to 18th century counterpoint |
| title_alt | Practical approach to eighteenth century counterpoint |
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| title_exact_search | Practical approach to 18th century counterpoint |
| title_full | Practical approach to 18th century counterpoint Robert Gauldin |
| title_fullStr | Practical approach to 18th century counterpoint Robert Gauldin |
| title_full_unstemmed | Practical approach to 18th century counterpoint Robert Gauldin |
| title_short | Practical approach to 18th century counterpoint |
| title_sort | practical approach to 18th century counterpoint |
| topic | Kontrapunkt (DE-588)4032307-9 gnd |
| topic_facet | Kontrapunkt Einführung |
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