Dada, surrealism, and the cinematic effect:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Waterloo, Ont.
Wilfrid Laurier Univ. Press
2013
|
| Schriftenreihe: | Film and media studies series
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | X, 765 S. 24 cm |
| ISBN: | 9781554586257 1554586259 |
Internformat
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| 245 | 1 | 0 | |a Dada, surrealism, and the cinematic effect |c R. Bruce Elder |
| 264 | 1 | |a Waterloo, Ont. |b Wilfrid Laurier Univ. Press |c 2013 | |
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| 650 | 4 | |a Surrealism | |
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Datensatz im Suchindex
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| adam_text |
DADA,
SURREALISM,
ШТНЕ
CINEMATIC™
R.
BRUCE ELDER
WILFRID
LAURIER
UNIVERSITY PRESS
CONTENTS
Acknowledgements I
ix
Introduction I
1
Notes
/ 19
1
The Fate of Reason in Modernity
/ 21
The Modern Paradigm: Privileging Reason
/ 23
Geometry and Geometries
/ 27
Foundationalism Collapses
/ 30
Logic and Paradox
/ 33
Continuity and the Foundations of Physics
/ 42
Cantor and the Strangeness of Infinity
/ 48
Formalist Mathematics and the Limits of Reason
/ 49
Consequences of Reason's Retreat
/51
"Primitivism"
as a Response to the Collapse of Reason
/ 52
Notes
/ 63
2
Dadaism
and the Disasters of War
/ 69
The
Zürich
Coterie and Their Antics
/ 71
The
Dada
Conspirators: Tristan
Tzara
/ 73
The
Dada
Conspirators: Hugo Ball and Emmy
Hennings / 74
vi
Contents
The
Dada
Conspirators: Francis Picabia
/ 75
The
Künstlerkneipe
Cabaret Voltaire and the
Galerie Dada / 76
DADA: War
and Politics
/ 83
DADA
against the Burgeoning of Nationalism: What
DADA
Might
Have Prevented
/86
A Precursor of
DADA:
The Comic Grotesque
/ 97
The Diffusion of
DADA / 100
The Conditions That Produced the State of Mind Known as
DADA / 103
Elementalism's Menacing Lure
/ 105
DADA:
Art and Anti-Art
/ 110
DADA
and the Life-Principle
/ 114
Constructive
DADA / 116
Hans
Richter
on the Six Forms of Use in Returning Art to Its
Elementary Condition
/139
Dada
Forms: Collage
/ 145
Further on Collage's New Notion of Form
/ 149
DADA
and Language
/157
Parallels with the Russian Transrationalists and Andrei
Bely
/ 159
Zaum
and the Higher Consciousness of Trans-Sense
/ 166
Picabia, Man Ray, and the
Dadaist Art
of the Machine
/ 174
Duchamp and DADA's Art of the Machine
/ 177
Entr'acte: Commentary
/ 185
Man Ray's
Dada
Cinema
/ 202
Emak Bakia: Introduction
/ 205
Emak Bakia: Commentary
/ 212
DADA:
In Conclusion
/221
Notes
/ 225
3
Surrealism and the Cinema
/ 259
Beginnings
/ 262
Psychoanalysis and the Occult: The Intrusion of Alien Forms
into Consciousness and the Poetics of the Surrealist Literary
Image
/270
DADA
and Surrealism
/ 288
Hippolyte
Taine,
Hasard
Objectif,
the Poetic Image, and the
Cinema
/ 295
The Cinema, Photography, and "the Marvellous"
/ 312
Photography, the Surrealist Object, and the
Unheimlich
I
322
Ernst's
Frottage
as a Handmade Trace and
Automatist Form / 325
Contents
vii
Surrealism,
Apollinaire,
and Reconciliation
/ 328
Surrealism and the Hegelian Dialectic
/ 332
Surrealism and the Freudian Dialectic
/ 340
Dalí,
the Double Image, and Paranoiac-Critical Methods
/ 348
Dalí
against Idealism
/ 356
Dalí,
Paranoia, and
Lacan: A
New Phase of Surrealism Begins
/ 359
Lacan's Theories and Surrealists' Conception of the Poetic
Image
/ 365
Un chien andalou:
Commentary
/ 381
An Anti-Art Film
/ 384
The Verbal Image
/ 390
Surrealism's Fissures and
Luis Buñuel's Las Hurdes: Tierra sin
pan I
403
Las Hurdes and the Documentary
/ 405
Dialectical Structure in Las Hurdes I
408
Las Hurdes and Bataille's Heterology
/ 413
Las Hurdes and the Sacred
/ 417
Las Hurdes as an Ethnographic Film
/ 424
The Hurdanos in History
/ 427
How Surrealism Has Been Passed Down into the Twenty-First
Century: The Marvellous Correspondence between Max Ernst's
Collage Novels and Lawrence Jordan's Films
/ 433
Collage as a Pneumatic Device: Through Ernst to Jordan
/ 439
The Surrealist Collage Novel:
Une semaine de bonté
—
"Dimanche"
(Calcination) /
467
The Surrealist Collage Novel:
Une semaine de bonté
—
"Lundi"
(Dissolution)
/ 473
The Surrealist
Collage
Novel:
Une semaine de bonté
—
"Mardi"
(Separation)
/ 476
The Surrealist
Collage
Novel:
Une semaine de bonté
—
"Mercredi"
(Conjunction)
/ 479
The Surrealist
Collage
Novel:
Une semaine de bonté
—
"Jeudi"
(Putrefaction/Fermentation)
/ 481
The Surrealist
Collage
Novel:
Une semaine de bonté
—
"Vendredi"
(Distillation)
/ 484
The Surrealist
Collage
Novel:
Une semaine de bonté
—
"Samedi"
(Coagulation)
/ 487
Lawrence Jordan:
Surrealism and Alchemy
/ 488
Lawrence
Jordan's Duo
Concertantes:
Commentary
/ 494
Part
One: The Centennial Exposition
/ 494
Part
Two:
Patricia
Gives Birth to a Dream by the Doorway
/ 503
Notes
/ 506
viii Contents
In Lieu of a Conclusion
/ 567
appendix
1:
How Reason Lost Its Purchase on Reality
/ 571
Notes
/ 575
appendix
2:
Infinity Confounds Reason
/ 577
Notes
/ 582
appendix
3:
An Account of
Godei
's Proof for Poets, Painters, and
Art Historians
/ 583
Notes
/ 590
appendix
4:
Emak Bakia: A Shot Analysis and Commentary
/ 591
Notes
/ 609
appendix
5:
Un chien
andalou: A Shot Analysis and Commentary
/611
Notes
/ 664
appendix
6 :
Land without Bread: A Shot Analysis and Commentary
/ 667
Notes
/ 702
appendix
7:
Analysis of Lawrence Jordan's Duo
Concertantes
I
703
Part One: The Centennial Exposition
/ 703
Part Two: Patricia Gives Birth to a Dream by the Doorway
/ 716
Duo
Concertantes
Musical Form: Tables
/ 722
Duo
Concertantes Part
1:
The Centennial Exposition
/ 723
Duo
Concertantes Part
2:
Patricia Gives Birth to a Dream by the
Doorway
/ 726
Index I
727 |
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| title | Dada, surrealism, and the cinematic effect |
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| topic_facet | Art and motion pictures Dadaism Surrealism Dadaismus Film Surrealismus |
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