American ethnographic film and personal documentary: the Cambridge turn
American Ethnographic Film and Personal Documentary is a critical history of American filmmakers crucial to the development of ethnographic film and personal documentary. The Boston and Cambridge area is notable for nurturing these approaches to documentary film via institutions such as the MIT Film...
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Berkeley [u.a.]
Univ. of California Press
2013
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | American Ethnographic Film and Personal Documentary is a critical history of American filmmakers crucial to the development of ethnographic film and personal documentary. The Boston and Cambridge area is notable for nurturing these approaches to documentary film via institutions such as the MIT Film Section and the Film Study Center, the Carpenter Center and the Visual and Environmental Studies Department at Harvard. Scott MacDonald uses pragmatism's focus on empirical experience as a basis for measuring the groundbreaking achievements of such influential filmmakers as John Marshall, Robert Gardner, Timothy Asch, Ed Pincus, Miriam Weinstein, Alfred Guzzetti, Ross McElwee, Robb Moss, Nina Davenport, Steve Ascher and Jeanne Jordan, Michel Negroponte, John Gianvito, Alexander Olch, Amie Siegel, Ilisa Barbash, and Lucien Castaing-Taylor. By exploring the cinematic, personal, and professional relationships between these accomplished filmmakers, MacDonald shows how a pioneering, engaged, and uniquely cosmopolitan approach to documentary developed over the past half century. "-- |
| Beschreibung: | VIII, 415 S. Ill. |
| ISBN: | 9780520275614 0520275616 9780520275621 0520275624 9780520954939 |
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Datensatz im Suchindex
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|---|---|
| adam_text | American Ethnographic Film
Personal Documentary
The Cambridge Turn
Scott MacDonald
tp
UNIVERSITY OF CALIFORNIA PRESS
Berkeley Los Angeles London
CONTENTS
Introduction
A Tentative Overview of Boston-Area Documentary Filmmaking •
Ethnographic Film and Personal Documentary • Pragmatism: Learning
from Experience • The Mission of American Ethnographic Film and
Personal Documentary: The Cambridge Turn • Subjects for Further
Research • Acknowledgments
1 Lorna and John Marshall
Beginnings: Lorna Marshall and First Film • John Marshall: The Hunters •
Idylls of the IKung • Pedagogy • Fx pulsion from Eden: Bitter Melons and N ai,
the Story of a IKung Woman • The Pittsburgh Police Films and Brakhage s
Eyes • Putting Down the Camera and Picking Up the Shovel • The Road
Taken: A Kalahari Family • A Process in Time
2 Robert Gardner
East Coast/West Coast: Early Experiments • Gardner and the Marshalls •
Dead Birds • The Experience of Filmmaking as Thought Process • Robert
Fulton: Reality s Invisible—Serious Playing Around • Screening Room:
Midnight Movies • City Symphony: Forest of Bliss • The Return of the
Repressed: Ika Hands • Still Journeying On: Unfinished Examinations of
a Life • Studio7Arts: Sharon Lockhart s Double Tide and Robert Fenz s
Correspondence
3 Timothy Asch •
Dodoth Morning and the Ethnographic Deadpan • Asch and the
Yanomamo • The Ax Fight
viii CONTENTS
4 Ed Pincus and the Emergence of Personal Documentary
The Miriam Weinstein Quartet,and Richard P Rogers s Elephants: Fragments
of an Argument • Ed Pincus s Diaries (1971-1976) • Alfred Guzzetti:
Family Portrait Sittings • Guzzetti: It s a Small World • Guzzetti:
Time Exposure
5 Alfred Guzzetti and Personal Cinema
Air • Experimental Video: Language Lessons • Scylla and Charybdis •
Still Point
6 Ross McElwee 183
Finding a Muse: Charleen • Finding a Voice: Ann Schaetzel s Breaking and
Entering and McElwees Backyard • Doppleganger: Sherman s March •
Nesting Dolls: Time Indefinite • On the Road Again: Six O Clock News •
Occupational Hazards: Bright Leaves • Orpheus: In Paraguay and
Photographic Memory
7 Robb Moss 238
Riverdogs: A Possible Eden • The Tourist: Freelance Editing • Voyage of
Life: The Same River Twice
8 Panorama: Other Approaches to Personal Documentary 260
Steven Ascher and Jeanne Jordan: Families in Transition • Michel Negroponte:
Getting Involved • Leacock and Lalonde • The Subject Rebels: Nina
Davenport s Films and Ed Pincus and Lucia Small s The Axe in the Attic •
The Political Is the Personal: John Gianvito s Profit Motive and the
Whispering Wind and Jeff Daniel Silva s Balkan Rhapsodies • Alexander
Olch s fthe Windmill Movie: This Little Seance of Flickering Light •
Amie Siegel s DDR/DDR
9 Lucien Castaing-Taylor and Sensory Ethnography 314
Ilisa Barbash, Lucien Castaing-Taylor, and Sweetgrass • Sheeple:
Castaing-Taylors Audio-Video Installations • The Sensory Ethnography
Lab: J P Sniadecki, Stephanie Spray, Verena Paravel, and Leviathan
Epilogue 339
Appendix: Sources for Films 345
Notes 347
Index 397
|
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| era | Geschichte 1960- gnd |
| era_facet | Geschichte 1960- |
| format | Book |
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| indexdate | 2024-07-10T00:41:41Z |
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| isbn | 9780520275614 0520275616 9780520275621 0520275624 9780520954939 |
| language | English |
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| physical | VIII, 415 S. Ill. |
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| spelling | American ethnographic film and personal documentary the Cambridge turn Scott MacDonald Berkeley [u.a.] Univ. of California Press 2013 VIII, 415 S. Ill. txt rdacontent n rdamedia nc rdacarrier American Ethnographic Film and Personal Documentary is a critical history of American filmmakers crucial to the development of ethnographic film and personal documentary. The Boston and Cambridge area is notable for nurturing these approaches to documentary film via institutions such as the MIT Film Section and the Film Study Center, the Carpenter Center and the Visual and Environmental Studies Department at Harvard. Scott MacDonald uses pragmatism's focus on empirical experience as a basis for measuring the groundbreaking achievements of such influential filmmakers as John Marshall, Robert Gardner, Timothy Asch, Ed Pincus, Miriam Weinstein, Alfred Guzzetti, Ross McElwee, Robb Moss, Nina Davenport, Steve Ascher and Jeanne Jordan, Michel Negroponte, John Gianvito, Alexander Olch, Amie Siegel, Ilisa Barbash, and Lucien Castaing-Taylor. By exploring the cinematic, personal, and professional relationships between these accomplished filmmakers, MacDonald shows how a pioneering, engaged, and uniquely cosmopolitan approach to documentary developed over the past half century. "-- Geschichte 1960- gnd rswk-swf Regisseur (DE-588)4049050-6 gnd rswk-swf Dokumentarfilm (DE-588)4012653-5 gnd rswk-swf Massachusetts (DE-588)4037858-5 gnd rswk-swf Massachusetts (DE-588)4037858-5 g Dokumentarfilm (DE-588)4012653-5 s Regisseur (DE-588)4049050-6 s Geschichte 1960- z DE-604 MacDonald, Scott 1942- Sonstige (DE-588)132565900 oth HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026166137&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | American ethnographic film and personal documentary the Cambridge turn |
| title_auth | American ethnographic film and personal documentary the Cambridge turn |
| title_exact_search | American ethnographic film and personal documentary the Cambridge turn |
| title_full | American ethnographic film and personal documentary the Cambridge turn Scott MacDonald |
| title_fullStr | American ethnographic film and personal documentary the Cambridge turn Scott MacDonald |
| title_full_unstemmed | American ethnographic film and personal documentary the Cambridge turn Scott MacDonald |
| title_short | American ethnographic film and personal documentary |
| title_sort | american ethnographic film and personal documentary the cambridge turn |
| title_sub | the Cambridge turn |
| topic | Regisseur (DE-588)4049050-6 gnd Dokumentarfilm (DE-588)4012653-5 gnd |
| topic_facet | Regisseur Dokumentarfilm Massachusetts |
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