Music in films on the Middle Ages: authenticity vs. fantasy
This book explores the role of music in the some five hundred feature-length films on the Middle Ages produced between the late 1890s and the present day. Haines focuses on the tension in these films between the surviving evidence for medieval music and the idiomatic tradition of cinematic music. Th...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York [u.a.]
Routledge
2014
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Routledge research in music
7 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | This book explores the role of music in the some five hundred feature-length films on the Middle Ages produced between the late 1890s and the present day. Haines focuses on the tension in these films between the surviving evidence for medieval music and the idiomatic tradition of cinematic music. The latter is taken broadly as any musical sound occurring in a film, from the clang of a bell off-screen to a minstrel singing his song. Medieval film music must be considered in the broader historical context of pre-cinematic medievalisms and of medievalist cinema's main development in the course of the twentieth century as an American appropriation of European culture. The book treats six pervasive moments that define the genre of medieval film: the church-tower bell, the trumpet fanfare or horn call, the music of banquets and courts, the singing minstrel, performances of Gregorian chant, and the music that accompanies horse-riding knights, with each chapter visiting representative films as case studies. These six signal musical moments, that create a fundamental visual-aural core central to making a film feel medieval to modern audiences, originate in medievalist works predating cinema by some three centuries. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XVII, 229 S. Ill., Notenbeisp. 23 cm |
| ISBN: | 9780415824125 |
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| 490 | 1 | |a Routledge research in music |v 7 | |
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| 520 | |a This book explores the role of music in the some five hundred feature-length films on the Middle Ages produced between the late 1890s and the present day. Haines focuses on the tension in these films between the surviving evidence for medieval music and the idiomatic tradition of cinematic music. The latter is taken broadly as any musical sound occurring in a film, from the clang of a bell off-screen to a minstrel singing his song. Medieval film music must be considered in the broader historical context of pre-cinematic medievalisms and of medievalist cinema's main development in the course of the twentieth century as an American appropriation of European culture. The book treats six pervasive moments that define the genre of medieval film: the church-tower bell, the trumpet fanfare or horn call, the music of banquets and courts, the singing minstrel, performances of Gregorian chant, and the music that accompanies horse-riding knights, with each chapter visiting representative films as case studies. These six signal musical moments, that create a fundamental visual-aural core central to making a film feel medieval to modern audiences, originate in medievalist works predating cinema by some three centuries. | ||
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Datensatz im Suchindex
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| adam_text | Titel: Music in films on the Middle Ages
Autor: Haines, John Dickinson
Jahr: 2014
Contents
List of Figures ix
ListofTables xiii
Preface xv
1 The Making of the Middle Ages 1
2 The Bell 26
3 The Hörn Call and the Trumpet Fanfare 45
4 Court and Dance Music 67
5 The Singing Minstrel 88
6 Chant 111
7 The Riding Warrior 133
Conclusion 153
Notes 159
References 197
Filmography 215
Index 217
|
| any_adam_object | 1 |
| author | Haines, John Dickinson 1964- |
| author_GND | (DE-588)136125085 |
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| author_role | aut |
| author_sort | Haines, John Dickinson 1964- |
| author_variant | j d h jd jdh |
| building | Verbundindex |
| bvnumber | BV041189013 |
| callnumber-first | M - Music |
| callnumber-label | ML2075 |
| callnumber-raw | ML2075 |
| callnumber-search | ML2075 |
| callnumber-sort | ML 42075 |
| callnumber-subject | ML - Literature on Music |
| classification_rvk | LR 53509 |
| ctrlnum | (OCoLC)873385694 (DE-599)BVBBV041189013 |
| dewey-full | 781.5/42 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.5/42 |
| dewey-search | 781.5/42 |
| dewey-sort | 3781.5 242 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| edition | 1. publ. |
| format | Book |
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| id | DE-604.BV041189013 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T00:41:38Z |
| institution | BVB |
| isbn | 9780415824125 |
| language | English |
| lccn | 2013018967 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-026164128 |
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| owner_facet | DE-703 DE-M472 DE-11 |
| physical | XVII, 229 S. Ill., Notenbeisp. 23 cm |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Routledge |
| record_format | marc |
| series | Routledge research in music |
| series2 | Routledge research in music |
| spelling | Haines, John Dickinson 1964- Verfasser (DE-588)136125085 aut Music in films on the Middle Ages authenticity vs. fantasy John Haines 1. publ. New York [u.a.] Routledge 2014 XVII, 229 S. Ill., Notenbeisp. 23 cm txt rdacontent n rdamedia nc rdacarrier Routledge research in music 7 Includes bibliographical references and index This book explores the role of music in the some five hundred feature-length films on the Middle Ages produced between the late 1890s and the present day. Haines focuses on the tension in these films between the surviving evidence for medieval music and the idiomatic tradition of cinematic music. The latter is taken broadly as any musical sound occurring in a film, from the clang of a bell off-screen to a minstrel singing his song. Medieval film music must be considered in the broader historical context of pre-cinematic medievalisms and of medievalist cinema's main development in the course of the twentieth century as an American appropriation of European culture. The book treats six pervasive moments that define the genre of medieval film: the church-tower bell, the trumpet fanfare or horn call, the music of banquets and courts, the singing minstrel, performances of Gregorian chant, and the music that accompanies horse-riding knights, with each chapter visiting representative films as case studies. These six signal musical moments, that create a fundamental visual-aural core central to making a film feel medieval to modern audiences, originate in medievalist works predating cinema by some three centuries. Motion picture music History and criticism Middle Ages in motion pictures Mittelalter Motiv (DE-588)4170206-2 gnd rswk-swf Filmmusik (DE-588)4017129-2 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Film (DE-588)4017102-4 s Mittelalter Motiv (DE-588)4170206-2 s Filmmusik (DE-588)4017129-2 s DE-604 Routledge research in music 7 (DE-604)BV040133408 7 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026164128&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Haines, John Dickinson 1964- Music in films on the Middle Ages authenticity vs. fantasy Routledge research in music Motion picture music History and criticism Middle Ages in motion pictures Mittelalter Motiv (DE-588)4170206-2 gnd Filmmusik (DE-588)4017129-2 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4170206-2 (DE-588)4017129-2 (DE-588)4017102-4 |
| title | Music in films on the Middle Ages authenticity vs. fantasy |
| title_auth | Music in films on the Middle Ages authenticity vs. fantasy |
| title_exact_search | Music in films on the Middle Ages authenticity vs. fantasy |
| title_full | Music in films on the Middle Ages authenticity vs. fantasy John Haines |
| title_fullStr | Music in films on the Middle Ages authenticity vs. fantasy John Haines |
| title_full_unstemmed | Music in films on the Middle Ages authenticity vs. fantasy John Haines |
| title_short | Music in films on the Middle Ages |
| title_sort | music in films on the middle ages authenticity vs fantasy |
| title_sub | authenticity vs. fantasy |
| topic | Motion picture music History and criticism Middle Ages in motion pictures Mittelalter Motiv (DE-588)4170206-2 gnd Filmmusik (DE-588)4017129-2 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Motion picture music History and criticism Middle Ages in motion pictures Mittelalter Motiv Filmmusik Film |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026164128&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV040133408 |
| work_keys_str_mv | AT hainesjohndickinson musicinfilmsonthemiddleagesauthenticityvsfantasy |