Operatic insights: understanding and enjoying great music for the stage
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Denver, Colo.
Tattered Cover Press
2012
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | "Forget about the fat lady and those viking helmets, most of a century out of date. Opera is a living, breathing art form of today with something to recommend it to almost any listener. This survey of the subject by Betsy Schwarm, author of Classical Music Insights, considers how opera came to be, how it developed, and where it is going in the 21st century. Along the way are explorations into 101 operas, with stories ranging from Greek myths to atomic bombs and more. Those new to the field will find an open door -- opera aficionados will get a behind-the-scenes look into how operas familiar and less well-known alike came to be how they are. Delve into the delights of opera, from Monteverdi to Philip Glass, from Mozart to Lori Laitman. Somewhere in the operatic realm is something perfectly suited to your tastes!"--P. [4] of cover. Includes bibliographical references (p. 355-361) and index |
| Beschreibung: | 380 S. Ill. 23 cm |
| ISBN: | 9781938859014 1938859014 |
Internformat
MARC
| LEADER | 00000nam a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV041169051 | ||
| 003 | DE-604 | ||
| 005 | 20130916 | ||
| 007 | t | ||
| 008 | 130723s2012 xxua||| |||| 00||| eng d | ||
| 010 | |a 2013560355 | ||
| 020 | |a 9781938859014 |c pbk. |9 978-1-938859-01-4 | ||
| 020 | |a 1938859014 |c pbk. |9 1-938859-01-4 | ||
| 035 | |a (OCoLC)859373966 | ||
| 035 | |a (DE-599)BVBBV041169051 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 044 | |a xxu |c US | ||
| 049 | |a DE-12 | ||
| 050 | 0 | |a ML1700 | |
| 084 | |a 9,2 |2 ssgn | ||
| 100 | 1 | |a Schwarm, Betsy |e Verfasser |0 (DE-588)1041533691 |4 aut | |
| 245 | 1 | 0 | |a Operatic insights |b understanding and enjoying great music for the stage |c by Betsy Schwarm |
| 264 | 1 | |a Denver, Colo. |b Tattered Cover Press |c 2012 | |
| 300 | |a 380 S. |b Ill. |c 23 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a "Forget about the fat lady and those viking helmets, most of a century out of date. Opera is a living, breathing art form of today with something to recommend it to almost any listener. This survey of the subject by Betsy Schwarm, author of Classical Music Insights, considers how opera came to be, how it developed, and where it is going in the 21st century. Along the way are explorations into 101 operas, with stories ranging from Greek myths to atomic bombs and more. Those new to the field will find an open door -- opera aficionados will get a behind-the-scenes look into how operas familiar and less well-known alike came to be how they are. Delve into the delights of opera, from Monteverdi to Philip Glass, from Mozart to Lori Laitman. Somewhere in the operatic realm is something perfectly suited to your tastes!"--P. [4] of cover. | ||
| 500 | |a Includes bibliographical references (p. 355-361) and index | ||
| 650 | 4 | |a Opera | |
| 650 | 4 | |a Operas |x Analysis, appreciation | |
| 650 | 0 | 7 | |a Oper |0 (DE-588)4043582-9 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4155569-7 |a Führer |2 gnd-content | |
| 689 | 0 | 0 | |a Oper |0 (DE-588)4043582-9 |D s |
| 689 | 0 | |5 DE-604 | |
| 856 | 4 | 2 | |m Digitalisierung BSB Muenchen 4 |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026144291&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 940 | 1 | |n by | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-026144291 | ||
| 942 | 1 | 1 | |c 781.5 |e 22/bsb |
| 942 | 1 | 1 | |c 781.5 |e 22/bsb |g 433 |
Datensatz im Suchindex
| _version_ | 1804150582493052928 |
|---|---|
| adam_text | Table
of Contents
Chapter One: Overture
—
What is Opera Anyway?
........................1-8
Chapter Two: Opera before Mozart
........................................9-26
Monteverdi: The Coronation ofPoppea
— 1642...................11-14
Purceii:
Dido and Aeneas
- 1689..................................14-16
Charpentier: Médée
—
December
4, 1693........................16-19
Handel:
Giulio Cesare
-
February
20, 1724......................19-21
Vivaldi: Orlando
furioso
-Yl
21....................................21-24
Gluck:
Orfeo ed Euridice
-
October
5,1762.....................24-26
Chapter Three: Opera
1780 - 1829............................................27-62
Mozart: Abduction from the Seraglio -July
16,1782..............29-31
Mozart: The Marriage of Figaro — May
1,1786......................31-35
Mozart: Don Giovanni- October
29,1787......................36-40
Mozart:
Cosi fan tutte
-
January
26, 1790........................40-43
Mozart: The Magic Flute
-
September
30, 1791.................44-47
Rossini: The Italian Girl in Algiers
-
May
22,1813.............47-50
Beethoven:
Fidelio
-
May
23,1814...............................51-53
Rossini: The barber of Seville
-
February
20,1816...............53-56
Rossini: CenerentoL· —January
25,1817...........................56-69
Weber:
Der Freischütz-
June
18,1821..........................60-62
Chapter Four: Opera
1830 -1855..........................................63-105
Bellini:
La Sonnambula
—
March
6, 1831.........................64-67
Bellini:
Norma-
December
26, 1831............................67-70
Donizetti: The Elixir of Love
-Мяу
12,1832...................70-72
Donizetti: Lucia
di
Lammermoor -
September
26, 1835.......72-74
Donizetti: The Daughter of the Regiment
-
February
11,1840...75-77
Interlude: The Boys of
1813......................................77-79
Verdi: Nabucco
-
March
9, 1842...................................80-82
Wagner: The Flying Dutchman
-
January
2,1843...............82-84
Donizetti: Don
Pasquale
-
January
3,1843......................85-87
Wagner:
Tannhäuser-
October
19, 1945.........................88-90
Flotow: Martha
-
November
25,1847..........................90-92
Wagner: Lohengrin
-
August
28, 1850...........................93-95
Verdi:
Rigoletta
-
March
11, 1851................................95-99
Verdi:
//Тшад&я?-
January
19,1853............................99-102
Verdi: LaTraviata-March
6.1853...........................102-105
Chapter Five: Opera
1856-1876..........................................106-149
Offenbach: Orpheus in the Underworld- October
21, 1858. ...107-110
Gounod: Raw/-March
19, 1859......................................110-113
Bizet: Pear!Fishers
-
September
30, 1863........................113-116
Wagner. Tristan
und
Isolde -June
10,1865.......................116-119
Smetana:
The Bartered Bride
-
May
30,1866....................119-122
Verdi: Don Carlos- March
11,1867.............................122-125
Gounod: Romeo
et
Juliette
-
April
27, 1867......................125-128
Wagner:
Meistersinger von Nürnberg
-June
21,1868............128-132
Verdi:
Aida
-
December
24,1871...............................132-135
Mussorgsky: Boris Godunov
—
February
8,1874................135-138
J. Strauss Jr.: Die
Fledermaus -
April
5,1874...................138-141
Bizet: Carmen
-
March
3, 1875..................................141-144
Wagner.
Oie
Walküre -
August
14,1876.......................145-149
Chapter Six: Opera
1877 - 1900...........................................150-195
Saint-Saëns:
Samson
et
Dálila
-
December
2,1877.............152-154
Sullivan: The Pirates of
Pensarne
-
May
25,1878.................154-157
Tchaikovsky: Eugene Onegin
-
March
17,1879..................157-159
Offenbach: The Tales of Hoffmann
-
February
10, 1881........159-163
Massenet:
Manon-
January
19,1884............................163-167
Verdi:
Otelio-
February
5,1887.................................167-169
Mascagni: Cavallaria Rusticana
-
May
17,1890..................170-171
Mascagni:
L
Amico
Fritt-
October
1,1891....................171-173
Massenet:
Werther
-
February
16,1892.........................173-176
Leoncavallo: I
Pagliacci
-
May
21,1892.........................176-178
Verdi: Falstaff- February
9,1893................................178-181
Humperdinck:
Hansel und
Gretel
-December
23,1894.......182-185
Puccini:
їм
Boheme -
February
1,1896..........................185-189
Giordano: Andrea
Chénier-
March
28,1896.....................189-191
Puccini:
Tosca-
January
15, 1900.................................192-195
Chapter Seven: Opera
1901 - 1926.........................................196-237
Dvorak:
Rusalka
-
March
31,1901 ...............................197-200
Debussy:
РеШаѕ
et Mélisande
-
April
30,1902...................200-203
Puccini:
Madama
Butterfly
-
February
17,1904..................204-206
R.
Strauss:
Salome
-
December
9, 1905..........................207-209
Lehar:
The Merry Widow
-
December
30,1905...................210-212
R. Strauss:
Elektra
-
January
25,1909............................213-215
R. Strauss:
Der Rosenkavalier-
January
26,1911..................215-218
Puccini: Gianni
IävW -
December
14,1918....................219-221
Komgold: Die
tote Stadt -
December
4,1920.....................221-224
Vives: Doña Francisquita
-
October
17,1923.....................224-226
Janáček:
The CunningLittle Vixen
-
November
6,1924........227-229
Romberg: The Student Prince
-
December
2,1924..............229-231
Berg:
Wo^ęck
-
December
14, 1925............................231-234
Puccini: Turandot- April
25,1926................................234-237
Chapter Eight: Opera since Puccini
.........................................238-284
Weill: The Three-Penny Opera- August
31,1928.................240-243
Gershwin:
Porp
and Bess
-
October
10,1935....................243-245
R. Strauss:
Capriccio -
October
28,1942..................................246-248
Britten: Peter Grimes- June
7,1945...............................249-252
Stravinsky: The Rake s Progress
-
September
11,1951..............252-255
Britten: Billy Budd- December
1, 1951.............................255-258
Menotti: Amahland the Night Visitors
-
December
24,1951 ..258-260
Floyd: Susannah
-
February
24, 1955............................260-263
Moore: The Ballad of Baby Doe -July
7, 1956......................263-266
Bernstein:
Candide
-
December
1, 1956.........................266-269
Poulenc:
Dialogues of the Carmelites
-
January
26, 1957..........269-272
Prokofiev: War and Peace
-
November
8,1957...................272-275
Barber: Vanessa -January
15,1958................................275-278
Britten: Midsummer Nights Dream -June
11,1960...............278-281
Ward: The Crucible
-
October
26,1961.............................281-284
Chapter Nine: Recent and Current Operas
................................285-330
Glass: Satyagraha
-
September
5, 1980...........................287-290
Adams: Nixon in China
-
October
22, 1987....................290-292
Catán: Florencia en el Amazonas
-
October
25, 1996............293-295
Adamo:
Little Women
-
March
13, 1998.........................296-299
Harbison: The Great Gatsby
-
December
20,1999.............299-302
Saariaho:
L Amour de loin
-
August
15, 2000...................302-304
Heggie: Dead Man Walking
-
October
7, 2000....................305-308
Golijov: Ainadamar- August
10, 2003...........................308-311
Ades:
The Tempest
-
February
10, 2004...........................311-313
Adams: Dr. Atomic
-
October
1, 2005..........................314-316
Rorem: Our Town
-
February
24, 2006..........................317-319
Tan Dun: The First Emperor
-
December
21, 2006............320-322
Heggie: Moby Dick
-
April
30, 2010............................323-326
Laitman: The Scarlet Letter- May
4, 2013...........................327-330
Chapter Ten:
Dénouement
-
Where Do We Go From Here?
...........331-334
Appendices:
Major Roles and Voice Parts
................................ 335-349
Pronunciation Guide
.............................................350-351
Glossary
..........................................................352-354
Source List
........................................................355-361
Acknowledgements
.................................................... 362
Author Biographical Notes
..........................................363
Index
.............................................................364-379
|
| any_adam_object | 1 |
| author | Schwarm, Betsy |
| author_GND | (DE-588)1041533691 |
| author_facet | Schwarm, Betsy |
| author_role | aut |
| author_sort | Schwarm, Betsy |
| author_variant | b s bs |
| building | Verbundindex |
| bvnumber | BV041169051 |
| callnumber-first | M - Music |
| callnumber-label | ML1700 |
| callnumber-raw | ML1700 |
| callnumber-search | ML1700 |
| callnumber-sort | ML 41700 |
| callnumber-subject | ML - Literature on Music |
| ctrlnum | (OCoLC)859373966 (DE-599)BVBBV041169051 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02447nam a2200457zc 4500</leader><controlfield tag="001">BV041169051</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20130916 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">130723s2012 xxua||| |||| 00||| eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">2013560355</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781938859014</subfield><subfield code="c">pbk.</subfield><subfield code="9">978-1-938859-01-4</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1938859014</subfield><subfield code="c">pbk.</subfield><subfield code="9">1-938859-01-4</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)859373966</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV041169051</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxu</subfield><subfield code="c">US</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">ML1700</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,2</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Schwarm, Betsy</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1041533691</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Operatic insights</subfield><subfield code="b">understanding and enjoying great music for the stage</subfield><subfield code="c">by Betsy Schwarm</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Denver, Colo.</subfield><subfield code="b">Tattered Cover Press</subfield><subfield code="c">2012</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">380 S.</subfield><subfield code="b">Ill.</subfield><subfield code="c">23 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">"Forget about the fat lady and those viking helmets, most of a century out of date. Opera is a living, breathing art form of today with something to recommend it to almost any listener. This survey of the subject by Betsy Schwarm, author of Classical Music Insights, considers how opera came to be, how it developed, and where it is going in the 21st century. Along the way are explorations into 101 operas, with stories ranging from Greek myths to atomic bombs and more. Those new to the field will find an open door -- opera aficionados will get a behind-the-scenes look into how operas familiar and less well-known alike came to be how they are. Delve into the delights of opera, from Monteverdi to Philip Glass, from Mozart to Lori Laitman. Somewhere in the operatic realm is something perfectly suited to your tastes!"--P. [4] of cover.</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (p. 355-361) and index</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Opera</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Operas</subfield><subfield code="x">Analysis, appreciation</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Oper</subfield><subfield code="0">(DE-588)4043582-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4155569-7</subfield><subfield code="a">Führer</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Oper</subfield><subfield code="0">(DE-588)4043582-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB Muenchen 4</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026144291&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="n">by</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-026144291</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="g">433</subfield></datafield></record></collection> |
| genre | (DE-588)4155569-7 Führer gnd-content |
| genre_facet | Führer |
| id | DE-604.BV041169051 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T00:41:13Z |
| institution | BVB |
| isbn | 9781938859014 1938859014 |
| language | English |
| lccn | 2013560355 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-026144291 |
| oclc_num | 859373966 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 380 S. Ill. 23 cm |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | Tattered Cover Press |
| record_format | marc |
| spelling | Schwarm, Betsy Verfasser (DE-588)1041533691 aut Operatic insights understanding and enjoying great music for the stage by Betsy Schwarm Denver, Colo. Tattered Cover Press 2012 380 S. Ill. 23 cm txt rdacontent n rdamedia nc rdacarrier "Forget about the fat lady and those viking helmets, most of a century out of date. Opera is a living, breathing art form of today with something to recommend it to almost any listener. This survey of the subject by Betsy Schwarm, author of Classical Music Insights, considers how opera came to be, how it developed, and where it is going in the 21st century. Along the way are explorations into 101 operas, with stories ranging from Greek myths to atomic bombs and more. Those new to the field will find an open door -- opera aficionados will get a behind-the-scenes look into how operas familiar and less well-known alike came to be how they are. Delve into the delights of opera, from Monteverdi to Philip Glass, from Mozart to Lori Laitman. Somewhere in the operatic realm is something perfectly suited to your tastes!"--P. [4] of cover. Includes bibliographical references (p. 355-361) and index Opera Operas Analysis, appreciation Oper (DE-588)4043582-9 gnd rswk-swf (DE-588)4155569-7 Führer gnd-content Oper (DE-588)4043582-9 s DE-604 Digitalisierung BSB Muenchen 4 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026144291&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Schwarm, Betsy Operatic insights understanding and enjoying great music for the stage Opera Operas Analysis, appreciation Oper (DE-588)4043582-9 gnd |
| subject_GND | (DE-588)4043582-9 (DE-588)4155569-7 |
| title | Operatic insights understanding and enjoying great music for the stage |
| title_auth | Operatic insights understanding and enjoying great music for the stage |
| title_exact_search | Operatic insights understanding and enjoying great music for the stage |
| title_full | Operatic insights understanding and enjoying great music for the stage by Betsy Schwarm |
| title_fullStr | Operatic insights understanding and enjoying great music for the stage by Betsy Schwarm |
| title_full_unstemmed | Operatic insights understanding and enjoying great music for the stage by Betsy Schwarm |
| title_short | Operatic insights |
| title_sort | operatic insights understanding and enjoying great music for the stage |
| title_sub | understanding and enjoying great music for the stage |
| topic | Opera Operas Analysis, appreciation Oper (DE-588)4043582-9 gnd |
| topic_facet | Opera Operas Analysis, appreciation Oper Führer |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026144291&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT schwarmbetsy operaticinsightsunderstandingandenjoyinggreatmusicforthestage |