Music in the Balkans:
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Leiden [u.a.]
Brill
2013
|
Schriftenreihe: | Balkan studies library
8 |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | XIV, 729 S. Ill. |
ISBN: | 9789004250376 9789004250383 |
Internformat
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Datensatz im Suchindex
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adam_text | Music in the Balkans
By
Jim Samson
BRILL
LEIDEN • BOSTON
CONTENTS
List of Illustrations xiii
List of Maps xv
Introduction 1
PART ONE
BALKAN GEOGRAPHIES
1 Exodus 13
Sarajevo: Little Jerusalem 13
Two Peninsulas: The Sephardic Diaspora 17
Singing the Community: Music of the Sephardim 21
Opening Out: Themes and Developments 28
2 Ecologies 35
Music and Place 35
Ringed by Mountains: The Oa§ Country 40
On the Voice: The Dinaric Alps and Other Mountains 44
Deep in Sumadija 51
3 Displacements 58
Investing in Place 58
Migrations: Serbs in a Habsburg World 63
Trading Places: Greece and Anatolia 69
Tallava Rules: Kosovars in Macedonia 75
4 Ecumenes 80
In the Minority 80
All Together in Vojvodina 83
Orchestrating Thrace 91
5 Centres 101
All in the Family: Mapping Montenegro 101
Finding the Centres: People and Traditions 110
East - West 115
Vlll CONTENTS
PART TWO
HISTORICAL LAYERS
6 A Makam-Echos Culture 133
Grand Narratives 133
Byzantine Reflections 142
Ottoman Canons 150
7 Eastern Recessions 160
Allahu Ekber 160
Coffee Break 173
Turning West 180
8 Infrastructures 189
Littoral Balkans: Venice and the Adriatic 189
Mitteleuropa: The Reach of the Habsburgs 196
Reciprocities: Modernising the Peripheries 202
The Principalities and Beyond 208
9 Nations 220
The First Steps 220
Two Nations 228
The Berlin Balkans 235
Yugoslavism 240
10 Inspirers 249
Building the Pyramids: Reflections on High Culture 249
Greeks 254
and other Agents 261
Either/Or: Reflections on Modernism 266
PART THREE
MUSIC IN TRANSITION
11 Mixing It 275
Discourses of Transition 275
Nuts and Bolts: Elements of Popular Music 281
On the Record: Surveying the Legacy 287
CONTENTS iX
12 Join the Club 302
Following the Leader: Manolis Kalomiris 302
Drawing the Circle: The Greek National School 313
Another Way: The Failure of Greek Modernism 325
13 Moderna 332
Garlands: Stevan Mokranjac 332
One People, Three Names: The First Yugoslavia 338
Late Arrivals: Croatian Modernisms 344
Parallel Tracks: Bulgarian Advances 351
Transit to Prague 358
14 Serbo-Croat 369
Who Owns Slavenski? 369
From the Balkans 376
to the Cosmos 383
15 Placing Genius 391
A Tempting Comparison: Locating George Enescu 391
Closing In: Enescu s Journey 398
Wider Again: In the Modernist Canon 407
PART FOUR
EASTERN EUROPE
16 The Curtain Descends 415
Left, Right 415
In Extremis: The Singular Case of Albania 424
Administered Music: Performing Communism 431
Composers on Message 437
17 Diverging Paths 444
Traffic with Moscow 444
The Acolyte: Bulgarian Bridges 451
The Zealot: Albanian Austerities 456
The Maverick: Romanian Renewals 459
X CONTENTS
18 Another Try 468
Politics versus Culture: The Second Yugoslavia 468
The Dark Decade: Mainly Serbia 474
In from the Cold: Mainly Croatia, a Little Slovenia,
and Back to Serbia 479
Catching Up: Other Republics 489
19 Birthright of the People 495
Orchestras: Classicising Traditional Music 495
Newly Composed Folk Music 503
Simulacra: Wedding Music and More 513
20 One Got Away 519
Popular Art Music: Theodorakis at Large 519
Art Music: Modernism is Official 527
Popular Music: Rebetika and Beyond 540
PART FIVE
GLOBAL BALKANS
21 All Change 549
Brave New World 549
Another Balkans: The Diasporic Imagination 555
Composers in Exile 563
22 Conservation 573
Who Needs Classical Music? 573
Has Modern Music Really Grown Old? 580
Where Have All the Folksongs Gone? 589
23 Balkan Beat 595
Heroes 595
Re-Inscribing Yugoslavia 599
Divas 605
Greek Mythology 611
CONTENTS XI
24 On Boundaries and Events 616
In Theory 616
Greece and its Neighbours 621
Music Partitioned 628
and Not Quite Partitioned 636
25 Endgame 642
Degenerations 642
Generations 649
Balkan Ghetto: The Story of Kosovo 655
Are We There Yet? 660
Glossary 669
References 673
Index 705
|
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callnumber-first | M - Music |
callnumber-label | ML3600 |
callnumber-raw | ML3600 |
callnumber-search | ML3600 |
callnumber-sort | ML 43600 |
callnumber-subject | ML - Literature on Music |
classification_rvk | LC 87270 |
ctrlnum | (OCoLC)856815090 (DE-599)BVBBV041130624 |
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dewey-ones | 780 - Music |
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discipline | Musikwissenschaft Sozial-/Kulturanthropologie / Empirische Kulturwissenschaft |
era | Geschichte gnd |
era_facet | Geschichte |
format | Book |
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language | English |
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subject_GND | (DE-588)4040802-4 (DE-588)4004334-4 |
title | Music in the Balkans |
title_auth | Music in the Balkans |
title_exact_search | Music in the Balkans |
title_full | Music in the Balkans by Jim Samson |
title_fullStr | Music in the Balkans by Jim Samson |
title_full_unstemmed | Music in the Balkans by Jim Samson |
title_short | Music in the Balkans |
title_sort | music in the balkans |
topic | Musik Music Balkan Peninsula History and criticism Musik (DE-588)4040802-4 gnd |
topic_facet | Musik Music Balkan Peninsula History and criticism Balkanhalbinsel |
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