Shakespeare's unreformed fictions:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Oxford Univ. Press
2013
|
| Ausgabe: | 1. ed. |
| Schriftenreihe: | Oxford English monographs
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | IX, 239 S. |
| ISBN: | 9780199671267 |
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Datensatz im Suchindex
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| adam_text | Titel: Shakespeare s unreformed fictions
Autor: Woods, Gillian
Jahr: 2013
Contents
Acknowledgements viii
List of Abbreviations x
Editions Used xi
Introduction 1
1. Incorporating the Past in / Henry VI 25
2. Converting Names in Love s Labour s Lost 58
3. Seeming Difference in Measurefor Measure and
Alls Well that Ends Well 90
4. Affecting Possession in King Lear 133
5. Knowing Fiction in The Winters Tale 169
Bibliography 209
Index 233
Why does Catholicism have such an imaginative hold on Shakespearean
drama, even though the ongoing Reformation outlawed its practice?
Shakespeare s UnrefonnedFictions contends that the answers to this
question are theatrical rather than strictly theological. Avoiding
biographical speculation, this book concentrates on dramatic
impact, and thoroughly integrates new literary analysis with
fresh historical research.
In exploring the dramaturgical variety of the ‘Catholic’ content of
Shakespeare’s plays, Gillian Woods argues that habits, idioms, images,
and ideas lose their denominational clarity when translated into dramatic
fiction: they are awkwardly ‘unreformed’ rather than doctrinally Catholic.
Providing nuanced readings of generically diverse plays, this book em-
phasizes the creative function of such unreformed material, which Shake-
speare uses to pose questions about the relationship between self and other.
A wealth of contextual evidence is studied, including catechisms, homilies,
religious polemics, news quartos, and non-Shakespearean drama, to
highlight how early modern Catholicism variously provoked nostalgia,
laith, conversion, humour, fear, and hatred. This book argues that
Shakespeare exploits these contradictory attitudes to frame ethical
problems, creating fictional plays that consciously engage audiences
in the difficult leaps of faith required by both theatre and theology. By
recognizing the playfulness of Shakespeare’s unreformed fictions, this
book offers a different perspective on the interactions between post-
Reformation religion and the theatre, and an alternative angle on
Shakespeare’s interrogation of the scope of dramatic fiction.
|
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| author | Woods, Gillian 1979- |
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| dewey-full | 822.33 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822.33 |
| dewey-search | 822.33 |
| dewey-sort | 3822.33 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| edition | 1. ed. |
| format | Book |
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| isbn | 9780199671267 |
| language | English |
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| title | Shakespeare's unreformed fictions |
| title_auth | Shakespeare's unreformed fictions |
| title_exact_search | Shakespeare's unreformed fictions |
| title_full | Shakespeare's unreformed fictions Gillian Woods |
| title_fullStr | Shakespeare's unreformed fictions Gillian Woods |
| title_full_unstemmed | Shakespeare's unreformed fictions Gillian Woods |
| title_short | Shakespeare's unreformed fictions |
| title_sort | shakespeare s unreformed fictions |
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| topic_facet | Shakespeare, William 1564-1616 Drama Katholizismus |
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