The musical legacy of wartime France:
For the three forces competing for political authority in France during World War II, music became the site of a cultural battle that reflected the war itself. German occupying authorities promoted German music at the expense of French, while the Vichy administration pursued projects of national ren...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Berkeley, Calif. [u.a.]
Univ. of California Press
2013
|
| Schriftenreihe: | California studies in 20th-century music
16 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | For the three forces competing for political authority in France during World War II, music became the site of a cultural battle that reflected the war itself. German occupying authorities promoted German music at the expense of French, while the Vichy administration pursued projects of national renewal through culture. Meanwhile, Resistance networks gradually formed to combat German propaganda while eyeing Vichy's efforts with suspicion. In The Musical Legacy of Wartime France, Leslie A. Sprout explores how each of these forces influenced the composition, performance, and reception of five well-known works: the secret Resistance songs of Francis Poulenc and those of Arthur Honegger; Olivier Messiaen's Quartet for the End of Time, composed in a German prisoner of war camp; Maurice Durufle's Requiem, one of sixty-five pieces commissioned by Vichy between 1940 and 1944; and Igor Stravinsky's Danses concertantes, which was met at its 1945 Paris premiere with protests that prefigured the aesthetic debates of the early Cold War. Sprout examines not only how these pieces were created and disseminated during and just after the war, but also how and why we still associate these pieces with the stories we tell - in textbooks, program notes, liner notes, historical monographs, and biographies - about music, France, and World War II. (Klappentext) |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XXIII, 280 S. Ill., Notenbeisp. |
| ISBN: | 9780520275300 |
Internformat
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| 520 | |a For the three forces competing for political authority in France during World War II, music became the site of a cultural battle that reflected the war itself. German occupying authorities promoted German music at the expense of French, while the Vichy administration pursued projects of national renewal through culture. Meanwhile, Resistance networks gradually formed to combat German propaganda while eyeing Vichy's efforts with suspicion. In The Musical Legacy of Wartime France, Leslie A. Sprout explores how each of these forces influenced the composition, performance, and reception of five well-known works: the secret Resistance songs of Francis Poulenc and those of Arthur Honegger; Olivier Messiaen's Quartet for the End of Time, composed in a German prisoner of war camp; Maurice Durufle's Requiem, one of sixty-five pieces commissioned by Vichy between 1940 and 1944; and Igor Stravinsky's Danses concertantes, which was met at its 1945 Paris premiere with protests that prefigured the aesthetic debates of the early Cold War. Sprout examines not only how these pieces were created and disseminated during and just after the war, but also how and why we still associate these pieces with the stories we tell - in textbooks, program notes, liner notes, historical monographs, and biographies - about music, France, and World War II. (Klappentext) | ||
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Datensatz im Suchindex
| _version_ | 1804150509293010944 |
|---|---|
| adam_text | Illustrations
FIGURES
ï.
Political cartoon,
Le Monde,
28
January
1997 xvii
2.
Olivier
Messiaen, Quartet for the End of Time (Deutsche
Grammophon, 2000) 81
3.
Illustration of music making in the
Stalag
98
4.
Certificate signed by
Duruflé
upon completion of his
Requiem,
21
January
1948 128
5.
Plainchant for the Introit to the Mass for the Dead {Liber
usualis,
1930) 132
EXAMPLES
1.
Comparison of Claude Debussy,
La Mer,
and Francis
Poulenc,
Les Animaux modèles
21
2.
Citations
oí
Alsace et Lorraine in Les Animaux modèles
24
3.
Francis Poulenc, Deux poèmes de Louis Aragon, Q, mm.
37—41 28
4.
Arthur Honegger, Chant de Libération
52
5.
Marly,
Druon, and Kessel, Le Chant des Partisans,
first stanza, mm.
1—8 60
6.
Chant de la Délivrance,
end of
refrain and fanfare, mm.
73—83 61
7.
Chant de la Délivrance,
beginning of
verse
1,
mm.
8—
x6
67
8.
Emile Damais,
O Nwiŕ,
mm.
85—103 99
9.
Jean
Martinon,
Musique d exil: Mouvement symphonique,
op.
31,
excerpts
101
x
/
Illustrations
ίο.
Olivier
Messiaen,
Quatuor pour la fin du Temps,
V.
Louange
à l Éternité de Jésus, mm.
1-11
и.
André Jolivet, Trois Complaintes du soldat,
I.
La complainte
du soldat vaincu/ mm.
1—12 104
12.
André Jolivet, Trois Complaintes du soldat,
I.
La complainte
du soldat vaincu/ mm.
59-71
τ-ογ
13-
André Jolivet, Trois Complaintes du soldat,
II.
La complainte
du pont de Gien, refrain, mm.
24—30 109
14.
Comparison of
Introït,
Mass for the Dead
133
15.
Maurice
Duruŕlé,
Requiem, op.
9,
Introït,
mm.
1—7 134
-16.
Comparison of
Ubi
Caritas,
hymn for Vespers on
Maundy Thursday
139
%y. Comparison of
Tantum Ergo,
hymn for Feast of
Corpus
Christi 141
18.
Comparison of Sanctus, Mass for the Dead
143
19.
Jacques Ibert,
Capriccio,
mm.
117—22 159
20.
Igor Stravinsky,
Danses concertantes,
III.
Thème varié,
mm.
43—46 160
21.
Serge Nigg, Piano Concerto no.
1,
first movement, excerpts
182
TABLES
1.
Uses of Chant
de la Délivrance
in the soundtrack for
Un
Ami
viendra ce soir
63
2.
Un Ami viendra ce soir: First montage
(details)
65
3.
Orchestral performances
of Honegger s music in
Paris,
1945-1946 71
4.
AFAA
recordings anthology of contemporary French
music
(1944) 87
5.
Selected performances of Messiaen s music in
wartime France
92
6.
Stravinsky Festival programs,
Orchestre
national (Paris,
January-July
1945) 152
7.
Concert program,
Société privée de musique de chambre
(Paris,
27
February
1945) 153
|
| any_adam_object | 1 |
| author | Sprout, Leslie A. 1968- |
| author_GND | (DE-588)1038101034 |
| author_facet | Sprout, Leslie A. 1968- |
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| author_sort | Sprout, Leslie A. 1968- |
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| callnumber-subject | ML - Literature on Music |
| classification_rvk | LQ 82207 |
| ctrlnum | (OCoLC)856810080 (DE-599)BVBBV041118776 |
| dewey-full | 780.944/09044 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.944/09044 |
| dewey-search | 780.944/09044 |
| dewey-sort | 3780.944 49044 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | Geschichte 1900-2000 Geschichte 1933-1945 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1933-1945 |
| format | Book |
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| id | DE-604.BV041118776 |
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| indexdate | 2024-07-10T00:40:03Z |
| institution | BVB |
| isbn | 9780520275300 |
| language | English |
| lccn | 2012045796 |
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| physical | XXIII, 280 S. Ill., Notenbeisp. |
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| publishDateSearch | 2013 |
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| publisher | Univ. of California Press |
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| series | California studies in 20th-century music |
| series2 | California studies in 20th-century music |
| spelling | Sprout, Leslie A. 1968- Verfasser (DE-588)1038101034 aut The musical legacy of wartime France Leslie A. Sprout Berkeley, Calif. [u.a.] Univ. of California Press 2013 XXIII, 280 S. Ill., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier California studies in 20th-century music 16 Includes bibliographical references and index For the three forces competing for political authority in France during World War II, music became the site of a cultural battle that reflected the war itself. German occupying authorities promoted German music at the expense of French, while the Vichy administration pursued projects of national renewal through culture. Meanwhile, Resistance networks gradually formed to combat German propaganda while eyeing Vichy's efforts with suspicion. In The Musical Legacy of Wartime France, Leslie A. Sprout explores how each of these forces influenced the composition, performance, and reception of five well-known works: the secret Resistance songs of Francis Poulenc and those of Arthur Honegger; Olivier Messiaen's Quartet for the End of Time, composed in a German prisoner of war camp; Maurice Durufle's Requiem, one of sixty-five pieces commissioned by Vichy between 1940 and 1944; and Igor Stravinsky's Danses concertantes, which was met at its 1945 Paris premiere with protests that prefigured the aesthetic debates of the early Cold War. Sprout examines not only how these pieces were created and disseminated during and just after the war, but also how and why we still associate these pieces with the stories we tell - in textbooks, program notes, liner notes, historical monographs, and biographies - about music, France, and World War II. (Klappentext) Geschichte 1900-2000 Geschichte 1933-1945 gnd rswk-swf Musik Weltkrieg (1939-1945) Music France 20th century History and criticism World War, 1939-1945 Music and the war Musik (DE-588)4040802-4 gnd rswk-swf Zweiter Weltkrieg Motiv (DE-588)4133624-0 gnd rswk-swf Frankreich Frankreich (DE-588)4018145-5 gnd rswk-swf Frankreich (DE-588)4018145-5 g Musik (DE-588)4040802-4 s Geschichte 1933-1945 z DE-604 Zweiter Weltkrieg Motiv (DE-588)4133624-0 s Erscheint auch als Online-Ausgabe 978-0-520-95527-1 California studies in 20th-century music 16 (DE-604)BV013782377 16 Digitalisierung BSB Muenchen 21 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026094819&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Sprout, Leslie A. 1968- The musical legacy of wartime France California studies in 20th-century music Musik Weltkrieg (1939-1945) Music France 20th century History and criticism World War, 1939-1945 Music and the war Musik (DE-588)4040802-4 gnd Zweiter Weltkrieg Motiv (DE-588)4133624-0 gnd |
| subject_GND | (DE-588)4040802-4 (DE-588)4133624-0 (DE-588)4018145-5 |
| title | The musical legacy of wartime France |
| title_auth | The musical legacy of wartime France |
| title_exact_search | The musical legacy of wartime France |
| title_full | The musical legacy of wartime France Leslie A. Sprout |
| title_fullStr | The musical legacy of wartime France Leslie A. Sprout |
| title_full_unstemmed | The musical legacy of wartime France Leslie A. Sprout |
| title_short | The musical legacy of wartime France |
| title_sort | the musical legacy of wartime france |
| topic | Musik Weltkrieg (1939-1945) Music France 20th century History and criticism World War, 1939-1945 Music and the war Musik (DE-588)4040802-4 gnd Zweiter Weltkrieg Motiv (DE-588)4133624-0 gnd |
| topic_facet | Musik Weltkrieg (1939-1945) Music France 20th century History and criticism World War, 1939-1945 Music and the war Zweiter Weltkrieg Motiv Frankreich |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026094819&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV013782377 |
| work_keys_str_mv | AT sproutlesliea themusicallegacyofwartimefrance |