Shakespeare and the culture of Romanticism:
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Farnham [u.a.]
Ashgate
2013
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | X, 294 S. Ill. |
| ISBN: | 9781409455813 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Titel: Shakespeare and the culture of Romanticism
Autor: Ortiz, Joseph M
Jahr: 2013
Contents
List of Figures vii
List of Tables viii
Notes on Contributors ix
Acknowledgments xi
Introduction 1
Joseph M. Ortiz
Part I Rethinking the Romantic Critic
1 Small reverence for Station : Walter Savage Landor s Subversive
Shakespeare 13
David Chandler
2 Peer Reviewed: Elizabeth Inchbald s Shakespeare Criticism 31
Karen Bloom Gevirtz
3 My God! Madam, there must be only one black figure in this play :
Hamlet, Ophelia, and the Romantic Hero 51
Karen Britland
Part II Shakespeare and the Making of the Romantic Poet
4 The State of Unfeigned Nature: Poetic Imagination from Shakespeare
to Wordsworth 77
Thomas Festa
5 Mature Poets Steal : Charlotte Smith s Appropriations of
Shakespeare 99
Joy Currie
6 The Sublimity of Hamlet in Emily Dickinson s Poem, He Fumbles
at Your Soul 121
Marianne Noble
Part III The Romantic Stage
7 The Translucence of Eternity in Time : Shakespeare and Coleridge s
Zapolya 139
Paola Degli Esposti
8 Contextual Hauntings: Shakespearean Ghosts on the Gothic Stage 161
Francesca Saggini
vi Shakespeare and the Culture of Romanticism
9 Shakespeare Reception in France: The Case of Ambroise Thomas s
Hamlet 183
Suddhaseel Sen
Part IV Harnessing the Renaissance: Markets, Religion, Politics
10 Reconstructing the Boydell Shakspeare Gallery 207
Ann R. Hawkins
11 Pericles and the Spiritual Wisdom of Joanna Baillie s Sacred Dramas
The Martyr and The Bride 231
Marjean D. Purinton and Marliss C. Desens
12 A Written Warning: Lady Caroline Lamb, Noblesse Oblige, and the
Works of John Ford 245
Leigh Wetherall-Dickson
Bibliography 267
Index 287
The idea of Shakespearean genius and sublimity is usually understood to be a
product of the Romantic period, promulgated by poets such as Coleridge and
Byron who promoted Shakespeare as the supreme example of literary genius and
creative imagination. However, the picture looks very different when viewed from
the perspective of the myriad theater directors, actors, poets, political
philosophers, gallery owners, and other professionals in the nineteenth century
who turned to Shakespeare to advance their own political, artistic, or commercial
interests. Often, as in John Kemble s staging of The Winters Tale at Drury Lane
or John
Boydelľs
marketing of paintings in his Shakespeare Gallery, Shakespeare
provided a literal platform on which both artists and entrepreneurs could strive
to influence cultural tastes and points of view. At other times, Romantic writers
found in Shakespeare s works a set of rhetorical and theatrical tools through
which to form their own public
personae,
both poetic and political. Women
writers in particular often adapted Shakespeare to express their own political and
social concerns. Taken together, all of these critical and aesthetic responses attest
to the remarkable malleability of the Shakespearean corpus in the Romantic
period. As the contributors show, Romantic writers of all persuasions
—
Whig and
Tory, male and female, intellectual and commercial
—
found in Shakespeare a
powerful medium through which to claim authority for their particular interests.
|
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| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
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| discipline | Anglistik / Amerikanistik |
| era | Geschichte 1800-1900 |
| era_facet | Geschichte 1800-1900 |
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| title | Shakespeare and the culture of Romanticism |
| title_auth | Shakespeare and the culture of Romanticism |
| title_exact_search | Shakespeare and the culture of Romanticism |
| title_full | Shakespeare and the culture of Romanticism ed. by Joseph M. Ortiz |
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