Haptic Modernism: touch and the tactile in modernist writing
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh Univ. Press
2013
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | VIII, 208 S. |
| ISBN: | 9780748682546 9780748641741 9780748682539 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Acknowledgements
vii
1
Haptic
Modernism
1
Modernist manicures
1
Histories of the
haptic
16
Going to the feelies
33
Excursus: Pygmalion
52
2
James Joyce s Epidermic Adventures
73
Masturbatory modernism
73
Smashed to atoms
92
The blind stripling
97
Encyclodermia
108
3
Virginia
Woolf,
Hapticity and the Human Hand
115
Palm reading
115
Motorcar kinaesthetics
119
Carpe
diem
123
4
Dorothy Richardson and the
Haptic
Reader
142
The licking eye
142
Scenes of reading
147
Tactile pilgrimages
151
5
D. H. Lawrence: Blind Touch in a Visual Culture
155
The Unimpeachable Kodak
155
St Maw
f s
dark eye
158
Back to the blind
161
vi
Haptic
Modernism
6
Horrible Haptics
170
A five-fingered beast
170
Pianists and surgeons
176
Appendix: Tactile Terminologies
183
Bibliography
188
Index
202
This is a beautifully controlled study of literary hands as they write, point, stroke,
trace and tease. At the same time it is an expansive, audacious and supremely
well-handled study of what it means to touch and be touched, to feel and be felt.
Haptic
Modernism establishes Abbie Garrington as one of the most compelling
voices in the rapidly-evolving critical conversation about literature and the
business of the bodily .
Alexandra Harris, University of Liverpool
Touch is the most neglected sense in literary studies. In this remarkable book,
Abbie Garrington makes good that neglect and opens up a whole new field of
research.
Haptic
Modernism offers original interpretations of Joyce,
Woolf,
Richardson, and Lawrence and introduces us to a radical understanding of bodily
responses to the technologies of modernity.
Scott McCracken, Keele University
Haptic
Modernism focuses on areas of sensory experience which were being
re-conceptualised in response to technological and scientific innovations in the
modernist years: touch, kinaesthesis, proprioception and the
vestibular
sense.
The work of James
Jo
/се,
Virginia
Woolf,
Rebecca West, Dorothy Richardson and
D. H.
Lawrence is considered in detail alongside non-canonical fictions and scientific,
philosophical and journalistic accounts of bodily experiences in the realm of touch
and the tactile.
In a series of extended readings of significant novels, the book weaves together
studies of the X-ray, atomic structure, the cinema spectator experience, the look-
which-touches of the sculpture viewer, the touch-which-looks of the blind, the
process of manicure, literary treatments of the writing hand, muscular responses to
motorcar travel and frightening tales of split skins, split selves and severed hands.
Haptic
Modernism asks why it is that modernist texts are taken with the
haptic
experiences of the human body. And it seeks to identify clusters of
haptic
happenings
within modernist texts as a means of understanding the touch-transforming social
and historical contexts out of which those writings emerge.
|
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| title | Haptic Modernism touch and the tactile in modernist writing |
| title_auth | Haptic Modernism touch and the tactile in modernist writing |
| title_exact_search | Haptic Modernism touch and the tactile in modernist writing |
| title_full | Haptic Modernism touch and the tactile in modernist writing Abbie Garrington |
| title_fullStr | Haptic Modernism touch and the tactile in modernist writing Abbie Garrington |
| title_full_unstemmed | Haptic Modernism touch and the tactile in modernist writing Abbie Garrington |
| title_short | Haptic Modernism |
| title_sort | haptic modernism touch and the tactile in modernist writing |
| title_sub | touch and the tactile in modernist writing |
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