Archierejski liturgični odeždi ot srednovizantijskija period: identifikacija na archeologičeski tekstil ot Kărdžali = Bishop's liturgical vestments in the middle Byzantine period
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | Bulgarian |
| Veröffentlicht: |
Veliko Tărnovo
Faber
2013
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Abstract |
| Beschreibung: | In kyrill. Schr., bulg. - Zsfassung in engl. Sprache |
| Beschreibung: | 268 S. zahlr. Ill., Kt. |
| ISBN: | 9789544008147 |
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| 100 | 1 | |a Čokoev, Ivan Petrov |d 1956- |e Verfasser |0 (DE-588)1037141644 |4 aut | |
| 245 | 1 | 0 | |a Archierejski liturgični odeždi ot srednovizantijskija period |b identifikacija na archeologičeski tekstil ot Kărdžali = Bishop's liturgical vestments in the middle Byzantine period |c Ivan Čokoev |
| 246 | 1 | 1 | |a Bishop's liturgical vestments in the middle Byzantine period |
| 264 | 1 | |a Veliko Tărnovo |b Faber |c 2013 | |
| 300 | |a 268 S. |b zahlr. Ill., Kt. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
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| 500 | |a In kyrill. Schr., bulg. - Zsfassung in engl. Sprache | ||
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| 689 | 0 | 3 | |a Geschichte 600-900 |A z |
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| 856 | 4 | 2 | |m Digitalisierung BSB Muenchen 2 |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026076734&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 856 | 4 | 2 | |m Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026076734&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |3 Abstract |
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Datensatz im Suchindex
| _version_ | 1811916748402720768 |
|---|---|
| adam_text |
СЪДЪРЖАНИЕ
УВОД
.7
Глава
ι.
ГРОБНАТА НАХОДКА ОТ КЪРДЖАЛИ
.
и
ι.
Историческа среда
.
u
2.
Археологическа среда
.
ią
3.
Откритието през
1998г.
.19
Глава
2.
ИЗСЛЕДВАНЕ И ИДЕНТИФИКАЦИЯ НА ТЕКСТИЛНИТЕ
МАТЕРИАЛИ ОТ ГОРНАТА КАМЕРА. РЕКОНСТРУКЦИЯ НА ОДЕЖДИТЕ
. 27
ι.
Богослужебни одежди
-
обща характеристика
.27
2.
Омофор
.33
3- Пояс
.73
4-
Епитрахил
.84
5-
Набедреник
.122
6.
Наръкавници
.129
7-
Стихар
.154
8.
Архиерейският погребален ритуал според откритите
в църквата „Св. Йоан Продром" литургични одежди
.158
Глава з. ТЕКСТИЛНИТЕ МАТЕРИАЛИ ОТ ДРУГИТЕ ГРОБНИ КАМЕРИ
.
i63
1.
Определяне на текстилните материали от втората (долната)
гробна камера
.163
2.
За текстила от гробната камера, открита през
1962
г.
.
i68
3.
За датировката на гробовете според археологическия контекст
.171
Глава а. ТЕХНОЛОГИЯ НА ВЕЗБАТА
.177
ЗАКЛЮЧЕНИЕ
.
2о9
ЛИТЕРАТУРА
.215
СПИСЪК НА СЪКРАЩЕНИЯТА
.223
Bishops' Liturgical Vestments in the Middle Byzantine Period: Identification
of Archaeological Textiles from Kardzhali (Bulgaria). Summary
.224
СПИСЪК НА ИЛЮСТРАЦИИТЕ
.229
LIST OF ILLUSTRATIONS
.240
ПРИЛОЖЕНИЕ
.
M9
224
I
BISHOPS' LITURGICAL VESTMENTS IN THE MIDDLE BYZANTINE
PERIOD: IDENTIFICATION OF ARCHAEOLOGICAL TEXTILES
FROM KARDZHALI (BULGARIA)
Summary
In
1962,
in the Bulgarian city of Kardzhali (in the Eastern Rhodopes) the ruins of a
medieval church were uncovered whose wall decorations were partially preserved.
In the
1990s
a decision was made to undertake a complete restoration of this church. Dur¬
ing the course of construction activities it became necessary to call on the expertise of ar¬
chaeologists, who happened upon a fragmented marble slab covering a particularly im¬
pressive tomb. This tomb consisted of two chambers, the upper half of which contained
human bones in sound anatomical order and substantial gold-trimmed fabric. In the lower
chamber there was a secondary collection of bones as well as gold thread, though in much
smaller quantities (Fig.
4-9).
The textiles from the upper chamber were highly fragmented and in some cases formed
dense layers that were stuck together (Fig.
6,12 -14).
The method used to reassemble these
textiles made it possible to separate the layers, a procedure that not only revealed new em¬
broidered surfaces, but also provided important information about the identity and struc¬
ture of these vestments. Identifying the fragments in question as belonging to one or an¬
other article of clothing proved to be a complex process. The difficulties encountered arose
from the fact that no liturgical vestments have survived intact from the middle Byzantine
period. All the same, this process was helped along to some degree by Church practices
that have promoted the conservation of these articles of clothing. Over the centuries, how¬
ever, ecumenical vestments have since been altered, which is why medieval written records,
most of all the liturgical works of Symeon of
Thessaloniki
(deceased
1429)
and artistic
works, proved so vital in solving certain problems. Yet they provided a limited amount of
information because written sources said little about the external appearance of the vest¬
ments, while drawings gave an incomplete picture due to the overlap of the various layers
of clothing.
As a result of a thorough investigation of these uncovered materials, six of the expected
seven bishops' ecumenical vestments were uncovered: the omophorion, girdle, epitrache-
lion (stole), epigonation, epimanikia (oversleeves, cuffs) and sticharion (comparable to the
western alb). No trace of a. phelonion (chasuble) was found (Fig.
16).
This latter vestment
was mostly likely made of wool, which readily decomposes underground.
Of the omophorion, a clear mark of a bishop's status, only decorative elements remain:
the textile crosses and the silk tassels. The omophorion itself, as Symeon of
Thessaloniki
notes, would have been sewn from wool fabric, which explains why it has not survived.
Fragments of the vestment's crosses lay on both sides of the chest, while one which was
fully preserved lay on the pelvic bones and lower vertebrae of the spinal column. Such a
positioning of the crosses on the omophorion corresponds fully with medieval drawings
(Fig.
17-25).
Ivan Chokoev ·
Bishops' Liturgical Vestments in the Middle Byzantine Period |
225
The structure of the omophorion also became apparent: crosses were cut out of two lay¬
ers of identical fabric, between which a prepared strip of cloth
-
the omophorion itself
-
was
placed (Fig.
28, 44).
The widths of the crosses and the strip of cloth matched. In a number
of artistic works from the medieval period one can find similar crosses whose horizontal
segments reach the edge of the omophorion. The old custom of placing the omophorion on
the body suggests that the crosses sewn onto it must have been duplicated on both sides;
first, the omophorion was positioned on the shoulders, its extremities descending to the
body, then the right end crossed over the left shoulder, from which it dropped down over
the back. When tossed to the side, the end turned over, but the crosses were visible both on
the left shoulder and the back. Some icons even depict the duplication of the cross on the
omophorion (Fig.
30 - 43).
The fabric used in sewing the crosses was monochrome (today, dark brown), but was
embellished with an ornament. It is made of one of the most beautiful
-
and therefore
highly prized
-
Byzantine textiles of the medieval period:
lampas
(Fig.
46-49).
The crosses
were further adorned with red cloth ribbons forming an „X". Similar decorations are also
found in omophorion crosses from artistic works (Fig.
51 - 56).
Remnants of a belt
-
bands
12 -13
mm wide, bound in a knot
-
were positioned over the
portion of the epitrachelion (stole) covering the pelvic bones. For the sake of convenience
during the performance of religious duties, the sticharion and stole were secured by the
belt (Fig.
16).
The belt in question, as with some found in medieval artwork, is finished with
fringes. The thickness of the weft and the denseness of the base yarn show that it was quite
sturdy and solid (Fig.
86 -111).
Most fragments from the epitrachelion (stole) were found in the general area of the
pelvic bones. Others were located on both sides of the chest and in the lower half of the
bones of the right
crus
(after a gap of about
350
mm). The epitrachelion turned out to be
quite narrow, about
70
mm in circumference with a total length of the preserved fragments
reaching
1360
mm. Given the location of the latter and the height of the buried individual,
the stole's overall length has been calculated at around
3000
mm. Its central portion is po¬
sitioned at the back of the cleric's neck so that both halves evenly fall down over the chest
from the right and left. In the area around the cross, these halves have been joined together,
the left side overlapping the right and together reaching the ankles. This arrangement was
held in place by the belt, which was cinched over the epitrachelion (Fig.
16,104 -158).
This
was clearly standard practice during the medieval period, unlike today, specifically from
the 17th and 18th centuries on, when the epitrachelion became a longer piece of cloth with
an opening for the head at the top. The two halves that once made up the epitrachelion are
now merely suggested by the vertical row of buttons and duplication of the embellishment.
On the front and back of the epitrachelion being analyzed a striking tabby cloth is used.
The obverse as well as reverse faces have been fully adorned with gold embroidery, with tas¬
sels on the ends. The best-preserved part of the epitrachelion, that which covers the pelvic
bones, provides important information needed to graphically reconstruct a large portion of
the embroidery, which consists of four different ornamental fields (Fig.
116).
Although the
stole's ends were badly fragmented, these decorations were reconstructed, including the
four separate, richly ornamented zones (Fig.
153).
In the first field of the fragment, located over the pelvic bones, there are embroidered
medallions, as a result of which it is mainly depicted in a westward direction
(Fig.iió-A).
Remnants of a total of three medallions were found, two on the left side and one on the
right (Fig.
137 - 138,141,144-145).
The best-preserved of these depicts an approaching male
figure shown from the chest up, with a halo around his head. Similar figures are embroi-
22б
I
Иван Чокоев
'Архиерейски литургични одежди
от Средновизантийския период
dered
on the other two as well. The stole's estimated full length and the positioning of the
preserved medallions over the bones show that there were most likely nine figures in all: a
central one and four pairs placed on the two halves of the vestment. As for stoles decorated
with medallions dating from the end of the 14th century to the 15th century, it can be as¬
sumed that the epitrachelion from Kardzhali was probably embroidered with images of the
four Evangelists arranged in pairs, above whom were also paired Peter and Paul, the Virgin
Mary and John the Baptist, with Jesus Christ in the center. Following the logic of this recon¬
struction, the three preserved medallions, which are from the bottom two rows, would have
to be of the Evangelists (Fig.
154).
The uncovering of main elements from the embroidery on the back of the epitrachelion
(stole) makes it possible to graphically reconstruct a large part of the vestment. It was found
that an element repeats the cross-shaped figures on one of the fields of the obverse side of
the epitrachelion in larger dimensions, but in a more simplistic form. This embroidery field
is clearly the most important of the entire decoration; it builds up to the adornment of the
epimanikia (oversleeves) as well as the epigonation. It can be assumed that there once were
two ways of wearing this particular epitrachelion: with its obverse side (that is, the richly
adorned, light side) toward the viewer during most religious ceremonies, and reverse side
(the dark side) out during religious services strictly regulated by Church statutes.
Research shows that in the past several changes were made to this prized ecclesiastical
vestment. Numerous visible repairs hint at its frequent and long period of usage, which can
be explained by the fact that the epitrachelion (stole) is a priest's most important article of
clothing, without which it is impossible to conduct a service (Fig.
121 -123,140,155).
A small part of the epigonation has survived, resting over the right thigh bone. How¬
ever, many deteriorated textile fragments that have come off of it were found between the
bones of the right thigh and the forearm
-
under a microscope gold flakes from the em¬
broidery are visible. It was determined that the epigonation was sewn from two types of
silk fabric: the embroidered material is the same used for the epitrachelion, while the back
is made of very fine textile. In its reconstructed form it is a square with sides of
400 - 450
mm. Its embellishment, like that found in medieval artwork, includes a framing stripe (Fig.
159 - 172).
The ornaments on it recall those found in one of the fields of the stole, while the
basic embroidery repeats another one (Fig. 116-C and D).
Over the wrists there are epimanikia. The right epimanikion has deteriorated greatly
and only a small section from the side of the palm has survived that includes the gathering
point of the lateral edges. Part of the embroidered decoration has been preserved which is
identical to one of the fields on the epitrachelion (Fig.
173 - 179,
116-D).
The most impressive of the remaining articles of clothing remaining is doubtlessly the
left epimanikion. A large though severely fragmented portion of this article has survived
(Fig.
180 - 219).
Its „unfolding" during the conservation process shows quite clearly its trap¬
ezoidal shape
(300
χ
250
χ
165
mm). The embroidered side of the epimanikion is made of
the same material as that used in the epitrachelion, while the cloth on the reverse side is
denser. Its edges are wrapped by narrow edging textile that was found to be identical to
that used for the crosses on the omophorion. The base of the
trapezoid
is decorated with
stripes similar to those found in one of the fields on the epitrachelion, while the main em¬
broidery is a repetition of (Fig.
211,
116-C and D). A medallion is embroidered in the center
that depicts the image of the Virgin Orans. She is shown head-on with hands raised in front
of her chest, palms facing forward. Her head is covered with a traditional maphorion. The
silk threads used to embroider her face and palms have almost completely been pulled out
and now appear as a solid brown mass. On both sides of the image silver threads (which
Ivan Chokoev ·
Bishops' Liturgical Vestments in the Middle Byzantine Period |
227
have since deteriorated into black dust) were used to stitch the Greek inscription of the
abbreviation signifying the Virgin Mary, „MP
ΘΫ"
(MHTHR
ΘΕΟΥ,
Mother of God). This
liturgical vestment also shows signs of extended usage: wear on the edge extending from
the wrists (fraying of the edging cloth and embroidery) and stitching of torn portions of
the embroidery work.
Fragments of an unembroidered light brown textile from the sticharion were found in
different places amidst the bones: on preserved ribs, the bones of the forearm, pelvis and
lower limbs (Fig.
220 - 226).
In comparison with the sticharion
s
original surface area, its
remains are insignificant. It is noted that it consists of several layers of fabric, the top of
which is made of comparatively finer textile. The best preserved portions are the ends of
the sleeves, which are tucked in and covered by the epimanikia (oversleeves). The sticharion
was worn over another shirt or shirts. This clothing was most likely white in color, though
due to the destructive processes at play it has turned light brown.
During the course of the investigation concrete observations were made about medi¬
eval liturgical practice concerning the placement of ecclesiastical vestments on the body.
Based on data gathered from liturgical works, medieval works of art and the latest discov¬
eries from the Church in Kardzhali, it became possible to create a complete scheme of the
exact positioning of all of the bishop's liturgical vestments (Fig.
16).
Identification of the vestments in the upper burial chamber made it possible to de¬
termine the textile materials found in the lower chamber as well, which consisted of frag¬
ments of gold threads and blackened, badly decomposed textiles (Fig.
8,15, 227 - 240).
The
medallions found among them show that the remains of a epitrachelion were placed in this
part of the grave, while fragments similar to those from which omophorion crosses in the
upper chamber were made pointed to the conclusion that they, too, must have been rem¬
nants of an omophorion (Fig.
233, 235 - 237).
It is noteworthy that these articles of clothing
were also in use for a long period of time; the gold cover on the gold thread is badly frayed
on the obverse of the embroidery (Fig.
238 - 239).
These vestments were uncovered during
the destruction of an older tomb, in whose place a new tomb was built, but now with two
chambers. The bones of the excavated tomb were placed in the lower half, while the newer
burial utilized the upper chamber.
An important piece of information in dating these vestments lies in the fact that the
embroidery found in both chambers of the tomb include metal threads made of different
metal threads (Fig.
241 - 243).
In the lower chamber, metal threads are used in which a gold
strip is wrapped around a fiber core, while in the upper chamber a strip of gilded proteina-
ceous substrate is wrapped around a fiber core. According to researchers, the replacement
of gold strip with gilded proteinaceous substrates took place in the 11th century. The suc¬
cession of the burials of the bishops whose bones were found in the tomb's two chambers
shows that the embroidery on their vestments can be dated to the second half of the 11th
-
beginning of the 12th century.
The laid and couched technique was used in embroiding the clothing found in the
two chambers with metal thread (Fig.
244 - 248).
The metal threads used always remain
on the obverse side of the embroidered textile, while they are stitched up with the aid of a
silk thread transversing the textile. On the obverse side it is oriented perpendicularly to the
metal thread, while on the back its parallel stitches are evident.
The use of gold thread, as seen in the embroidery from the tomb under investigation,
was quite typical for Byzantium. This stems from the notion that the most desired materials
had the greatest meaning. The figures of the saints are made with gold thread, with only the
exposed areas of the body stitched in silk thread. This ingrained principle has always been
22i8
I
Иван Чокоев
·
Архиерейски литургични
одежди
от Средновизантийския период
the norm in embroidery produced for the needs of the Eastern Orthodox Church, as well
as in the medallions from the embroidery in question. The half-length images of the saints,
their
halos
and background images are stitched in gold. In this way, the medallions take the
form of gold surfaces. The separation of the image's different parts is effected by a change in
the direction of the stitching (Fig.
256 - 257).
The usage of identical materials, the method of embroidering employed and the embel¬
lishment's repetition of thematic elements combined to produce consistent compositions,
though on various parts of the vestment and the proximity of medallions on the epimanikia
and epitrachelion clearly show the full elaboration of these embroidered liturgical vest¬
ments. The usage of a textile for edging on the epimanikia which is similar to that used in
the crosses on the omophorion links the latter with the embroidered vestments. This there¬
by increases the possibility that all of these discovered vestments are part of the bishop's
ensemble, which would most likely have been acquired at the time of achieving that rank.
Research into the vestments from Kardzhali makes it possible the textiles, of which only
graphical documentation remains, from a tomb discovered in the St. Sofia Metropolitan
Church in
Thessaloniki,
to be identified as embroidered (Fig.
262).
The discovery of iden¬
tical, high-quality and thus highly prized embroidery in the tombs of these two bishops,
who were on different rungs of the Church hierarchy
-
one was the metropolitan bishop of
Thessaloniki,
while the other was the bishop of Ahridos
-
likely indicates the presence of a
large production center under the protection of the emperor during the middle Byzantine
period.
The
iconographie
style of presentation observed in the Virgin Orans on the medallion
on the epimanikia is relatively rarely encountered. Artistic works containing a similar image
-
though in different media
-
are placed chronologically from the last quarter of the 9th to
the end of the 13th centuries. All the same, the second half of the 10th century and the nth
and 12th centuries give the strong impression that this type of iconography was increasingly
common.
In an illustration from the Homilies by John Chrysostom (Fig.
268 - 269)
there are
motifs on the pillow underneath the Byzantine emperor's feet that are almost identical to
several ornaments from field
С
on the epitrachelion and from the seams of the epimanikia
and epigonation (Fig.
пб-С).
Furthermore, the main decorative element on the imperial
clothing bears a strong resemblance to that from field
D
on the epitrachelion, and thus with
the main fields on the epigonation and epimanikia from Kardzhali as well as the embroidery
from
Thessaloniki
(Fig. 116-D,
270).
This suggests that the production of the episcopal cos¬
tume from Kardzhali can be placed near the time of the miniature created during the rule
of Michael
VII
Doukas
(1071 - 1078).
Such a dating is in the middle of the time period that
has been proposed through the course of technological examinations of the textiles and
embroidery under research, the second half of the nth and beginning of the 12th centuries.
However, it should be stressed that research into the decorations on the vestments from
Kardzhali comprises an independent and much broader topic.
The collected data regarding the technical specifications of the fabrics, gold thread,
embroidery and structure of the liturgical vestments from Kardzhali may serve as a useful
point of reference for investigations of newly discovered ecclesiastical clothing from the
nth and 12th centuries. The embroidery on the liturgical vestments from Kardzhali is ex¬
ceptionally well-crafted, its significance increasing all the more due to the marked rarity of
embroidery from the middle Byzantine period. |
| any_adam_object | 1 |
| author | Čokoev, Ivan Petrov 1956- |
| author_GND | (DE-588)1037141644 |
| author_facet | Čokoev, Ivan Petrov 1956- |
| author_role | aut |
| author_sort | Čokoev, Ivan Petrov 1956- |
| author_variant | i p č ip ipč |
| building | Verbundindex |
| bvnumber | BV041100336 |
| ctrlnum | (OCoLC)856806620 (DE-599)BVBBV041100336 |
| era | Geschichte 600-900 gnd |
| era_facet | Geschichte 600-900 |
| format | Book |
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| geographic | Kardschali (DE-588)4220037-4 gnd Byzantinisches Reich (DE-588)4009256-2 gnd |
| geographic_facet | Kardschali Byzantinisches Reich |
| id | DE-604.BV041100336 |
| illustrated | Illustrated |
| indexdate | 2024-10-03T18:01:06Z |
| institution | BVB |
| isbn | 9789544008147 |
| language | Bulgarian |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-026076734 |
| oclc_num | 856806620 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 268 S. zahlr. Ill., Kt. |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Faber |
| record_format | marc |
| spelling | Čokoev, Ivan Petrov 1956- Verfasser (DE-588)1037141644 aut Archierejski liturgični odeždi ot srednovizantijskija period identifikacija na archeologičeski tekstil ot Kărdžali = Bishop's liturgical vestments in the middle Byzantine period Ivan Čokoev Bishop's liturgical vestments in the middle Byzantine period Veliko Tărnovo Faber 2013 268 S. zahlr. Ill., Kt. txt rdacontent n rdamedia nc rdacarrier In kyrill. Schr., bulg. - Zsfassung in engl. Sprache Geschichte 600-900 gnd rswk-swf Liturgisches Gewand (DE-588)4167977-5 gnd rswk-swf Kardschali (DE-588)4220037-4 gnd rswk-swf Byzantinisches Reich (DE-588)4009256-2 gnd rswk-swf Byzantinisches Reich (DE-588)4009256-2 g Kardschali (DE-588)4220037-4 g Liturgisches Gewand (DE-588)4167977-5 s Geschichte 600-900 z DE-604 Digitalisierung BSB Muenchen 2 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026076734&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026076734&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract |
| spellingShingle | Čokoev, Ivan Petrov 1956- Archierejski liturgični odeždi ot srednovizantijskija period identifikacija na archeologičeski tekstil ot Kărdžali = Bishop's liturgical vestments in the middle Byzantine period Liturgisches Gewand (DE-588)4167977-5 gnd |
| subject_GND | (DE-588)4167977-5 (DE-588)4220037-4 (DE-588)4009256-2 |
| title | Archierejski liturgični odeždi ot srednovizantijskija period identifikacija na archeologičeski tekstil ot Kărdžali = Bishop's liturgical vestments in the middle Byzantine period |
| title_alt | Bishop's liturgical vestments in the middle Byzantine period |
| title_auth | Archierejski liturgični odeždi ot srednovizantijskija period identifikacija na archeologičeski tekstil ot Kărdžali = Bishop's liturgical vestments in the middle Byzantine period |
| title_exact_search | Archierejski liturgični odeždi ot srednovizantijskija period identifikacija na archeologičeski tekstil ot Kărdžali = Bishop's liturgical vestments in the middle Byzantine period |
| title_full | Archierejski liturgični odeždi ot srednovizantijskija period identifikacija na archeologičeski tekstil ot Kărdžali = Bishop's liturgical vestments in the middle Byzantine period Ivan Čokoev |
| title_fullStr | Archierejski liturgični odeždi ot srednovizantijskija period identifikacija na archeologičeski tekstil ot Kărdžali = Bishop's liturgical vestments in the middle Byzantine period Ivan Čokoev |
| title_full_unstemmed | Archierejski liturgični odeždi ot srednovizantijskija period identifikacija na archeologičeski tekstil ot Kărdžali = Bishop's liturgical vestments in the middle Byzantine period Ivan Čokoev |
| title_short | Archierejski liturgični odeždi ot srednovizantijskija period |
| title_sort | archierejski liturgicni odezdi ot srednovizantijskija period identifikacija na archeologiceski tekstil ot kardzali bishop s liturgical vestments in the middle byzantine period |
| title_sub | identifikacija na archeologičeski tekstil ot Kărdžali = Bishop's liturgical vestments in the middle Byzantine period |
| topic | Liturgisches Gewand (DE-588)4167977-5 gnd |
| topic_facet | Liturgisches Gewand Kardschali Byzantinisches Reich |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026076734&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026076734&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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