An introduction to television studies:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London [u.a.]
Routledge
2013
|
| Ausgabe: | 3. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Beschreibung: | X, 344 S. Ill. |
| ISBN: | 9780415598163 9780415598170 9780203134955 |
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Datensatz im Suchindex
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| adam_text | AN INTRODUCTION TO TELEVISION STUDIES
/ BIGNELL, JONATHAN
: 2012
TABLE OF CONTENTS / INHALTSVERZEICHNIS
INTRODUCTION
STUDYING TELEVISION
TELEVISION HISTORIES
TELEVISION CULTURES
TELEVISION TEXTS AND TELEVISION NARRATIVES
TELEVISION AND GENRE
TELEVISION PRODUCTION
POSTMODERN TELEVISION
TELEVISION REALITIES
TELEVISION REPRESENTATION
TELEVISION YOU CAN T SEE
SHAPING AUDIENCES
TELEVISION IN EVERYDAY LIFE.
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
Contents
List of illustrations ix
A cknowledgem ents xi
Introduction 1
Using this book 1
Television Studies 2
The organisation of chapters 5
Further reading 10
Studying Television 11
Introduction 12
Beyond broadcasting 13
Television nations 16
Studying programmes 18
Television and society 21
Television audiences 27
Case study: television past and present 31
Summary of key points 36
Further reading 36
Television Histories 39
Introduction 40
Collecting the evidence 40
Inventing television technologies 46
Television institutions 48
Professional cultures in a ‘Golden Age’ 51
Reception contexts 53
Programmes and forms 55
Case study: ‘Me TV’ 62
Summary of key points 65
Further reading 65
Television Cultures 67
Introduction
British television in global contexts
Global television
68
69
73
76
79
85
86
90
91
93
94
94
96
98
102
104
105
108
111
121
122
123
124
125
128
130
132
134
136
139
144
145
147
148
149
151
157
165
169
172
173
CONTENTS
Cultural imperialism
News, nations and the ‘New World Order*
The global and local interrelationship
Case study: adapting formats around the world
Summary of key points
Further reading
Television Texts and Narratives
Introduction
The language of television
Connotations and codes
Narrative structures
Narrative functions
Identification
Television narrators
Signs of the viewer
Case study: the ‘Every Home Needs a Harvey’ advertisement
Summary of key points
Further reading
Television Genres and Formats
Introduction
Identifying genre and format
The generic space of soap opera
The police genre: seeing and knowing in CSI
Sitcom and the problem of humour
Talk shows and the performance of morality
Blurred genre boundaries in documentary
Case study: animated series
Summary of key points
Further reading
Television Production
Introduction
Development
Pre-production
Production
Post-production
Case study: the Avid editing system
Summary of key points
Further reading
CONTENTS Vlf
7 Television and Quality 175
Introduction 176
Identifying quality 179
Quality and authorship 183
Channels and brands in American television drama 185
Visual style and the Doctor Who brand 189
Quality US police drama before The Wire 192
Case study: The Wire 196
Summary of key points 199
Further reading 199
8 Television Realities 203
Introduction 204
Quantitative research: content analysis 205
Factual television 207
Audiences and race 211
Realism and television technologies 214
British soap opera and realism 216
Realism and ideology 218
News and liveness 219
The documentary mode 221
Case study: docudrama 223
Summary of key points 228
Further reading 228
9 Television You Can’t See 231
Introduction 232
Free speech and regulation 232
A brief history of sex on British television 236
Taste and decency today 241
Theories of regulation 246
Case study: reporting conflict 249
Summary of key points 253
Further reading 253
10 Television Audiences 255
Introduction 256
The economics of watching television 257
Ratings: measuring audiences 259
Targeting audiences 261
Active audiences 263
Attention and involvement 264
Qualitative audience research 266
Fan audiences 269
VIII CONTENTS
Case study: television scheduling 274
Summary of key points 278
Further reading 279
11 Beyond Television 281
Introduction 282
Television as an interactive medium 283
The growth of interactive television 286
Viewers’ interaction with programmes 291
Interactivity and sociability 293
How new is new? 295
Summary of key points 2 98
Further reading 298
Glossary of key terms 301
Select bibliography 315
Index 333
|
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