Brahms beyond mastery: his Sarabande and Gavotte, and its recompositions
In 1853 Robert Schumann identified fully-formed compositional mastery in the young Brahms, who nevertheless in the years following embarked on a period of intensive further study, producing, among other works, the neo-baroque Sarabande and Gavotte. These dances have not been properly recognized as c...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Farnham
Ashgate
2013
|
| Schriftenreihe: | Royal Musical Association monographs
21 |
| Schlagworte: | |
| Zusammenfassung: | In 1853 Robert Schumann identified fully-formed compositional mastery in the young Brahms, who nevertheless in the years following embarked on a period of intensive further study, producing, among other works, the neo-baroque Sarabande and Gavotte. These dances have not been properly recognized as constituting a distinct Brahms work before now, but manuscript evidence and their performance history indicate that Brahms and his friends thought of them as such in the mid-1850s, when they became the first music of his performed publicly in Gdansk, Vienna, Budapest and London. He later suppressed the dances, using them instead as a thematic quarry for three chamber music masterpieces, from different stages in his life and in distinctly different ways: the Second String Sextet, the First String Quintet and the Clarinet Quintet. This book gives an account of the compositional and performance history, stylistic features and re-uses of the dances, setting these in the wider context of Brahms's developing creative concerns and trajectory. It constitutes therefore a study of a "lost" work, of how a fully-formed master opens himself to "the in-flowing from afar" (in Martin Heidegger's terms), and of the transformative reach and concomitant expressive richness of Brahms's creative thought. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XV, 95 Seiten Notenbeispiele |
| ISBN: | 9781409465577 |
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| 505 | 0 | |a Preface; The Sarabande and Gavotte; The Second String Sextet, op. 36, and its second movement; The First String Quintet, op. 88, and its second movement; The Clarinet Quintet, op. 115; Conclusion; Bibliography; Index. | |
| 520 | |a In 1853 Robert Schumann identified fully-formed compositional mastery in the young Brahms, who nevertheless in the years following embarked on a period of intensive further study, producing, among other works, the neo-baroque Sarabande and Gavotte. These dances have not been properly recognized as constituting a distinct Brahms work before now, but manuscript evidence and their performance history indicate that Brahms and his friends thought of them as such in the mid-1850s, when they became the first music of his performed publicly in Gdansk, Vienna, Budapest and London. He later suppressed the dances, using them instead as a thematic quarry for three chamber music masterpieces, from different stages in his life and in distinctly different ways: the Second String Sextet, the First String Quintet and the Clarinet Quintet. This book gives an account of the compositional and performance history, stylistic features and re-uses of the dances, setting these in the wider context of Brahms's developing creative concerns and trajectory. It constitutes therefore a study of a "lost" work, of how a fully-formed master opens himself to "the in-flowing from afar" (in Martin Heidegger's terms), and of the transformative reach and concomitant expressive richness of Brahms's creative thought. | ||
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Datensatz im Suchindex
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|---|---|
| any_adam_object | |
| author | Pascall, Robert 1944-2018 |
| author_GND | (DE-588)135012856 |
| author_facet | Pascall, Robert 1944-2018 |
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| contents | Preface; The Sarabande and Gavotte; The Second String Sextet, op. 36, and its second movement; The First String Quintet, op. 88, and its second movement; The Clarinet Quintet, op. 115; Conclusion; Bibliography; Index. |
| ctrlnum | (OCoLC)854716615 (DE-599)BVBBV041046600 |
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| discipline | Musikwissenschaft |
| format | Book |
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| language | English |
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| spelling | Pascall, Robert 1944-2018 Verfasser (DE-588)135012856 aut Brahms beyond mastery his Sarabande and Gavotte, and its recompositions Robert Pascall Farnham Ashgate 2013 XV, 95 Seiten Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Royal Musical Association monographs 21 Includes bibliographical references and index Preface; The Sarabande and Gavotte; The Second String Sextet, op. 36, and its second movement; The First String Quintet, op. 88, and its second movement; The Clarinet Quintet, op. 115; Conclusion; Bibliography; Index. In 1853 Robert Schumann identified fully-formed compositional mastery in the young Brahms, who nevertheless in the years following embarked on a period of intensive further study, producing, among other works, the neo-baroque Sarabande and Gavotte. These dances have not been properly recognized as constituting a distinct Brahms work before now, but manuscript evidence and their performance history indicate that Brahms and his friends thought of them as such in the mid-1850s, when they became the first music of his performed publicly in Gdansk, Vienna, Budapest and London. He later suppressed the dances, using them instead as a thematic quarry for three chamber music masterpieces, from different stages in his life and in distinctly different ways: the Second String Sextet, the First String Quintet and the Clarinet Quintet. This book gives an account of the compositional and performance history, stylistic features and re-uses of the dances, setting these in the wider context of Brahms's developing creative concerns and trajectory. It constitutes therefore a study of a "lost" work, of how a fully-formed master opens himself to "the in-flowing from afar" (in Martin Heidegger's terms), and of the transformative reach and concomitant expressive richness of Brahms's creative thought. Brahms, Johannes 1833-1897 Criticism and interpretation Brahms, Johannes 1833-1897 Sarabands piano WoO 5 Brahms, Johannes 1833-1897 Gavottes piano WoO 3 Brahms, Johannes 1833-1897 Quintette op. 115 (DE-588)300026609 gnd rswk-swf Brahms, Johannes 1833-1897 Sextette Nr. 2 op. 36 (DE-588)300026846 gnd rswk-swf Brahms, Johannes 1833-1897 Sarabanden WoO 5 (DE-588)300271964 gnd rswk-swf Brahms, Johannes 1833-1897 Gavotten WoO 3 (DE-588)300273223 gnd rswk-swf Brahms, Johannes 1833-1897 Quintette Nr. 1 op. 88 (DE-588)4802700-5 gnd rswk-swf Brahms, Johannes 1833-1897 Gavotten WoO 3 (DE-588)300273223 u DE-604 Brahms, Johannes 1833-1897 Sarabanden WoO 5 (DE-588)300271964 u Brahms, Johannes 1833-1897 Sextette Nr. 2 op. 36 (DE-588)300026846 u Brahms, Johannes 1833-1897 Quintette Nr. 1 op. 88 (DE-588)4802700-5 u Brahms, Johannes 1833-1897 Quintette op. 115 (DE-588)300026609 u Royal Musical Association monographs 21 (DE-604)BV000617458 21 |
| spellingShingle | Pascall, Robert 1944-2018 Brahms beyond mastery his Sarabande and Gavotte, and its recompositions Royal Musical Association monographs Preface; The Sarabande and Gavotte; The Second String Sextet, op. 36, and its second movement; The First String Quintet, op. 88, and its second movement; The Clarinet Quintet, op. 115; Conclusion; Bibliography; Index. Brahms, Johannes 1833-1897 Criticism and interpretation Brahms, Johannes 1833-1897 Sarabands piano WoO 5 Brahms, Johannes 1833-1897 Gavottes piano WoO 3 Brahms, Johannes 1833-1897 Quintette op. 115 (DE-588)300026609 gnd Brahms, Johannes 1833-1897 Sextette Nr. 2 op. 36 (DE-588)300026846 gnd Brahms, Johannes 1833-1897 Sarabanden WoO 5 (DE-588)300271964 gnd Brahms, Johannes 1833-1897 Gavotten WoO 3 (DE-588)300273223 gnd Brahms, Johannes 1833-1897 Quintette Nr. 1 op. 88 (DE-588)4802700-5 gnd |
| subject_GND | (DE-588)300026609 (DE-588)300026846 (DE-588)300271964 (DE-588)300273223 (DE-588)4802700-5 |
| title | Brahms beyond mastery his Sarabande and Gavotte, and its recompositions |
| title_auth | Brahms beyond mastery his Sarabande and Gavotte, and its recompositions |
| title_exact_search | Brahms beyond mastery his Sarabande and Gavotte, and its recompositions |
| title_full | Brahms beyond mastery his Sarabande and Gavotte, and its recompositions Robert Pascall |
| title_fullStr | Brahms beyond mastery his Sarabande and Gavotte, and its recompositions Robert Pascall |
| title_full_unstemmed | Brahms beyond mastery his Sarabande and Gavotte, and its recompositions Robert Pascall |
| title_short | Brahms beyond mastery |
| title_sort | brahms beyond mastery his sarabande and gavotte and its recompositions |
| title_sub | his Sarabande and Gavotte, and its recompositions |
| topic | Brahms, Johannes 1833-1897 Criticism and interpretation Brahms, Johannes 1833-1897 Sarabands piano WoO 5 Brahms, Johannes 1833-1897 Gavottes piano WoO 3 Brahms, Johannes 1833-1897 Quintette op. 115 (DE-588)300026609 gnd Brahms, Johannes 1833-1897 Sextette Nr. 2 op. 36 (DE-588)300026846 gnd Brahms, Johannes 1833-1897 Sarabanden WoO 5 (DE-588)300271964 gnd Brahms, Johannes 1833-1897 Gavotten WoO 3 (DE-588)300273223 gnd Brahms, Johannes 1833-1897 Quintette Nr. 1 op. 88 (DE-588)4802700-5 gnd |
| topic_facet | Brahms, Johannes 1833-1897 Criticism and interpretation Brahms, Johannes 1833-1897 Sarabands piano WoO 5 Brahms, Johannes 1833-1897 Gavottes piano WoO 3 Brahms, Johannes 1833-1897 Quintette op. 115 Brahms, Johannes 1833-1897 Sextette Nr. 2 op. 36 Brahms, Johannes 1833-1897 Sarabanden WoO 5 Brahms, Johannes 1833-1897 Gavotten WoO 3 Brahms, Johannes 1833-1897 Quintette Nr. 1 op. 88 |
| volume_link | (DE-604)BV000617458 |
| work_keys_str_mv | AT pascallrobert brahmsbeyondmasteryhissarabandeandgavotteanditsrecompositions |