Taking it to the bridge: music as performance
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Ann Arbor, MI
Univ. of Michigan Press
2013
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XVI, 381 S. Ill., Kt., Notenbeisp. |
| ISBN: | 9780472071777 9780472051779 9780472029303 |
Internformat
MARC
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| 245 | 1 | 0 | |a Taking it to the bridge |b music as performance |c Nicholas Cook and Richard Pettengill, ed. |
| 264 | 1 | |a Ann Arbor, MI |b Univ. of Michigan Press |c 2013 | |
| 300 | |a XVI, 381 S. |b Ill., Kt., Notenbeisp. | ||
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
NICHOLAS
COOK and RICHARD PETTENGILL
Editors
Preface vii
ELISABETH
LE GUIN
A Backward-Looking Foreword
xi
NICHOLAS COOK AND RICHARD
PETTENGILL
Introduction
ι
SUSAN FAST
U2
3D:
Concert Films and/as Live Performance
20
RICHARD PETTENGILL
Performing Collective Improvisation:
The Grateful Dead s Dark Star
3 7
PHILIP AUSLANDER
Jazz Improvisation as a Social Arrangement
52
NICHOLAS COOK
Bridging the Unbridgeable? Empirical Musicology
and Interdisciplinary Performance Studies
70
PHILIP GOSSETT
The Written and the Sung:
Ornamenting
11 barbiere
di Siviglia
86
DANA GOOLEY
Enacting the Revolution:
Thalberg in 1848 102
JOSEPH ROACH
Cutting Loose: Burying The First Man of Jazz
125
AIDA MBOWA
Abbey Lincoln s Screaming Singing and the
Sonic Liberatory Potential Thereafter
135
MARGARET F. SAVILONIS
Got to Get Over the Hump: The Politics of
Glam
in the Work of
Labelle
and Parliament
155
DAPHNE A. BROOKS
Bring the Pain : Post-Soul Memory, Neo-Soul Affect,
and Lauryn Hill in the Black Public Sphere
180
JASON KING
Don t Stop til You Get Enough: Presence, Spectacle,
and Good Feeling in Michael Jackson
s
This Is It
204
MARIA M.
DELGADO
Carles Santos: Music in the Theatre
237
INGRID MONSON
Tchekisse:
Neba
Solo s Senufo Counterpoint in Action
262
ROGER MOSELEY
Playing Games with Music (and Vice Versa):
Ludomusicological Perspectives on Guitar Hero
and Rock Band
279
DAVID BORGO
Beyond Performance:
Transmusicking in Cyberspace
319
PHILIP AUSLANDER
Afterword: Music as Performance:
The Disciplinary Dilemma Revisited
349
Contributors
359
Index
365
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| dewey-hundreds | 700 - The arts |
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| title | Taking it to the bridge music as performance |
| title_auth | Taking it to the bridge music as performance |
| title_exact_search | Taking it to the bridge music as performance |
| title_full | Taking it to the bridge music as performance Nicholas Cook and Richard Pettengill, ed. |
| title_fullStr | Taking it to the bridge music as performance Nicholas Cook and Richard Pettengill, ed. |
| title_full_unstemmed | Taking it to the bridge music as performance Nicholas Cook and Richard Pettengill, ed. |
| title_short | Taking it to the bridge |
| title_sort | taking it to the bridge music as performance |
| title_sub | music as performance |
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