Verfügbarkeit: Music Alive!'s percussion

Music Alive!'s percussion: [drum set, pitched percussion, hand percussion, marching ... and more!]

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Bibliographische Detailangaben
1. Verfasser:	Glass, Daniel (VerfasserIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	White Plains, N.Y. In Tune Partners, Hal Leonard Publishing Corporation 2012
Schriftenreihe:	In Tune library
Schlagworte:	Percussion / Instruction and study DVD-ROMs Schlagzeugspiel Einführung
Online-Zugang:	Inhaltsverzeichnis
Beschreibung:	Percussion basics and an introduction to the drum set -- Basic notation and reading -- Marching percussion and rudiments -- Orchestral percussion -- The drum, set part I: an amazing journey (1865-1965) -- The drum set, part II: Setting up and playing in various styles -- Percussion around the world -- Electronic percussion -- A percussionist's life: taking it to the "The next level"
Beschreibung:	XXIII, 190 S. Ill., Notenbeisp. 28 cm. DVD-ROM (12 cm)
ISBN:	9781458420954

Internformat

MARC


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Datensatz im Suchindex

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adam_text	CONTENTS FOREWORD ...................................................................................xix INTRODUCTION ..............................................................................xxi HOW TO USE THIS BOOK ............................................................xxiii ACKNOWLEDGMENTS ....................................................................xxv l] Percussion Basics and An Introduction to the Drum Set ........................... ι WHAT IS PERCUSSION? ...................................................................1 PULSE AND RHYTHM: A PERCUSSIONIST S JOB #1 .........................3 THE WAYS WE USE PERCUSSION ......................................................3 COMMUNICATION ..........................................................................3 MILITARY ......................................................................................4 RELIGIOUS ...................................................................................4 BRINGING PERCUSSION TO LIFE ......................................................4 THE DRUM SET: A GOOD PLACE TO START ........................................5 ANATOMY OF A DRUM SET .............................................................6 2] Basic Notation and Reading .............................11 TO READ OR NOT TO READ? THAT IS THE QUESTION ........................11 NOTES AND RESTS: THE BUILDING BLOCKS OF RHYTHM .................12 THE MUSICAL STAFF .....................................................................13 MEASURES AND BAR LINES ............................................................13 PERCUSSION NOTATION ..................................................................13 DRUM SET NOTATION .....................................................................14 TIME SIGNATURES AND COUNTING .................................................14 FOUR/FOUR, THE COMMON TIME SIGNATURE ...............................14 COUNTING .....................................................................................15 TRIPLETS .......................................................................................17 OTHER TIME SIGNATURES ...............................................................17 OTHER MUSICAL CONCEPTS ..........................................................18 TEMPO ..........................................................................................19 DYNAMICS ....................................................................................20 MOVING ON ..................................................................................23 3] Marching Percussion and Rudiments 25 DRUMS AND THE MILITARY ........................................................... 25 THE DAWN OF THE MARCHING BAND ............................................ 26 JOHN PHILIP SOUSA AND THE AMERICAN MILITARY BAND 27 THE INFLUENCE OF AFRICAN-AMERICAN MILITARY BANDS 28 MARCHING BANDS TODAY ............................................................ 30 INSTRUMENTS USED IN MARCHING BANDS ...................................31 SNARE DRUM/FIELD DRUM ...........................................................31 BASS DRUM .................................................................................33 TENOR DRUM ................................................................................33 MULTI-TENOR DRUMS ....................................................................34 CYMBALS ......................................................................................34 PLAYING THE SNARE DRUM ...........................................................35 THE GRIPS ...................................................................................35 THE MATCHED GRIP .......................................................................36 PLAYING A GRACE NOTE AND GETTING A REBOUND .........................37 CREATING A STROKE ......................................................................38 TRADITIONAL GRIP ........................................................................40 TAPS AND STROKES IN TRADITIONAL GRIP .....................................41 USING THE RUDIMENTS .................................................................41 A LIST OF KEY RUDIMENTS ............................................................42 ROLL RUDIMENTS .........................................................................43 DIDDLE RUDIMENTS ......................................................................45 FLAM RUDIMENTS ........................................................................46 DRAG RUDIMENTS ........................................................................47 MOVING ON ............... ..47 vm Music Alivel s Percussion 4] Orchestral Percussion ..........................................49 WHAT EXACTLY IS CLASSICAL MUSIC? ...........................................49 THE ROLE OF PERCUSSION IN AN ORCHESTRA ..............................50 TIMPANI .......................................................................................51 OTHER ORCHESTRAL PERCUSSION INSTRUMENTS ..........................52 SNARE DRUM .............................................................................52 BASS DRUM ...............................................................................53 HAND HELD CRASH CYMBALS (PIATTI) ...........................................54 SUSPENDED CYMBALS ...............................................................54 GONG/TAM-TAM .........................................................................55 ORCHESTRAL HAND PERCUSSION ..................................................56 TAMBOURINE ..............................................................................56 TRIANGLE ..................................................................................56 WOODBLOCK ..............................................................................57 MALLETS AND KEYBOARD PERCUSSION .........................................57 GLOCKENSPIEL AND CROTALES ....................................................58 XYLOPHONE ...............................................................................59 MARIMBA ...................................................................................59 VIBRAPHONE .............................................................................60 CHIMES .....................................................................................60 PLAYING MALLET INSTRUMENTS ..................................................61 THE 20TH CENTURY S IMPACT ON CLASSICAL PERCUSSION ............61 THE PERCUSSION ENSEMBLE .......................................................62 PERCUSSIVE ARTS SOCIETY .........................................................64 CLASSICAL SPOTLIGHT: EVELYN GLENNIE .......................................65 5] The Drum, Set Part I: An Amazing Journey (1865-1965)........................67 WHAT S SO GREAT ABOUT THE DRUM SET? ....................................67 IN THE BEGINNING: WHY A DRUM SET? .........................................68 THE BASS DRUM PEDAL .................................................................70 Contents ix THE AFRICAN-AMERICAN CONNECTION: NEW ORLEANS AND CONGO SQUARE .........................................71 BRING ON THE TRAPS: THE DRUM SET GROWS 72 IMMIGRANT CONTRIBUTIONS TO THE DRUM SET .............................73 THE FIRST FILLS ...........................................................................74 BRUSHES ..................................................................................... 75 THE BIG BAND ERA ..........................................................................76 THE HI-HAT ................................................................................... 77 SEPARATE TENSIONED TOM TOMS .................................................78 DOUBLE BASS .............................................................................. 79 THE DRUM CONSOLETTE ...............................................................80 BEBOP AND STRAIGHT AHEAD JAZZ ..............................................80 THE 1950S: RHYTHM & BLUES AND EARLY ROCK & ROLL ...............82 SHUFFLES AND BACKBEATS ..........................................................83 CRASH CYMBALS ..........................................................................83 PLASTIC DRUMHEADS ...................................................................84 THE BEATLES: THE DRUM SET BLUEPRINT IS FINALIZED ................84 RINGO AND THE MATCHED GRIP ....................................................85 MOVING ON ..................................................................................86 6] The Drum Set, Part II: Setting Up and Playing in Various Styles ......89 SETTING UP .................................................................................89 SITTING ........................................................................................90 ADJUSTING THE KIT .......................................................................90 WHAT IF YOU RE LEFT HANDED? ....................................................90 HOLDING THE STICKS ....................................................................91 TUNING THE DRUMS .....................................................................91 A FEW WORDS ABOUT DRUMHEADS ...............................................92 WHEN SHOULD YOU CHANGE THE HEADS? .....................................93 PUTTING ON A NEW HEAD .............................................................93 DRUM SET STYLES ............................................. 95 Music Altai s Percussion ROCK & ROLL ..............................................................................95 THE BASIC ROCK GROOVE .............................................................96 VARIATIONS ON THE ROCK GROOVE ...............................................97 FILLS ...........................................................................................98 ROCK MASTERS .............................................................................99 WHO S DOING IT TODAY ..................................................................99 BLUES AND R&B .........................................................................100 BLUES MASTERS .........................................................................101 WHO S DOING IT TODAY ................................................................101 JAZZ .........................................................................................102 EARLY JAZZ AND SWING MASTERS ................................................103 WHO S DOING IT TODAY ................................................................103 BEBOP AND STRAIGHT AHEAD JAZZ ............................................ 103 BEBOP MASTERS .........................................................................104 WHO S DOING IT TODAY ................................................................105 SOUL AND FUNK ............................................................................105 SOUL/FUNK MASTERS .................................................................107 WHO S DOING IT TODAY ................................................................107 HIP-HOP ....................................................................................107 WELL KNOWN HIP HOP AND GOSPEL DRUMMERS ..........................107 FUSING JAZZ AND ROCK .............................................................108 JAZZ FUSION AND PROGRESSIVE ROCK MASTERS ..........................109 WHO S DOING IT TODAY ................................................................109 COUNTRY .................................................................................. 109 COUNTRY MASTERS .....................................................................110 WHO S DOING IT TODAY ................................................................110 LATIN ......................................................................................... Ill LATIN DRUM SET MASTERS ..........................................................112 WHO S DOING IT TODAY ................................................................112 REGGAE .................................................................................... 112 SKA AND REGGAE MASTERS .........................................................114 WHO S DOING IT TODAY ................................................................114 Contents 7] Percussion Around the World 117 PERCUSSION: A COMMON TRADITION ..........................................118 AFRICA ...................................................................................... 119 DJEMBE ..................................................................................... II9 DUNUN ...................................................................................... II9 LOG DRUM (A.K.A. SLIT GONG OR TONGUE DRUM) ........................120 TALKING DRUM ...........................................................................120 UDU ..........................................................................................120 GANKOQUI ..................................................................................120 SHEKERE ...................................................................................120 AFRICAN XYLOPHONE ..................................................................120 MBIRA (A.K.A. KÁLIMBA OR THUMB PIANO) ..................................121 LATIN AND NATIVE AMERICAN PERCUSSION ................................. 122 CUBA ..........................................................................................122 OTHER INFLUENTIAL CARIBBEAN REGIONS ...................................126 JAMAICA ......................................................................................127 BRAZILIAN SAMBA AND BOSSA NOVA ............................................127 BRAZILIAN HAND PERCUSSION .....................................................129 BOSSA NOVA AND OTHER SOUTH AMERICAN TRADITIONS ..............130 MEXICO .......................................................................................131 NATIVE AMERICAN PERCUSSION ..................................................133 ASIAN AND MIDDLE EASTERN PERCUSSION ................................ 134 CHINA ........................................................................................134 JAPAN ........................................................................................ 136 KOREA ....................................................................................... 139 INDONESIA ............................................................. 140 INDIA ....................................................................... 1 ....... 141 ARABIC ................................................... 142 POLYNESIA ................................................... .................... 143 HAWAII ............................................................ ........................ 143 MOVING ON ................................................................................. xii Music Alivel s Percussion 8] Electronic Percussion .........................................147 RHYTHM MACHINES, SYNTHS, AND ELECTRONIC MUSIC ...............147 THE RISE OF THE DRUM MACHINE ...............................................149 THE NUTS AND BOLTS OF ELECTRONIC PERCUSSION ...................151 DRUM MACHINES ........................................................................151 SEQUENCERS AND DIGITAL AUDIO WORKSTATION (DAW) .................152 PROGRAMMING ...........................................................................152 CONTROLLERS AND TRIGGERING ..................................................153 SAMPLING ...................................................................................153 HOW DO DRUMMERS FIT INTO THE DIGITAL MUSIC WORLD? ......... 154 CONTROLLERS ........................................................................... 155 ACOUSTIC DRUM TRIGGERS .........................................................155 ELECTRONIC DRUM SETS .............................................................156 MIDI CONTROLLERS FOR PERCUSSIONISTS ...................................157 CONTROLLERS FOR STUDENTS .....................................................159 OTHER APPROACHES TO RHYTHM IN A DIGITAL AGE .......................159 SCRATCHING AND BEATBOXING ....................................................160 THE UNREPLACEABLE PERCUSSIONIST ......................................161 MOVING ON ....................................................................................161 9] A Percussionist s Life: Taking It To The Next Level іез A GOLDEN AGE OF PERCUSSION .................................................163 PRACTICING ...............................................................................164 PRACTICING THE FUN! .................................................................165 PRACTICE TIPS ...........................................................................165 PLAYING WITH OTHER MUSICIANS ..............................................169 GENERAL DO S AND DON TS ........................................................169 THE RHYTHM SECTION ................................................................170 ONSTAGE SKILLS: PERFORMING AND SHOWMANSHIP ..................171 SHOWMANSHIP ...........................................................................172 NERVES AND STAGE FRIGHT .........................................................172 Contents xiii REMAINING CALM IN THE MIDDLE OF A STORM ..............................173 A CAREER IN MUSIC. IS IT FOR YOU? ...........................................174 SOME WORDS OF ADVICE ............................................................175 BREAKING DOWN THE PROS AND CONS ........................................175 MY EXPERIENCE AS A PROFESSIONAL MUSICIAN ...........................176 EXAMPLES OF SOME CAREERS IN MUSIC ....................................177 PERFORMING ARTIST ..................................................................177 FREELANCE MUSICIAN ................................................................178 SHOW PERCUSSIONIST ................................................................178 ORCHESTRAL PERCUSSIONIST ......................................................179 STUDIO PERCUSSIONIST ..............................................................179 MILITARY PERCUSSIONIST ............................................................180 CHURCH PERCUSSIONIST .............................................................180 ACCOMPANIST .............................................................................180 OTHER OPTIONS .........................................................................180 MUSIC EDUCATOR .......................................................................180 ETHNOMUSICOLOGIST .................................................................182 MUSIC THERAPIST .......................................................................182 RECREATIONAL DRUMMING .........................................................183 DRUM CIRCLES ............................................................................184 VIDEOGAMES ............................................................................. 184 THE BEAT GOES ON ..................................................................... 185 xiv Music Aliveľs Percussion
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spelling	Glass, Daniel Verfasser aut Music Alive!'s percussion [drum set, pitched percussion, hand percussion, marching ... and more!] by Daniel Glass Percussion White Plains, N.Y. In Tune Partners, Hal Leonard Publishing Corporation 2012 XXIII, 190 S. Ill., Notenbeisp. 28 cm. DVD-ROM (12 cm) txt rdacontent n rdamedia nc rdacarrier In Tune library Percussion basics and an introduction to the drum set -- Basic notation and reading -- Marching percussion and rudiments -- Orchestral percussion -- The drum, set part I: an amazing journey (1865-1965) -- The drum set, part II: Setting up and playing in various styles -- Percussion around the world -- Electronic percussion -- A percussionist's life: taking it to the "The next level" Percussion / Instruction and study DVD-ROMs Schlagzeugspiel (DE-588)4329032-2 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content Schlagzeugspiel (DE-588)4329032-2 s DE-604 Digitalisierung BSB Muenchen 3 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025976018&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis
spellingShingle	Glass, Daniel Music Alive!'s percussion [drum set, pitched percussion, hand percussion, marching ... and more!] Percussion / Instruction and study DVD-ROMs Schlagzeugspiel (DE-588)4329032-2 gnd
subject_GND	(DE-588)4329032-2 (DE-588)4151278-9
title	Music Alive!'s percussion [drum set, pitched percussion, hand percussion, marching ... and more!]
title_alt	Percussion
title_auth	Music Alive!'s percussion [drum set, pitched percussion, hand percussion, marching ... and more!]
title_exact_search	Music Alive!'s percussion [drum set, pitched percussion, hand percussion, marching ... and more!]
title_full	Music Alive!'s percussion [drum set, pitched percussion, hand percussion, marching ... and more!] by Daniel Glass
title_fullStr	Music Alive!'s percussion [drum set, pitched percussion, hand percussion, marching ... and more!] by Daniel Glass
title_full_unstemmed	Music Alive!'s percussion [drum set, pitched percussion, hand percussion, marching ... and more!] by Daniel Glass
title_short	Music Alive!'s percussion
title_sort	music alive s percussion drum set pitched percussion hand percussion marching and more
title_sub	[drum set, pitched percussion, hand percussion, marching ... and more!]
topic	Percussion / Instruction and study DVD-ROMs Schlagzeugspiel (DE-588)4329032-2 gnd
topic_facet	Percussion / Instruction and study DVD-ROMs Schlagzeugspiel Einführung
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