Antoni Szałowski: person and work
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Frankfurt am Main
PL Acad. Research
2013
|
| Schriftenreihe: | Ars musica
4 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Literaturverz. S. 391 - 412. - Werkverz.: A. Szałowski S. 415 - 435 |
| Beschreibung: | 496 S. Ill., Noten |
| ISBN: | 9783631639955 |
Internformat
MARC
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| 100 | 1 | |a Szczurko, Elżbieta |e Verfasser |0 (DE-588)140568379 |4 aut | |
| 245 | 1 | 0 | |a Antoni Szałowski |b person and work |c Elżbieta Szczurko |
| 264 | 1 | |a Frankfurt am Main |b PL Acad. Research |c 2013 | |
| 300 | |a 496 S. |b Ill., Noten | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a Ars musica |v 4 | |
| 500 | |a Literaturverz. S. 391 - 412. - Werkverz.: A. Szałowski S. 415 - 435 | ||
| 600 | 1 | 7 | |a Szałowski, Antoni |d 1907-1973 |0 (DE-588)134535308 |2 gnd |9 rswk-swf |
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Datensatz im Suchindex
| _version_ | 1811004293584519168 |
|---|---|
| adam_text |
Contents
1.
Introduction
. 19
1.1.
Defining the subject
. 19
1.2.
Objectives, premises and methods
. 21
1.3.
The sources and current state of research
. 26
1.3.1.
The manuscripts
. 26
1.3.2.
Publishers of Szakwski's music and his phonography
. 27
1.3.3.
Correspondence and other documents
. 29
1.3.4.
Synthetic-analytic studies and memoirs
. 30
2.
The anthropological dimension of artistic development
. 39
2.1.
The socio-cultural context
. 40
2.2.
Features of the artist's personal subjectivity
. 68
2.2.1.
Creative development
. 70
2.2.2.
Keeping faith with ideals
. 72
2.2.3.
The impractical artist
. 76
2.3.
Help from others and Szalowski's formation as a composer
. 81
2.3.1.
Nadia Boulanger.
81
2.3.2.
The publishers
. 88
2.3.3.
The critics
. 91
2.3.4.
Conductors, composers, soloists and friends
. 96
2.3.5.
Teresa
Szałowska
. 101
3.
The essence of creativity
. 103
3.1.
Towards Neoclassicism
. 103
3.1.1.
Compositions from the period of studies in Warsaw
(1919-1930) 103
3.1.2.
Compositions from the period of studies in Paris
(1931-1936) . 121
3.1.3.
Overtu re as the crowning achievement of the early creative period
129
Contents
3.2.
Mature Neoclassicism
. 138
3.2.1. Technical
issues
. 138
3.2.1.1.
Tonal-harmonic properties
. 139
3.2.1.1.1.
Scalar material
. 141
3.2.1.1.2.
Intervalles
in the linear process
. 152
3.2.1.1.3.
Consonances and chords
. 159
3.2.1.1.4.
Types of chordal combinations
. 166
3.2.1.1.5.
Centralisation
. 173
3.2.1.2.
Orchestral technique
. 181
3.2.1.2.1.
Instrumentation
. 185
3.2.1.2.2.
Disposition of the orchestral ensemble
. 187
3.2.1.2.3.
Solo instruments
. 191
3.2.1.2.4.
Positioning of performance groups in relation to
tutti
195
3.2.1.2.5.
Types of sound structures
. 198
3.2.1.2.6.
Types of registers
. 200
3.2.1.2.7.
Articulation
. 203
3.2.1.2.8.
Dynamics
. 206
3.2.1.3.
Metro-rhythmics
. 208
3.2.1.3.1.
The concept of temporality in music
. 208
3.2.1.3.2.
Motorie
structures
. 212
3.2.1.3.3.
Breaking rhythmic regularity
. 217
3.2.1.3.4.
Polymetry
. 220
3.2.1.3.5.
Dance rhythms
. 226
3.2.1.4.
Constructing the form
. 229
3.2.1.4.1.
Genres and forms
. 230
3.2.1.4.1.1.
Sonatinas
. 232
3.2.1.4.1.2.
Concertos
. 233
3.2.1.4.1.3.
Cyclical compositions for symphonic
and chamber orchestras
. 233
3.2.1.4.1.4.
Music for chamber ensembles
. 234
3.2.1.4.1.5.
Songs
. 235
3.2.1.4.1.6.
Suites
. 236
3.2.1.4.1.7.
Toccatas
. 240
3.2.1.4.1.8.
Single-movement compositions
. 241
3.2.1.4.2.
The sonata form
. 245
3.2.1.4.2.1.
The coefficients of form
. 252
3.2.1.4.2.2.
Shaping the form
. 256
Contents
3.2.1.4.2.3.
The integrity of the cycle
. 256
3.2.1.4.2.4.
The sonata form in concertos
. 257
3.2.1.4.2.4.1.
Violin Concerto
. 258
3.2.1.4.2.4.2.
Concerto for oboe, clarinet,
bassoon and orchestra
. 262
3.2.1.4.2.5.
Reinterpretation of the model
of the sonata form
. 269
3.2 2.
Aesthetics and technique
. 272
3.2.2.1.
Sérénité
. 272
3.2.2.2.
Musical humour
. 280
3.2.2.2.1.
„Light" music
. 284
3.2.2.2.2.
Humour and
sérénité
. 286
3.2.2.3.
A work of art in heteronomous perspective
. 288
3.2.2.3.1.
The ballet The Enchanted Inn
(L'Auberge ensorcelée)
290
3.2.2.3.1.1.
The symbolic media
. 295
3.2.2.3.1.1.1.
Non-musical media
. 295
3.2.2.3.1.1.2.
Musical media
. 297
3.2.2.3.1.2.
Illustration of motion events
. 305
3.2.2.3.2.
The symphonic picture The Raising of Lazarus
. 312
3.2.2.3.2.1.
Homage to Giotto
. 315
3.2.2.3.2.2.
Characteristics of Giotto's art
. 317
3.2.2.3.2.3.
Musical attributes of programmaticality
-
the semantic function of instruments
. 321
3.2.2.3.2.4.
Musical symbols
. 323
3.2.2.3.2.5.
Tonal relationships
. 326
3.2.2.3.2.6.
A musical composition and a painterly
composition
. 327
3.2.2.3.3.
Cantata for female voices and string orchestra
. 329
3.2.2.3.3.1.
The themes of the poems
. 330
3.2.2.3.3.2.
The structure of the composition
. 334
3.2.2.3.3.3.
Types of archaisation
. 336
3.2.2.3.3.4.
Musical devices as symbols of concepts
. 337
3.2.2.3.3.5.
Musical-rhetorical figures
. 337
3.2.2.3.3.5.1.
Illustrative figures
. 338
3.2.2.3.3.5.2.
Expressive figures
. 340
3.2.2.3.3.5.3.
The symbolism of numbers
. 342
Contents
4.
Antoni Szałowski
and the school of
Nadia Boulanger.
345
4.1.
The Neoclassicism of the Polish School
. 345
4.1.1.
Michał
Spisak.
351
4.1.2.
Grażyna Bacewicz
. 355
4.1.3.
Stefan Kisielewski
. 357
4.2.
The Neoclassicism of the American School
. 361
4.2.1.
Aaron Copland
. 364
4.2.2.
Roy Harris
. 367
4.2.3.
Walter Piston
. 370
4.3.
The norm of
Nadia Boulanger's
compositional school and the works
of
Antoni Szałowski.
371
4.3.1.
Nadia
Boulanger's talent as a teacher
. 371
4.3.2.
The compositional school of
Nadia Boulanger
and Neoclassicism
374
4.3.3.
Antoni Szałowski
and the school of
Nadia Boulanger.
379
5.
Conclusion
. 385
5.1.
The artist and his work
. 385
5.2.
A musical composition and tradition
. 386
5.3.
Keeping faith with the ideals of Neoclassicism
. 388
Bibliography
. 391
Bibliography of
Antoni Szałowski.
391
Supplementary literature
. 401
Catalogue of works by
Antoni Szałowski.
413
Chronological list
. 415
Systematic list
. 432
Appendix
. 437
Harmonic analysis of
Antoni
Szalowski's String Quartet No.
3. 437
List of orchestral works by
Antoni Szałowski.
449
List of music examples
. 451
List of illustrations
. 456
Abbreviations
. 459
Resume
. 461
Zusammenfassung . 471
Index of persons and compositions
. 485
10 |
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| id | DE-604.BV040993341 |
| illustrated | Illustrated |
| indexdate | 2024-09-23T16:18:00Z |
| institution | BVB |
| isbn | 9783631639955 |
| language | English |
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| physical | 496 S. Ill., Noten |
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| series | Ars musica |
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| spelling | Szczurko, Elżbieta Verfasser (DE-588)140568379 aut Antoni Szałowski person and work Elżbieta Szczurko Frankfurt am Main PL Acad. Research 2013 496 S. Ill., Noten txt rdacontent n rdamedia nc rdacarrier Ars musica 4 Literaturverz. S. 391 - 412. - Werkverz.: A. Szałowski S. 415 - 435 Szałowski, Antoni 1907-1973 (DE-588)134535308 gnd rswk-swf Szałowski, Antoni 1907-1973 (DE-588)134535308 p DE-604 Ars musica 4 (DE-604)BV039148438 4 Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025971099&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Szczurko, Elżbieta Antoni Szałowski person and work Ars musica Szałowski, Antoni 1907-1973 (DE-588)134535308 gnd |
| subject_GND | (DE-588)134535308 |
| title | Antoni Szałowski person and work |
| title_auth | Antoni Szałowski person and work |
| title_exact_search | Antoni Szałowski person and work |
| title_full | Antoni Szałowski person and work Elżbieta Szczurko |
| title_fullStr | Antoni Szałowski person and work Elżbieta Szczurko |
| title_full_unstemmed | Antoni Szałowski person and work Elżbieta Szczurko |
| title_short | Antoni Szałowski |
| title_sort | antoni szalowski person and work |
| title_sub | person and work |
| topic | Szałowski, Antoni 1907-1973 (DE-588)134535308 gnd |
| topic_facet | Szałowski, Antoni 1907-1973 |
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