Verfügbarkeit: Ear training & sight singing

Ear training & sight singing: a developmental aural skills text

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Bibliographische Detailangaben
1. Verfasser:	Ethier, Glen (VerfasserIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	Don Mills, Ont. Oxford Univ. Press 2013
Schlagworte:	Ear training Sight-singing Musical dictation A-prima-vista-Singen Gehörbildung
Online-Zugang:	Inhaltsverzeichnis
Beschreibung:	XVIII, 428 S. Ill., zahlr. Notenbeisp. 26 cm CD (12 cm)
ISBN:	9780195446173 0195446178

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Datensatz im Suchindex

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adam_text	Preface xii Acknowledgements xiii Features of this Textbook xiv PART I \| Basic Diatonic and Rhythmic Material 1 Chapter 1 2 Scales 2 The Major Scale 2 The Solfège System 3 Movable Do 3 Singing Major Scales Using Solfège 3 Curwen Hand Signs 4 Intervals 5 Seconds and Thirds 5 Singing Melodic Intervals: Scale-Degree Patterns and Referential Melodies 5 Hearing Seconds and Thirds 6 Melody 6 Transcribing Scalar Melodies 6 Singing Simple Scalar Melodies Using Solfège 9 Triads 9 The Major Triad 9 Singing Major Triads from the Root 10 Rhythm 11 Simple Meter: Notation and Transcription 11 Reading and Performing Rhythms in Simple Time Conducting Patterns 13 Vocalizing Strategies 15 13 Harmony 16 Tonic and Dominant: Getting the Bass Line Assignments 17 16 Repertoire 19 Scale-Degree Exercises Solfège Melodies 20 Solfège Duets 21 Rhythms 22 19 Chapter 2 24 Scales 24 The Minor Scale 24 Singing the Natural Minor Scale 25 The Harmonic Form of the Minor Scale Singing the Harmonic Minor Scale 26 25 Intervals 27 Perfect Intervals: Fourths, Fifths, and Octaves 27 Melody 28 The Tonic Triad (I/i) 28 Singing Melodies with Tonic Arpeggios 29 Triads 29 The Minor Triad 29 Singing Minor Triads from the Root 30 Rhythm 31 Simple Meter: Rests 31 Simple Meter: Tied Notes 31 Transcribing Rests and Tied Notes in Simple Meter 32 Harmony 33 I, IV, V, and V7 in Root Position 33 Subdominant Harmony (IV/iv) 34 Assignments 36 Repertoire 38 Scale-Degree Exercises 38 Solfège Melodies 39 Solfège Duets 40 Rhythms 41 Chapter 3 43 Scales 43 The Melodic Form of the Minor Scale 43 Singing the Melodic Minor Scale 44 Intervals 45 Major and Minor Sixths 45 Melody 48 The Dominant Triad (V) and the Dominant-Seventh Chord (V7) 48 Singing Melodies with Dominant and Dominant-Seventh Arpeggios 50 vi Contents Triads 51 Singing Major and Minor Triads from the Third and Fifth 51 Rhythm 51 Compound Meter: Notation, Transcription, and Reading 51 Harmony 55 I, IV, V in Root Position and First Inversion; V7 in Root Position 55 Assignments 58 Repertoire 60 Scale-Degree Exercises 60 Solfège Melodies 62 Solfège Duets 63 Rhythms 64 Chapter 4 66 Scales 66 More Practice with the Major Scale and All Forms of Minor Scales 66 Intervals 67 Major and Minor Sevenths 67 Three Methods for Singing Sevenths 68 Melody 70 The Subdominant Triad (IV/iv) 70 Singing Melodies with Subdominant Arpeggios 72 Triads 73 Isolating Outer Voices (Factors) in Major and Minor Triads 73 Rhythm 76 Compound Meter: Tied Notes and Rests 76 Harmony 77 Linear Progression: The vii06 Harmony 77 Focus: The Bass Voice 78 The Minor Dominant (v6) in Minor Keys 79 Assignments 80 Repertoire 81 Scale-Degree Exercises 81 Solfège Melodies 82 Solfège Duets 83 Rhythms 84 Chapter 5 86 Scales 86 The Jazz Melodic Minor Scale 86 Intervals 87 Tritones 87 Singing Tritones: Referential Melodies 88 Melody 89 Tritone Leaps 89 The Supertonic Triad (ii/ii0) 89 Singing Melodies with Tritone Leaps and Supertonic Arpeggios 90 Triads 91 Outer Voices in Major and Minor Triads: Alternative Doublings 91 Rhythm 92 The Anacrusis (Upbeat) 92 Compound and Simple Meters: New Beat and Division Values 92 Harmony 94 Supertonic Harmony: ii, ii6, and ii06 94 Submediant (vi/VI) and Mediant (iii/III) Harmonies 96 The Minor Supertonic in Minor Keys 99 Assignments 99 Repertoire 101 Scale-Degree Exercises 101 Solfège Melodies 102 Solfège Duets 103 Rhythms 104 PART II \| Intermediate Diatonic and Rhythmic Material 107 Chapter 6 108 Scales 108 The Church Modes 108 The Lydian Mode 110 Intervals 110 More Practice with Intervals to the Perfect Octave 110 Melody 111 Practice Melodies for Transcription 111 Practice Melodies for Sight-Singing 111 Contents vii Triads 111 The Diminished Triad 111 Singing the Diminished Triad 112 Rhythm 112 More Practice with Rhythmic Transcription 112 Harmony 113 Review of Root Position and First Inversion Harmonies 113 Passing and Neighbouring Tones 113 Special Harmonies in Minor Keys: The Subtonic (VII) and the Diminished Submediant (vi0) 114 Assignments 115 Repertoire 117 Scale-Degree Exercises 117 Solfège Melodies 118 Solfège Duets 119 Rhythms 120 Chapter 7 124 Scales 124 More Practice with Lydian Mode 124 Intervals 124 Melodic Intervals in Series 124 Melody 125 The Leading-Tone Triad (vii°) 125 Singing Melodies with Leading-Tone Arpeggios 126 Triads 126 The Augmented Triad 126 Rhythm 128 Simple Meter: Beat Division into Four Reading Quadruple Divisions 130 Harmony 131 The Passing Six-Four Harmony (PŞ) Assignments 132 Repertoire 134 Scale-Degree Exercises 134 Solfège Melodies 135 Solfège Duets 136 Rhythms 137 128 131 Chapter 8 139 Scales 139 The Mixolydian Mode 139 Intervals 139 Harmonic Intervals in Series 139 Melody 140 More Practice Melodies for Transcription and Singing 140 Triads 141 Singing Major and Minor Triads in Root Position Given the Third or Fifth 141 Identifying Outer Voices in Diminished Triads 141 Rhythm 142 Quadruple Beat Division with Half Notes 142 Quadruple Beat Division with Rests and Ties 144 Advanced Rhythm Reading: The Dotted-Eighth-Note Beat 145 Harmony 146 The Neighbouring Six-Four Harmony (N4) 146 The Circle of Fifths 147 Assignments 148 Repertoire 149 Scale-Degree Exercises 149 Solfège Melodies 150 Solfège Duets 151 Rhythms 152 Chapter 9 155 Scales 155 More Practice with Mixolydian Mode 155 More Practice with Major and Minor Scales 155 Intervals 156 Singing Melodic Intervals in Series 156 More Practice Hearing Series of Harmonic Intervals 157 Melody 157 Introduction to Two-Part Melodic Dictation 157 Review of Supertonic and Leading-Tone Arpeggios 158 Review of Mixolydian Mode 158 Triads 159 Singing Major and Minor Triads in Inversion 159 viii Contents Rhythm 159 More Challenging Exercises with Ties and Rests 159 Introduction to Two-Part Rhythm Reading 160 Harmony 161 The Cadential Six-Four Harmony (Сђ 161 Longer Harmonic Progressions 163 Assignments 163 Repertoire 165 Scale-Degree Exercises 165 Solfège Melodies 166 Solfège Duets 167 Rhythms 168 Two-Part Rhythms 170 Chapter 10 172 Scales 172 The Dorian Mode 172 Intervals 172 Longer Series of Melodic and Harmonic Intervals 172 Melody 173 Transcription and Singing in Different Modes 173 More Two-Part Melodic Transcription 174 Triads 174 Singing the Diminished Triad in First Inversion 174 Rhythm 175 More Practice with Simple and Compound Meters 175 Reading Two-Part Rhythms with Rests and Ties 175 Harmony 176 The Arpeggio Six-Four Harmony (At) 176 Assignments 177 Repertoire 179 Scale-Degree Exercises 179 Solfège Melodies 180 Solfège Duets 181 Rhythms 182 Two-Part Rhythms 184 PART III \| Advanced Diatonic and Rhythmic Material 187 Chapter 11 188 Scales 188 Review of Major and Minor Scales; Lydian, Mixolydian, and Dorian Modes 188 Intervals 189 Review of All Intervals up to the Perfect Octave 189 Melody 189 Eight-Measure Melodies for Transcription, Part 1 189 Review of Major and Minor Melodies with Wide-Interval Leaps 191 Triads 191 Review of All Triads 191 Rhythm 192 Review of Compound and Simple Meters Compound Meter: Beat Division Into Six (Second-Level Division) 192 Harmony 194 Transcribing Outer Voices 194 Inverted Dominant-Seventh Harmony: The Vf Chord 195 192 Clefs 196 Alto and Tenor Clefs Assignments 197 196 Repertoire 199 Melodies 199 Duets 200 Rhythms 201 Two-Part Rhythms 203 Chapter 12 205 Scales 205 The Phrygian Mode 205 Intervals 205 Compound Intervals: Ninths and Tenths 205 Melody 207 Eight-Measure Melodies for Transcription, Part 2 207 More Practice Melodies for Singing 209 Chords 209 Chords Out of Context: The Major-Minor-Seventh Chord (Mm7) 209 Rhythm 210 More Practice with Compound and Simple Meters 210 Two-Part Rhythmic Transcription 211 Harmony 212 Inverted Dominant-Seventh Harmony: The Vf Chord 212 Non-harmonic Tones: Unaccented NHTs 213 Contents ix Assignments 215 Repertoire 216 Melodies 216 Duets 217 Rhythms 218 Two-Part Rhythms 219 Chapter 13 221 Scales 221 The Locrian Mode 221 Intervals 221 Compound Intervals: Perfect Elevenths, Twelfths, and Fifteenths 221 Singing Elevenths, Twelfths, and Fifteenths 223 Melody 223 Eight-Measure Melodies for Transcription: Sentence Structure 223 Singing Melodies: Focus on Cadences 224 Chords 225 Chords Out of Context: The Minor-Seventh Chord (mm7) and the Major-Seventh Chord (MM7) 225 Rhythm 226 Borrowed Division: Triplets in Simple Meter More Practice with Second-Level Division in Compound Meter 229 Harmony 229 Inverted Dominant-Seventh Harmony: The V\| Chord 229 Non-harmonic Tones: Accented NHTs 226 230 Assignments 231 Repertoire 233 Melodies 233 Duets 234 Rhythms 235 Two-Part Rhythms 237 Chapter 14 239 Scales 239 More Practice with Scales and Modes 239 Intervals 240 Compound Intervals: Thirteenths, Fourteenths, and the Compound Tritone 240 Melody 241 Eight-Measure Melodies for Transcription: Period Structure 241 Singing Melodies: Focus on Structure 243 Chords 243 More Practice with mm7 and MM7 Chords Rhythm 244 Syncopation from Sixteenth Notes 244 Simple Meter: Two-Part Rhythmic Dictation Using Triplets 245 Harmony 246 Other Seventh Chords: I7, IV7, and II7 (Root Position Only) 246 Sequence: The Circle of Fifths 247 Assignments 250 Repertoire 251 Melodies 251 Duets 252 Rhythms 253 Two-Part Rhythms 255 Chapter 15 257 243 Scales 257 The Pentatonic Scale 257 Intervals 258 More Practice with Compound Intervals 258 Melody 258 More Melodies for Transcription and Singing 258 Chords 259 Hearing the Upper Voice in Mm7, MM7, and mm7 Chords 259 Rhythm 261 Compound Meter: Other Dotted-Rhythm Cells 261 Borrowed Division: Duplets in Compound Meter 261 Reading Two-Part Rhythms with Duplets 262 Transcribing Duplets in Compound Meter 264 Harmony 264 Inverted Predominant Sevenths: iif and ii°f Assignments 266 Repertoire 268 Melodies 268 Duets 269 Rhythms 270 Two-Part Rhythms 272 264 Contents PART IV j Chromatic and Atonal Material; More Advanced Rhythmic Material 275 Chapter 16 276 Scales 276 The Whole-Tone Scale 276 Intervals 278 Multiple Compound Intervals, Part 1 278 Simple Melodic and Harmonic Intervals in Series 278 Melody 278 Melodies with Chromaticism 278 Singing Melodies with Chromaticism 280 Chords 281 Chords Out of Context: The Half-Diminished-Seventh Chord(dm7or 7) 281 Mm7 Chords as V7: Identifying the Upper Voice and the Inversion 282 Rhythm 284 Irregular Meters: \| and \| 284 Harmony 285 All Diatonic Harmonies Review Modal Mixture 286 Assignments 287 Repertoire 289 Melodies 289 Duets 290 Rhythms 291 Two-Part Rhythms 294 Chapter 17 296 285 Scales 296 The Octatonic Scale 296 Intervals 297 Multiple Compound Intervals, Part 2 297 Melody 298 More Practice with Hearing Chromaticism in Melodies 298 More Practice with Singing Chromaticism in Melodies 300 Chords 300 All Triads: Adding Inner Voices 300 Chords Out of Context: The Fully-Diminished-Seventh Chord (dd7 or °7) 301 Rhythm 302 Irregular Meter: \| 302 Borrowed Division: Other Tuplets 303 Harmony 306 Hearing vii 7 and vii°7 306 Assignments 307 Repertoire 309 Melodies 309 Duets 310 Rhythms 311 Two-Part Rhythms 314 Chapter 18 316 Scales 316 The Blues Scale 316 Intervals 317 Melodic Atonal Intervals in Series 317 Singing Melodic Atonal Intervals in Series 317 Melody 318 Modulating Melodies 318 Singing Modulating Melodies 320 Simple Chromaticism in Two-Part Melodies 320 Chords 321 Mm7 Chords: Adding Upper Voices 321 Rhythm 321 Changing Meters 321 Harmony 323 Chromatic Harmony: The Neapolitan Sixth Chord (til6) 323 Assignments 325 Repertoire 326 Melodies 326 Duets 327 Rhythms 328 Two-Part Rhythms 330 Chapter 19 332 Scales 332 Non-traditional Scales 332 Intervals 333 Harmonic Compound Intervals in Series 333 More Practice with Melodic Atonal Intervals in Series 334 Contents ХІ Melody 334 More Modulating Melodies 334 Modulating Melodies with Chromaticism 336 More Chromaticism in Two-Part Melodies 336 Chords 337 Other Seventh Chords: Adding Inner Voices 337 Rhythm 338 More Practice with Triplets, Tuplets, and Duplets 338 Further Levels of Beat Division 338 Borrowed Divisions: Subtriplet and Supertriplet 340 Harmony 341 Chromatic Harmony: The Augmented Sixth Chords 341 Assignments 343 Repertoire 345 Melodies 345 Duets 346 Rhythms 347 Two-Part Rhythms 349 Chapter 20 351 Scales 351 Olivier Messiaen s Modes of Limited Transposition 351 Intervals 352 More Practice with Harmonic Compound Intervals in Series 352 More Practice with Melodic Atonal Intervals in Series 353 Melody 353 Melodies that Modulate to Other Key Areas 353 More Chromaticism in Modulating Melodies 354 Chords 356 Chords Out of Context: The Dominant-Ninth Chord (V9) 356 Singing Dominant-Ninth Arpeggios 356 The Minor- Maj or-Seventh Chord (mM7) 356 Rhythm 357 Advanced Rhythmic Transcription and Reading 357 Harmony 358 V9 in Harmonic Progressions 358 Applied Dominants: [V7] and [Vf] 358 Assignments 360 Repertoire 362 Melodies 362 Duets 364 Rhythms 365 Two-Part Rhythms 367 Ear Training Suggested Assignments 369 Appendices 411 Appendix I: Curwen Hand Signs 412 Appendix II: Referential Melodies 413 Appendix III: Rhythmic Shorthand 414 Appendix IV: Chromatic Variants of the Movable-Do Solfège System 416 Glossary 417 Glossary of Musical Terms Guide to Dynamics 424 Index 425 417
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spelling	Ethier, Glen Verfasser (DE-588)1036446522 aut Ear training & sight singing a developmental aural skills text Glen Ethier Ear training and sight singing Don Mills, Ont. Oxford Univ. Press 2013 XVIII, 428 S. Ill., zahlr. Notenbeisp. 26 cm CD (12 cm) txt rdacontent n rdamedia nc rdacarrier Ear training Sight-singing Musical dictation A-prima-vista-Singen (DE-588)4142827-4 gnd rswk-swf Gehörbildung (DE-588)4156331-1 gnd rswk-swf Gehörbildung (DE-588)4156331-1 s A-prima-vista-Singen (DE-588)4142827-4 s DE-604 Digitalisierung BSB Muenchen 4 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025964685&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis
spellingShingle	Ethier, Glen Ear training & sight singing a developmental aural skills text Ear training Sight-singing Musical dictation A-prima-vista-Singen (DE-588)4142827-4 gnd Gehörbildung (DE-588)4156331-1 gnd
subject_GND	(DE-588)4142827-4 (DE-588)4156331-1
title	Ear training & sight singing a developmental aural skills text
title_alt	Ear training and sight singing
title_auth	Ear training & sight singing a developmental aural skills text
title_exact_search	Ear training & sight singing a developmental aural skills text
title_full	Ear training & sight singing a developmental aural skills text Glen Ethier
title_fullStr	Ear training & sight singing a developmental aural skills text Glen Ethier
title_full_unstemmed	Ear training & sight singing a developmental aural skills text Glen Ethier
title_short	Ear training & sight singing
title_sort	ear training sight singing a developmental aural skills text
title_sub	a developmental aural skills text
topic	Ear training Sight-singing Musical dictation A-prima-vista-Singen (DE-588)4142827-4 gnd Gehörbildung (DE-588)4156331-1 gnd
topic_facet	Ear training Sight-singing Musical dictation A-prima-vista-Singen Gehörbildung
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