Changing keys: keyboard instruments for America, 1700 - 1830
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Lanham [u.a.]
Scarecrow Press
2013
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | This book traces the development of keyboard instruments in colonial and Federal America, and explores the shift from harpsichord to piano, changing tastes, and the beginning of the American keyboard instrument-building industry. Watson uses the instruments of the Colonial Williamsburg Foundation as the basis of his research. With an introduction, endnotes, glossary, technical information, and index. Richly illustrated with many color photos |
Beschreibung: | VII, 132 S. zahlr. Ill. 27 cm |
Internformat
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Datensatz im Suchindex
_version_ | 1804150308153065472 |
---|---|
adam_text | Contents
Introduction
..............................................................................................2
Keyboard Musical Instruments in British and Anglo-American Society
.........8
Part
1:
Keyboards with Pluck,
1700-1765 ................................................15
1.
Spinet: Stephen Keene, London,
1700........................................16
2.
Spinet: Thomas Hitchcock, London, ca.
1715 ...........................18
3.
Spinet: Cawton Aston, London,
1726 ........................................20
4.
Harpsichord: I.
N.
Cusseneers,
Düsseldorf, 1726 .......................22
5.
Spinet: John Woolfinden, England,
1725-1740 .........................24
6.
Chamber Organ: Unknown, England, ca.
1740 .........................26
7.
Spinet: John
Zopfe,
London,
1745-1750...................................29
8.
Harpsichord (2M): Jacob Kirckman, London,
1758 ...................30
9.
Harpsichord (2M): Jacob Kirckman, London,
1762 ...................32
10.
Harpsichord
(IM):
Jacob Kirckman, London,
1762 ...................34
11.
Spinet: William Harris, London,
1764........................................35
12.
Bureau Organ: Abraham Adcock and John Pether,
London, ca.
1760 ...............................................................36
Part
2:
Sea Change,
1765-1800.................................................................39
13.
Square Piano: John Zumpe, London,
1766................................40
14.
Harpsichord: John Kirshaw, Manchester,
1769 ...........................44
15.
Square Piano: John Zumpe and Gabriel Buntebart,
London,
1770 ....................................................................46
16.
Chamber Organ: W. H., England,
1782.....................................49
17.
Square Piano: Frederick Beck, London,
1785 .............................50
18.
Grand Piano: Longman
&
Broderip/Cuilliford
&
Co.,
London,
1790 ....................................................................52
19.
Square Piano: Longman
&
Broderip, London,
1788-1789 ........54
vi
20.
Square Piano:
George Garcka, London,
ca. 1792........................55
21. Square Piano: James Ball, London, ca. 1791...............................56
22. Grand Piano: James Ball, London, 1794-1805...........................57
23. Square Piano:
John and Archibald Watson,
Edinburgh, ca. 1797............................................................58
24. Square Piano: George Dettmer, London,
mid-1790s
..................60
Part 3:
Striking
Developments, 1800-1830...............................................61
25. Square Piano: Charles Albrecht, Philadelphia, 1800-1805..........62
26. Square Piano: John Huber, Harrisburg, 1805-1809....................63
27. Square Piano: Joseph Kirckman, London, 1804..........................64
28. Square Piano: George Astor & Co., London, 1800-1810 ..........66
29. Grand Piano: John Broadwood &
Son,
London, 1806................68
30. Square Piano: John Broadwood &
Son,
London, ca. 1808..........70
31. Square Piano: George Dettmer, London, 1805-1810 ................71
32. Square Piano: John Geib &
Son,
New York, 1808-1809.............72
33.
Vertical
Piano: Robert Wornum
Jr.,
London, 1813-1820 ..........74
34. Grand Piano: John Broadwood & Sons, London, 1816..............76
35. Grand Piano: William Stodart, London, 1816.............................78
36. Square Piano: Alpheus Babcock, Boston, 1828...........................80
37. Square Piano: Joseph
Newman,
Baltimore, 1831.........................82
38.
Harpsichord:
Chickering & Sons, Boston, 1907-1908 ...............84
Endnotes ..................................................................................................86
Glossary
....................................................................................................94
Technical Information.............................................................................102
Acknowledgments
....................................................................................127
Index......................................................................................................129
VII
|
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era_facet | Geschichte 1700-1830 |
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language | English |
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publisher | Scarecrow Press |
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spelling | Watson, John R. Verfasser aut Changing keys keyboard instruments for America, 1700 - 1830 John R. Watson Lanham [u.a.] Scarecrow Press 2013 VII, 132 S. zahlr. Ill. 27 cm txt rdacontent n rdamedia nc rdacarrier This book traces the development of keyboard instruments in colonial and Federal America, and explores the shift from harpsichord to piano, changing tastes, and the beginning of the American keyboard instrument-building industry. Watson uses the instruments of the Colonial Williamsburg Foundation as the basis of his research. With an introduction, endnotes, glossary, technical information, and index. Richly illustrated with many color photos Colonial Williamsburg Foundation (DE-588)5121013-7 gnd rswk-swf Geschichte 1700-1830 gnd rswk-swf Tasteninstrumentenbau (DE-588)4614569-2 gnd rswk-swf Tasteninstrument (DE-588)4059103-7 gnd rswk-swf Amerika (DE-588)4001670-5 gnd rswk-swf (DE-588)4163417-2 Katalog gnd-content Amerika (DE-588)4001670-5 g Tasteninstrument (DE-588)4059103-7 s Tasteninstrumentenbau (DE-588)4614569-2 s Geschichte 1700-1830 z DE-604 Colonial Williamsburg Foundation (DE-588)5121013-7 b Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025964657&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Watson, John R. Changing keys keyboard instruments for America, 1700 - 1830 Colonial Williamsburg Foundation (DE-588)5121013-7 gnd Tasteninstrumentenbau (DE-588)4614569-2 gnd Tasteninstrument (DE-588)4059103-7 gnd |
subject_GND | (DE-588)5121013-7 (DE-588)4614569-2 (DE-588)4059103-7 (DE-588)4001670-5 (DE-588)4163417-2 |
title | Changing keys keyboard instruments for America, 1700 - 1830 |
title_auth | Changing keys keyboard instruments for America, 1700 - 1830 |
title_exact_search | Changing keys keyboard instruments for America, 1700 - 1830 |
title_full | Changing keys keyboard instruments for America, 1700 - 1830 John R. Watson |
title_fullStr | Changing keys keyboard instruments for America, 1700 - 1830 John R. Watson |
title_full_unstemmed | Changing keys keyboard instruments for America, 1700 - 1830 John R. Watson |
title_short | Changing keys |
title_sort | changing keys keyboard instruments for america 1700 1830 |
title_sub | keyboard instruments for America, 1700 - 1830 |
topic | Colonial Williamsburg Foundation (DE-588)5121013-7 gnd Tasteninstrumentenbau (DE-588)4614569-2 gnd Tasteninstrument (DE-588)4059103-7 gnd |
topic_facet | Colonial Williamsburg Foundation Tasteninstrumentenbau Tasteninstrument Amerika Katalog |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025964657&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT watsonjohnr changingkeyskeyboardinstrumentsforamerica17001830 |