Social psychology of musicianship:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Delray Beach, Fla.
Meredith Music Publ.
2013
|
| Ausgabe: | 1. ed |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XII, 127 S. Ill. |
| ISBN: | 9781574631982 |
Internformat
MARC
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| 300 | |a XII, 127 S. |b Ill. | ||
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Datensatz im Suchindex
| _version_ | 1804150307754606592 |
|---|---|
| adam_text | CONTENTS
PREFACE
..................................................
viii
ACKNOWLEDGMENTS
........................................xii
1
Musical Overture
...............................1
Musical
Awareness and Appreciation
................................2
Music in Life
..................................................4
Social Behavior and Music
.....................................4
Having a Ball
.................................................5
What s in Storr?
..............................................6
The Musical Brain
..............................................7
Music and Society
..............................................9
2
Music Psychology
.............................13
Instrumental
Sonics............................................14
Nature versus Nurture
..........................................17
Sociocultural
Influences
.........................................20
3
Musical Personality
............................22
The Need to be Creative
.........................................24
Family Influences
..............................................25
iv
Contents
v
4
Musical Sound
.................................29
Generalized Musicianship
.......................................30
Real-World Conditions
..........................................31
Musician s Temperament
........................................32
5
Musical Self-Concept
.........................34
Defining the Self
..............................................35
Musical Communication
.........................................36
The Musical Self-Concept
.......................................37
Owning Musical Characteristics
...............................38
Social Networks
.............................................38
Self-Awareness
.............................................39
Self-Regulation
..............................................40
Knowledge Structure for Musicianship
.........................42
Musical Self-Schema
........................................42
Musical Open-Mindedness
...................................42
Musical Stereotyping
.........................................43
Changes in the Musical Self-Concept
..........................44
The Musical Context
...........................................45
The Musical Culture
............................................46
6
Socialized Musical Identity
....................47
Group Memberships
...........................................48
Social Influences and Ethnic Identity
...............................48
The Naked Musician
...........................................49
Impression Management
.....................................50
Self-Presentation
............................................50
Being Sensitive to the Listener
................................51
Avoiding Self-Aggrandizement
................................53
Positive Exemplification
......................................54
Self-Handicapping
...........................................54
Self-Monitoring
..............................................55
Evaluating the Musical Self-Concept
...........................55
vi SOCIAL
PSYCHOLOGY OF MUSICIANSHIP
7
Music Performance and Interpersonal
Interactions
....................................58
Social Anxiety in Musicianship
....................................59
People Who Need People
........................................59
Social Comparisons Among Musicians
..............................61
Social Exchanges Among Musicians
................................61
Inadequate Affiliations
..........................................63
Situational Conditions and Attraction
...............................64
Closeness
..................................................64
Exceptions to Closeness
.....................................65
Magnificent Obsessions
......................................67
Interdependence
............................................67
Physical Attraction
.............................................68
Balance Theory
...............................................70
Problematic Social Interactions
...................................72
Avoidance and Withdrawal
...................................72
Attentional Bias
.............................................73
Loneliness
..................................................73
Negative Self-Attributions
.....................................74
8
Musical Attachments
..........................76
Attachment Theory
............................................77
Friendship
...................................................80
Social Networking Between Musicians
..............................81
Ignoring Negatives in Favor of Positives
.............................82
Will Musical Bonding Endure?
....................................83
9
The Lasting Ensemble
.........................87
Group Principles for an Ensemble
.................................89
Defining a Group
............................................89
Ingroup versus Outgroup
.....................................90
Size Matters
................................................90
Similarity and Diversity
.......................................91
Being a Team Player
.........................................92
Contents
vii
The Purpose of an Ensemble
.................................92
The Structure of an Ensemble
.................................93
Five Phases of Ensemble Membership
..............................93
Ensemble Influence on Individual Behavior
...........................95
Social Facilitation
............................................95
Evaluation Apprehension
.....................................96
Social Loafing
...............................................96
Rising to the Challenge
.......................................97
Decision Making in Ensembles
....................................97
Decision-Making Stages
......................................98
Group Polarization
...........................................99
Groupthink
.................................................99
Ensemble Leadership
..........................................101
Ethical Considerations
......................................102
Task and Socioemotional Leadership
..........................102
Transformational Leadership
.................................102
Situation Control by an Open System
.........................103
Avoiding a Social Dilemma
......................................103
10
Moving Toward Complete Musicianship
... .105
Emotions and Music
..........................................106
Comprehensive Musicianship
...................................107
Informal versus Formal Musicianship
..........................108
Individualizing Musicianship
..................................109
Musical Abilities
............................................110
Body-Mind Musicianship
.......................................111
Interpersonal Relations
........................................113
Creative Improvisation
.........................................114
CODA
....................................................118
REFERENCES
..............................................120
ABOUT THE AUTHOR
........................................127
|
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| id | DE-604.BV040986484 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T00:36:51Z |
| institution | BVB |
| isbn | 9781574631982 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-025964359 |
| oclc_num | 840031011 |
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| physical | XII, 127 S. Ill. |
| publishDate | 2013 |
| publishDateSearch | 2013 |
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| publisher | Meredith Music Publ. |
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| spelling | Woody, Robert Henley 1936- Verfasser (DE-588)1012484874 aut Social psychology of musicianship Robert Henley Woody 1. ed Delray Beach, Fla. Meredith Music Publ. 2013 XII, 127 S. Ill. txt rdacontent n rdamedia nc rdacarrier Musikalität (DE-588)4040837-1 gnd rswk-swf Sozialkompetenz (DE-588)4077606-2 gnd rswk-swf Musikalität (DE-588)4040837-1 s Sozialkompetenz (DE-588)4077606-2 s DE-604 Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025964359&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Woody, Robert Henley 1936- Social psychology of musicianship Musikalität (DE-588)4040837-1 gnd Sozialkompetenz (DE-588)4077606-2 gnd |
| subject_GND | (DE-588)4040837-1 (DE-588)4077606-2 |
| title | Social psychology of musicianship |
| title_auth | Social psychology of musicianship |
| title_exact_search | Social psychology of musicianship |
| title_full | Social psychology of musicianship Robert Henley Woody |
| title_fullStr | Social psychology of musicianship Robert Henley Woody |
| title_full_unstemmed | Social psychology of musicianship Robert Henley Woody |
| title_short | Social psychology of musicianship |
| title_sort | social psychology of musicianship |
| topic | Musikalität (DE-588)4040837-1 gnd Sozialkompetenz (DE-588)4077606-2 gnd |
| topic_facet | Musikalität Sozialkompetenz |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025964359&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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