Composing ambiguity: the early music of Morton Feldman
American composer Morton Feldman is increasingly seen to have been one of the key figures in late-twentieth-century music, with his work exerting a powerful influence into the twenty-first century. At the same time, much about his music remains enigmatic, largely due to long-standing myths about sup...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Farnham ; Burlington, Vt.
Ashgate
2013
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | American composer Morton Feldman is increasingly seen to have been one of the key figures in late-twentieth-century music, with his work exerting a powerful influence into the twenty-first century. At the same time, much about his music remains enigmatic, largely due to long-standing myths about supposedly intuitive or aleatoric working practices. In Composing Ambiguity, Alistair Noble reveals key aspects of Feldman's musical language as it developed during a crucial period in the early 1950s. Drawing models from primary sources, including Feldman's musical sketches, he shows that Feldman worked deliberately within a two-dimensional frame, allowing a focus upon the fundamental materials of sounding pitch in time. Beyond this, Feldman's work is revealed to be essentially concerned with the 12-tone chromatic field, and with the delineation of complexes of simple proportions in 'crystalline' forms. Through close reading of several important works from the early 1950s, Noble shows that there is a remarkable consistency of compositional method, despite the varied experimental notations used by Feldman at this time. Not only are there direct relations to be found between staff-notated works and grid scores, but much of the language developed by Feldman in this period was still in use even in his late works of the 1980s. (Klappentext) |
Beschreibung: | Literaturverz. S. 197 - 210 |
Beschreibung: | XII, 215 S. graph. Darst., Notenbeisp. |
ISBN: | 9781409451648 9781409451655 9781409472100 |
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Datensatz im Suchindex
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adam_text | Contents
List of Figures and Tables
vii
Acknowledgements
xi
1
Listening to Process, Playing the System
1
2
to create music as if on a canvas : Intermission
5 (1952) 31
3
Piano Piece
1952:
a discipline of vagueness
73
4
Intermission
6 (1953):
the outlines of becoming
107
5
Primitive Designs
:
Hearing and Th inking through Intersection
3 141
6
Playing Feldman
173
Bibliography
197
Index
211
|
any_adam_object | 1 |
author | Noble, Alistair |
author_GND | (DE-588)1036426025 |
author_facet | Noble, Alistair |
author_role | aut |
author_sort | Noble, Alistair |
author_variant | a n an |
building | Verbundindex |
bvnumber | BV040986462 |
callnumber-first | M - Music |
callnumber-label | ML410 |
callnumber-raw | ML410.F2957 |
callnumber-search | ML410.F2957 |
callnumber-sort | ML 3410 F2957 |
callnumber-subject | ML - Literature on Music |
classification_rvk | LP 91952 |
ctrlnum | (OCoLC)840598786 (DE-599)BVBBV040986462 |
dewey-full | 780.92 |
dewey-hundreds | 700 - The arts |
dewey-ones | 780 - Music |
dewey-raw | 780.92 |
dewey-search | 780.92 |
dewey-sort | 3780.92 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
era | Geschichte 1952-1953 gnd |
era_facet | Geschichte 1952-1953 |
format | Book |
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id | DE-604.BV040986462 |
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indexdate | 2024-07-10T00:36:51Z |
institution | BVB |
isbn | 9781409451648 9781409451655 9781409472100 |
language | English |
lccn | 2012035941 |
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physical | XII, 215 S. graph. Darst., Notenbeisp. |
publishDate | 2013 |
publishDateSearch | 2013 |
publishDateSort | 2013 |
publisher | Ashgate |
record_format | marc |
spelling | Noble, Alistair Verfasser (DE-588)1036426025 aut Composing ambiguity the early music of Morton Feldman Alistair Noble Farnham ; Burlington, Vt. Ashgate 2013 XII, 215 S. graph. Darst., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Literaturverz. S. 197 - 210 American composer Morton Feldman is increasingly seen to have been one of the key figures in late-twentieth-century music, with his work exerting a powerful influence into the twenty-first century. At the same time, much about his music remains enigmatic, largely due to long-standing myths about supposedly intuitive or aleatoric working practices. In Composing Ambiguity, Alistair Noble reveals key aspects of Feldman's musical language as it developed during a crucial period in the early 1950s. Drawing models from primary sources, including Feldman's musical sketches, he shows that Feldman worked deliberately within a two-dimensional frame, allowing a focus upon the fundamental materials of sounding pitch in time. Beyond this, Feldman's work is revealed to be essentially concerned with the 12-tone chromatic field, and with the delineation of complexes of simple proportions in 'crystalline' forms. Through close reading of several important works from the early 1950s, Noble shows that there is a remarkable consistency of compositional method, despite the varied experimental notations used by Feldman at this time. Not only are there direct relations to be found between staff-notated works and grid scores, but much of the language developed by Feldman in this period was still in use even in his late works of the 1980s. (Klappentext) Feldman, Morton 1926-1987 Criticism and interpretation Feldman, Morton 1926-1987 (DE-588)118817124 gnd rswk-swf Geschichte 1952-1953 gnd rswk-swf Composition (Music) Komposition Musik (DE-588)4133320-2 gnd rswk-swf 1\p (DE-588)4006804-3 Biografie gnd-content Feldman, Morton 1926-1987 (DE-588)118817124 p Komposition Musik (DE-588)4133320-2 s Geschichte 1952-1953 z DE-604 Erscheint auch als Online-Ausgabe Composing ambiguity (DE-604)BV043127529 Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025964337&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Noble, Alistair Composing ambiguity the early music of Morton Feldman Feldman, Morton 1926-1987 Criticism and interpretation Feldman, Morton 1926-1987 (DE-588)118817124 gnd Composition (Music) Komposition Musik (DE-588)4133320-2 gnd |
subject_GND | (DE-588)118817124 (DE-588)4133320-2 (DE-588)4006804-3 |
title | Composing ambiguity the early music of Morton Feldman |
title_auth | Composing ambiguity the early music of Morton Feldman |
title_exact_search | Composing ambiguity the early music of Morton Feldman |
title_full | Composing ambiguity the early music of Morton Feldman Alistair Noble |
title_fullStr | Composing ambiguity the early music of Morton Feldman Alistair Noble |
title_full_unstemmed | Composing ambiguity the early music of Morton Feldman Alistair Noble |
title_short | Composing ambiguity |
title_sort | composing ambiguity the early music of morton feldman |
title_sub | the early music of Morton Feldman |
topic | Feldman, Morton 1926-1987 Criticism and interpretation Feldman, Morton 1926-1987 (DE-588)118817124 gnd Composition (Music) Komposition Musik (DE-588)4133320-2 gnd |
topic_facet | Feldman, Morton 1926-1987 Criticism and interpretation Feldman, Morton 1926-1987 Composition (Music) Komposition Musik Biografie |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025964337&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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