Audience participation in theatre: aesthetics of the invitation
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Palgrave Macmillan
2013
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| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | X, 224 S. |
| ISBN: | 9781137010735 9781137354631 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Audience Participation
in Theatre
Aesthetics of the Invitation
Gareth White
paigrave
macmil lan
Contents
Acknowledgements • ix
Introduction 1
Audience participation 1
Why aesthetics ? 9
The practice and theory of audience participation 14
Emancipating spectators * 20
Subjectivity as material and medium 25
The structure of the book 27
1 Process and Procedure 29
Antony Jackson and frame analysis 32
Goffman s Frame Analysis 34
The frame analysis of audience participation 39
Roles and resources 44
Working inside the frame 49
Control and social structure 51
Horizons of participation 55
The aesthetic meaning of agency 62
Armadillo Theatre 65
Analysing Armadillo s procedure 69
2 Risk and Rational Action 73
Risk in performance 73
Real and perceived risk 76
Actual risk in audience participation 78
Horizons of risk 81
Risk management as procedural authorship 83
Ethical issues in the management of real and perceived risk 89
Protecting participants into involvement 94
Reading the audience participant 98
Performativity and the public self 103
Know One s Fool 107
3 Irrational Interactions 114
Emotion in audience participation 116
Embodied cognition and the enactive theory of mind 120
vii
viii Contents
Empathy and intersubjectivity in audience participation 126
Laughter 129
Crowds 133
Liminality and communitas 138
Hypnosis 143
Procedural authorship and harnessing intersubjectivity 146
de La Guarda s liminoid participation 149
Embodiment, enculturation and meaning 156
4 Accepting the Invitation 159
Theatre audiences and feedback loops 161
A new horizon 164
Weather on the horizon 166
Gaining roles and responsibilities 168
Experiential learning 173
Reflexivity and witnessing 176
Self-awareness and self-forgetfulness 181
Autopoiesis, allopoiesis, heteropoiesis 187
TimCrouch: The Author and /, Malvolio 188
5 Conclusion 195
The procedural author 195
The aesthetic theory 197
Making special 198
Patterning and elaborating participation 201
The aesthetic regime 202
Notes 207
Bibliography 214
Index 221
|
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| isbn | 9781137010735 9781137354631 |
| language | English |
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| spelling | White, Garrett Verfasser aut Audience participation in theatre aesthetics of the invitation Gareth White 1. publ. London Palgrave Macmillan 2013 X, 224 S. txt rdacontent n rdamedia nc rdacarrier Publikum (DE-588)4047764-2 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Beteiligung (DE-588)4006092-5 gnd rswk-swf Theater (DE-588)4059702-7 s Publikum (DE-588)4047764-2 s Beteiligung (DE-588)4006092-5 s DE-604 HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025952240&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Audience participation in theatre aesthetics of the invitation |
| title_auth | Audience participation in theatre aesthetics of the invitation |
| title_exact_search | Audience participation in theatre aesthetics of the invitation |
| title_full | Audience participation in theatre aesthetics of the invitation Gareth White |
| title_fullStr | Audience participation in theatre aesthetics of the invitation Gareth White |
| title_full_unstemmed | Audience participation in theatre aesthetics of the invitation Gareth White |
| title_short | Audience participation in theatre |
| title_sort | audience participation in theatre aesthetics of the invitation |
| title_sub | aesthetics of the invitation |
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| topic_facet | Publikum Theater Beteiligung |
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