Verfügbarkeit: Politika jako absurdní drama

Politika jako absurdní drama: Václav Havel v letech 1975-1989 = Politics as absurdist drama: Václav Havel in the years 1975-1989

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Bibliographische Detailangaben
1. Verfasser:	Suk, Jiří 1966- (VerfasserIn)
Format:	Buch
Sprache:	Czech
Veröffentlicht:	Praha [u.a.] Nakl. Paseka 2013
Ausgabe:	Vyd. 1.
Schlagworte:	Havel, Václav > 1936-2011 Biografie > 1975-1989
Online-Zugang:	Rezension Rezension Rezension Rezension Inhaltsverzeichnis Abstract
Beschreibung:	447 Seiten Illustrationen
ISBN:	9788074323027

Internformat

MARC


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Datensatz im Suchindex

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adam_text	OBSAH Dramatický rámec: husákovská komedie 1968-1989--------1! PRYITÍ: ОРРОУЕШТОЅТ 1. díl—pokojná vzpoura Kapitola I: Intelektuál v entropickém režimu _------18 Jak se píše generálnímu tajemníkovi --------28 Dramaturgie: společenská analýza jako veřejný akt --------25 Paralelní existence opozičního intelektuála a obyčejného člověka --------28 Vyšší princip v absurdní situaci _____34 Underground, přízrak svobody --------37 Obrana sprostých slov --------41 Proces _____46 Kapitola II: Opozice --------58 Souhlasím s prohlášením Charty 77 z 1. ledna 1977--------58 Páni v domě --------53 Násilí najednom textu --------56 Dělnická třída vře nenávistí . Jak vypadá spravedlivý hněv . Připojují se dělníci ducha - Kádry rozhodují vše _____69 Co se skrývá v mlčení většiny _____72 Dobře poučené celebrity --------75 Havel a Charta v politické karikatuře _____88 2. díl __ identita Kapitola III: Zkouška _____84 Izolace a vyšetřování _____84 Veřejné hanobení a obrana proti němu _____89 Tíseň _____92 Vytěsnit politiku _____94 Ďábelský scénář _____96 Marast _____99 Námět na hru --------183 Kapitola IV: Na hraně svobody a kriminálu _____185 Nové položky do trestního spisu _____ IBS Pracující si nepřejí tancovat vedle nepřátel socialismu _____189 Výbor na obranu nespravedlivě stíhaných _____113 Ochránce, dramaturg, organizátor _____115 Zdeptat a vyšívat _____117 Z domácího vězení krok do kriminálu _____127 Zatčení s komediálními rysy --------138 Popis jednoho zápasu --------132 Horké léto v Ruzyni _____148 Logika obžaloby _____142 Zbývající krok - odsouzení _____144 Kapitola V: O smysl disentu _____147 Moc bezmocných _____149 Politická pluralita v Chartě 77_____155 Rozbití opozice? _____168 3. díl ___ oĎět Kapitola VI: 1351 dnů _____164 Oči a uši ______165 Tělo ______169 Adaptace _____172 Kapitola VII: Žalářní kobka - moje pevnost --------175 Vyvzdorované úvahy _____175 Kopec s kapličkou _____177 Význam oběti _____181 KITIHa БР/ЈНа; PQVQLÁrí 4. díl—nezávislost Kapitola VIII: Portrét _____198 Zpráva o komunistickém kriminále _____198 Legendární Havel --------281 Fyzický Havel --------283 Veřejné soukromí _____285 Temné zrcadlo: obrazy zhroucené identity --------288 Kapitola IX: Zdroje a zázemí -------211 Peníze ______212 Informační technikou proti cenzuře --------218 Havlologie --------228 Temné zrcadlo: obrazy podléhání zlu --------222 Kapitola X: Potíže s politikou --------226 Paralelní polis jako základ autentické politiky --------226 Kritika přílišného důrazu na morálku --------232 Může být Charta 77 politicky neutrální? --------234 Kapitola XI: Dvě kultury, nebo jedna kultura? --------238 Obrana nezávislé kultury _____238 Jiná, druhá, alternativní, neoficiální, podzemní, paralelní _______245 Vydavatel a spiritus agens _____247 Za novou vlnu a punk _____251 Sedé zóny --------254 5. díl—moc Kapitola XII: Konec bezvětří _____258 Změny jsou ve vzduchu _____258 Exil, obnažený nerv národní pospolitosti _____261 Telefonát z Vídně _____264 Ulice _____266 Bilance „osmičkového roku _____271 Kapitola XIII: K majáku _____273 Pietni akt _____273 Procházka po Václavském náměstí _____275 Chytání větru _____281 Kapitola XIV: Co dělat? _____287 Československo má zase zpoždění _____287 Petice Několik vět - pokus o celonárodní referendum _____ 29B Poptávka po jiné opozici _____296 Politika jako povolání, nebo vedlejší pracovní poměr? _____388 Kapitola XV: Počkat na národ _____384 Antipolitický politik v absurdních situacích _____384 Mezinárodní veličina _____388 Utopie zvaná Atlantis _____318 Miliony uší --------311 6. díl _43 dnů hmatatelných dějin Kapitola XVI: Vítej v Praze, Godote ______324 Studentská oběť pokojné revoluci --------325 Od Několika vět к Občanskému fóru ______327 Masová veřejnost jako modalita historické změny ______329 Melantrišský balkon a letenská tribuna ______331 Dějiny ve veřejném osvětlení: symbolické odčinění srpna a února --------335 Ztracená jména a tradice se vracejí ______337 Komunismus na smetišti dějin ______348 Kapitola XVII: Revoluce bez revolucionářů --------341 Limity „demokratické revoluce ______341 Chtějí dominovat, ale ještě nechtějí vládnout ______344 Od charismatického lídra k charismatickému společenství? ______345 Veřejnost odmítá komunistickou vládu --------347 Změna kursu ______350 Napínání plachet ______356 Hodina „H ______359 Máme na to ________362 Chtějí vládnout, ale ještě nechtějí dominovat --------367 Kapitola XVIII: Hrad ______371 Nad městem ______371 Politický boj mezi dominantními tradicemi začíná ______374 Pravda a láska musí zvítězit nad lží a nenávistí ______388 Předčasná emancipace zákonodárné moci ______383 Vztek ______387 Hlava plná Havla --------398 Nečekaná pomoc shůry ______392 Absurdní, ale užitečný projekt --------395 Vynucené pokání --------397 Přesvědčit Dubčeka --------488 Jak se dělá sametová revoluce --------485 Slovenské trable --------487 Od chleba a soli к odstřelovacímu seznamu --------489 Pokus o kádrovou stabilizaci charismatického společenství ______418 Velká slavnost --------415 Doslov _____421 Summary ______426 Prameny a literatura -------429 Jmenný rejstřík -------443 Summary Politics as Absurdist Drama. Vaclav Havel in the Years 1975-1989 This book about Vaclav Havel s eventful period in an era of rigidity was begun a year before his death and completed a year after it. I therefore cannot yet allow myself to speak of Havel s second, or rather posthumous life. We have not yet crossed the line, and do not enjoy the advantage of enough distance to make interpretation of our objects of study easier. By contrast, the living reality that was transformed into history before our eyes brings to our inter¬ pretation the advantage of the seen and experienced. This slice of history is bounded by two events that shape it into a dramatic arc - from Havel s open letter to Gustav Husák, the General Secretary of the Czechoslovak Communist Party, written in April 1975 to the moment at the end of December 1989 when he replaced this politician, who had symbolized rigidity and forget¬ ting , as President of the Czechoslovak Socialist Republic. Into this period of nearly fifteen years is concentrated a singular story about freedom and responsibility: the kind of freedom that has to be bought with sacrifice, and the kind of responsibility that summons to great tasks. In the era of enforced political stability and social homogeneity when it seemed as though all the clocks had stopped, Havel s time ran differently - as it does in a drama. We could call Charter 77, along with what preceded it in the years 1975 and 1976, an existential experiment in a corked bottle inside which some could see, but the inhabitants of Socialist Czechoslovakia were not supposed to look. First the dictatorship for a brief period exposed it to the full light of its floodlights, and then it was supposed to disappear into the darkness forever. Havel, along with other signatories of the Charter, strove to ensure that this would not happen and that their bold entree - for most of his fellow inhabitants of Socialist Czechoslovakia certainly accept¬ able in content, but altogether unacceptable in form of delivery - remained a burning light of civic opposition to the dictatorship. This was a deposit that would bring an uncertain payoff in a future that no one could foresee. However, Havel s sense for the spasmodic theatricality of history and his social imagination allowed him to envisage an end to rigidity and a grand return of memory within the foreseeable future. This kind of prescience appears quite admirable. In the post-occupation lethargy, for a society sub¬ merged in an atmosphere of abandon all hope , it was not at all something self-evident. Havel was able to embody hope for those who sought it. In moments of accelerated personal development (1977-1979) and at the end of our period of accelerated societal development (1987-1989) he 426 was confronted more unremittingly than at other times by the power of the state, which claimed an absolute monopoly on public speech. As the sovereign political power it interpreted the world and considered its own statements to be imperative. And confrontation with this sovereign power is the linchpin of the book, which observes the strange and remarkable tension between the powerlessness and the power of dissidents. A series of ambivalences takes shape, arising from the fundamental contradiction inherent in Charter 77, which was a political cause par excellence but nevertheless could not as¬ sume political responsibility. The power of dissent lies in its independent parallel existence and ability to persevere in its own truth even in the face of repression. Its powerlessness lies in its inability to change the given state of society. Dissent is an instruction manual on how to live free, but not a program on how to implement freedom on a wider scale. If a society finds itself in a rigid (consolidated) condition, dissent is considered to be an inspirational sign of existential revolution; in a time of political thaw it can of course also be considered a non-productive unpolitical politics. Havel himself embodies this paradox. History puts outstanding personalities in extraordinary situations. It is then that they show what they have in them and how they hold up in the test of great collective movement that we call history. Yet this book is not only about (existential) power and (political) powerlessness; that would be a very reductive approach. It also seeks to show Vaclav Havel in the role of creator and defender of independent culture as the most effective fermenting agent of freedom within dictatorships. Within culture lies the focal point of free identity in its potential for awakening societal consciousness and conscience - which in a dictatorship are hidden and so very hard to control. I have labored my way into the heart of the matter through period texts. With a very few exceptions I have refrained from using the method of oral history — quoting remarks and insights from more or less knowledgeable persons. I understand text in its wider conception - as a discursive product or artifact created by a dissident, exile, party propagandist, interrogator from the secret police, or other period actor. Essays, proclamations, letters, petitions, interviews, and also a class analysis of Charter 77, articles in the daily press, interrogation protocols, court sentences and the like contain concentrated testimonies about the problems and figures of the Husák era. Usually they are the work of a concrete subject, but at the same time they are deeply contingent on their place and time. They imply certain meanings, and tend toward a concrete signification - this means that the texts contain more than they immediately say. They are connected with individual and collective loyalties, motivations and strategies of negotiating within the framework of the central plot formed by the conflict of dissent with the dictatorship. 427 More concisely stated: the selected texts are the bearers of structural testi¬ monies (discourses, expressions, gestures, symbols, etc.), which in various conceptions - from those of the regime to those of the opposition - represent the sense of existence during the so-called normalization era. I could per¬ haps define my method as analysis of texts and demonstration of testimo¬ nies. I understand a text with its testimonies as its own kind of figure and character. All the actors were very particular about what they testified and wrote - the author of The Power of the Powerless, the writer of the article Castaways and Intruders, the interrogator from the State Security agency when he wrote up the protocol from an interrogation. The regime produced speech about legality (which it rationalized), dissent created speech about truth (that liberates) - and both did so in order to legitimize their acts and to justify their own existence. It would naturally be erroneous to think of these forms as firmly anchored in and expressive of an unchanging reality. They originated and functioned within a continuous process of negotiation. This process may be characterized as a discourse that connects the texts and testimonies with interests and power structures. Analysis of these dis¬ courses offers usa chance to trace how in the last years of the existence of the communist dictatorship and especially at the end of 1989, the language of truth becomes the language of power. 428
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spelling	Suk, Jiří 1966- Verfasser (DE-588)137899343 aut Politika jako absurdní drama Václav Havel v letech 1975-1989 = Politics as absurdist drama: Václav Havel in the years 1975-1989 Jiří Suk Politics as absurdist drama: Václav Havel in the years 1975-1989 Vyd. 1. Praha [u.a.] Nakl. Paseka 2013 447 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Zusammenfassung auf Englisch Havel, Václav 1936-2011 (DE-588)118709259 gnd rswk-swf (DE-588)4006804-3 Biografie 1975-1989 gnd-content Havel, Václav 1936-2011 (DE-588)118709259 p DE-604 https://www.recensio.net/r/d257f5d863d94da99183331950bb6a43 rezensiert in: Soudobé dějiny, 2014, 3, S. 410-421 Rezension https://www.recensio.net/r/e4a60c414bbd4fc6913835824eaeef59 rezensiert in: Soudobé dějiny, 2015, 3-4, S. 474-502 Rezension https://www.recensio.net/r/910d1b86cd864330a7cb21520cd100df rezensiert in: Soudobé dějiny, 2014, 3, S. 406-409 Rezension https://www.recensio.net/r/8553991d88de448081640ea5f1696705 rezensiert in: Soudobé dějiny, 2014, 3, S. 422-425 Rezension Digitalisierung BSB Muenchen 2 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025951458&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025951458&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract
spellingShingle	Suk, Jiří 1966- Politika jako absurdní drama Václav Havel v letech 1975-1989 = Politics as absurdist drama: Václav Havel in the years 1975-1989 Havel, Václav 1936-2011 (DE-588)118709259 gnd
subject_GND	(DE-588)118709259 (DE-588)4006804-3
title	Politika jako absurdní drama Václav Havel v letech 1975-1989 = Politics as absurdist drama: Václav Havel in the years 1975-1989
title_alt	Politics as absurdist drama: Václav Havel in the years 1975-1989
title_auth	Politika jako absurdní drama Václav Havel v letech 1975-1989 = Politics as absurdist drama: Václav Havel in the years 1975-1989
title_exact_search	Politika jako absurdní drama Václav Havel v letech 1975-1989 = Politics as absurdist drama: Václav Havel in the years 1975-1989
title_full	Politika jako absurdní drama Václav Havel v letech 1975-1989 = Politics as absurdist drama: Václav Havel in the years 1975-1989 Jiří Suk
title_fullStr	Politika jako absurdní drama Václav Havel v letech 1975-1989 = Politics as absurdist drama: Václav Havel in the years 1975-1989 Jiří Suk
title_full_unstemmed	Politika jako absurdní drama Václav Havel v letech 1975-1989 = Politics as absurdist drama: Václav Havel in the years 1975-1989 Jiří Suk
title_short	Politika jako absurdní drama
title_sort	politika jako absurdni drama vaclav havel v letech 1975 1989 politics as absurdist drama vaclav havel in the years 1975 1989
title_sub	Václav Havel v letech 1975-1989 = Politics as absurdist drama: Václav Havel in the years 1975-1989
topic	Havel, Václav 1936-2011 (DE-588)118709259 gnd
topic_facet	Havel, Václav 1936-2011 Biografie 1975-1989
url	https://www.recensio.net/r/d257f5d863d94da99183331950bb6a43 https://www.recensio.net/r/e4a60c414bbd4fc6913835824eaeef59 https://www.recensio.net/r/910d1b86cd864330a7cb21520cd100df https://www.recensio.net/r/8553991d88de448081640ea5f1696705 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025951458&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025951458&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA
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