The theatre of Harold Pinter:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London [u.a.]
Bloomsbury
2014
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Critical companions
Methuen drama |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | VIII, 305 S. |
| ISBN: | 9781408175323 9781408175316 9781408175309 9781408175330 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Titel: The theatre of Harold Pinter
Autor: Taylor-Batty, Mark
Jahr: 2014
Acknowledgements
Introduction
ix
1
1 Invasions and Oppressions 14
Awkward Investments in Enclosed Spaces: The Room,
The Birthday Party, The Dumb Waiter, The Hothouse 14
The Stranger on the Threshold: A Slight Ache,
The Caretaker 38
2 The Company of Men and the Place of Women 49
The Male Church: The Dwarf 49
Untenable Archetypes: A Night Out, Night School,
The Collection, Tea Party 54
Negotiations and Contracts: The Lover, The Homecoming 70
3 Present Continuous, Past Perfect 95
Contours and Shadows: Landscape, Silence, Old Times 95
A Foreign Country: No Man s Land 116
4 The Impossible Family 128
Exiled: Monologue, Betrayal 128
Other Places: Victoria Station, Family Voices, A Kind of
Alaska, Moonlight 141
Family Under Threat: One for the Road, Mountain
Language, Party Time, Celebration 150
5 Politics and the Artist as Citizen 159
Anger and All That: The Birthday Party, The Dumb Waiter,
The Hothouse 159
Art, Truth and Politics: The Nobel Lecture, Precisely,
The New World Order, Press Conference, Celebration 164
The Fist and the Kiss: Ashes to Ashes 179
6 Some Concluding Remarks 187
7 Critical and Performance Perspectives 192
The Curse of Pinter Harry Burton 192
Who the Hell s That? : Pinter s Memory Plays of the
1970s Chris Megson 215
Revisiting Pinter s Women: One for the Road ( 1984),
Mountain Language (1988) and Party Time (1991)
Ann C. Hall 232
Pinter s Polidcal Dramas: Staging Neoliberal Discourse
and Authoritarianism Basil Chiasson 249
Chronology 268
Notes 273
Bibliography 289
Notes on Contributors 294
Index 296
Jhe plays of the late Nobel laureate Harold Pinter are
integral to any appreciation of late twentieth-century
British theatre, and his influence on world drama
is hard to overestimate. Through a consideration of
Pinter s entire body of work for the stage, as well as
of his work as a director and screenwriter, Mark
Taylor-Batty offers an assessment of what makes
Pinter s work distinctive and of his legacy today.
With a clear focus on issues of theatricality and the effect of the plays
in performance, this Critical Companion traces Pinter s chief narrative
concerns over a period of more than four decades. Plays are considered
in themed chapters that follow the chronological sequence of work,
illuminating the development of his aesthetic concerns.
The volume also features a series of essays from other leading scholars
presenting different critical perspectives on the work, including Harry
Burton on The Curse of Pinter; Ann C. Hall on Revisiting Pinter s
Women; Chris Megson on Pinter s Memory Plays of the 1970s, and
Basil Chiasson on Pinter s Political Drama.
|
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| title | The theatre of Harold Pinter |
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