The orientation of future cinema: technology, aesthetics, spectacle
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London [u.a.]
Bloomsbury
2013
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | X, 301 S. Ill. |
| ISBN: | 9781441184221 |
Internformat
MARC
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| 650 | 4 | |a Ästhetik | |
| 650 | 4 | |a Motion picture industry |x Technological innovations | |
| 650 | 4 | |a Motion pictures |x Aesthetics | |
| 650 | 4 | |a Digital media |x Influence | |
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Datensatz im Suchindex
| _version_ | 1804150263366287360 |
|---|---|
| adam_text | The Orientation of
Future Cinema
Technology, Aesthetics, Spectacle
BRUCE ISAACS
BLOOMSBURY
LONDON • NEW DELHI • NEW YORK • SYDNEY
Contents
Acknowledgements ix
PART ONE The age of late cinema 1
1 On cinematic experience 3
Early and late cinema 3
Old and new technologies of the image 5
Image as itinerary: The image of reality and the synthetic image 9
The image of reality and the synthetic image in concert 17
The digital image 24
On the function of theory 31
2 Theoretical trajectories in the age of late cinema: Time and
space 39
The unfortunate burden of time 39
The potential distraction of time 51
Charlie Kaufman, Eternal Sunshine of the Spotless Mind, and cinema s
spatialities 54
Conclusion 59
3 The autonomous image of cinema 61
The image as object in reproduction 61
The narrative image and the image-in-itself 65
Action cinema; the image of attraction; The Road Warrior 71
The close-up, and Sergio Leone 79
The sound image in reproduction: The Conversation 85
The Conversation: He d kill us if he got the chance 91
The Conversation: The autonomous image of sound 93
Not a still, but a restless frame 95
vi CONTENTS
Requiem for a Dream: Random thoughts on the frame (10th minute) 96
Requiem for a Dream: The memory of cinema (34th Minute) 100
On the possibilities of a pure cinema 105
PART TWO The spectacle image 109
4 New American cinemas: 1967-79 111
Image, narrative and spectacle in mass entertainment 111
The new American cinema: An aesthetic of ambiguity 120
A historical departure (1) 127
Transformations: The Player 129
Beyond narrativity 131
High concept, effect, spectacle 137
The ontology of the spectacle image 139
5 The technological image 141
Between reality, illusion and effect 141
The imprint of technology: On early cinema (Vertov) and late cinema
(Spielberg) 147
The technological image and its properties 157
A historical departure (2): Industrialized effect 161
Simulated motion and complex compositing: The Dykstraflex system 16
Conclusion: Image, effect, commodity 168
6 Neo-baroque form: Excess and disambiguation 171
The blockbuster auteur: On the cinema of Steven Spielberg 171
Film style, method and analysis 175
Framing spectacle: ]aws and neo-baroque excess 180
Second shark attack: Spielberg s neo-baroque aestheticism 183
Incitement to action, realist spectacle and the neo-baroque aesthetic:
Omaha Beach, Saving Private Ryan 191
7 Spectacle affect 203
Image, narrative and affect: Theoretical paradigms 203
Image functionality and affect: Sensation and mise en scene 213
Affect and the spectacle image 218
CONTENTS vii
The technology of vision and visuality: The technological image reprised 223
The technology of material and non-material bodies (including ocean-
liners): Endo-skeletons, morphing shapes and machines 227
PART THREE On the Characteristics of Future Cinema 237
8 New cinematic imaginaries 239
Teleological and transcendental narratives in image media: The Dark Knight
Rises, IMAX film, and HFR cinema 239
Is it even cinema? 3-D, Avatar, and immersive cinema experience 244
The paradox of immersive 3-D 248
The mobility of the image 255
A vivid philosophy of the image espoused by Pixar s Rick Sayre 258
Nostalgia for a lost object: A visit to the museum 262
Bibliography 265
Filmography 279
Index 287
|
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| spelling | Isaacs, Bruce Verfasser aut The orientation of future cinema technology, aesthetics, spectacle Bruce Isaacs London [u.a.] Bloomsbury 2013 X, 301 S. Ill. txt rdacontent n rdamedia nc rdacarrier Film Ästhetik Motion picture industry Technological innovations Motion pictures Aesthetics Digital media Influence Digitale Filmtechnik (DE-588)4763566-6 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Neue Technologie (DE-588)4194462-8 gnd rswk-swf Film (DE-588)4017102-4 s Neue Technologie (DE-588)4194462-8 s Digitale Filmtechnik (DE-588)4763566-6 s 1\p DE-604 HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025933671&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Isaacs, Bruce The orientation of future cinema technology, aesthetics, spectacle Film Ästhetik Motion picture industry Technological innovations Motion pictures Aesthetics Digital media Influence Digitale Filmtechnik (DE-588)4763566-6 gnd Film (DE-588)4017102-4 gnd Neue Technologie (DE-588)4194462-8 gnd |
| subject_GND | (DE-588)4763566-6 (DE-588)4017102-4 (DE-588)4194462-8 |
| title | The orientation of future cinema technology, aesthetics, spectacle |
| title_auth | The orientation of future cinema technology, aesthetics, spectacle |
| title_exact_search | The orientation of future cinema technology, aesthetics, spectacle |
| title_full | The orientation of future cinema technology, aesthetics, spectacle Bruce Isaacs |
| title_fullStr | The orientation of future cinema technology, aesthetics, spectacle Bruce Isaacs |
| title_full_unstemmed | The orientation of future cinema technology, aesthetics, spectacle Bruce Isaacs |
| title_short | The orientation of future cinema |
| title_sort | the orientation of future cinema technology aesthetics spectacle |
| title_sub | technology, aesthetics, spectacle |
| topic | Film Ästhetik Motion picture industry Technological innovations Motion pictures Aesthetics Digital media Influence Digitale Filmtechnik (DE-588)4763566-6 gnd Film (DE-588)4017102-4 gnd Neue Technologie (DE-588)4194462-8 gnd |
| topic_facet | Film Ästhetik Motion picture industry Technological innovations Motion pictures Aesthetics Digital media Influence Digitale Filmtechnik Neue Technologie |
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