Shakespeare, cinema, counter-culture: appropriations and inversion
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge
2016
|
| Schriftenreihe: | Routledge studies in Shakespeare
17 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xxxiii, 178 Seiten Illustrationen |
| ISBN: | 9780415823005 |
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Datensatz im Suchindex
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Contents
List of Figures ix
Acknowledgements xi
Introduction xiii
1 (Post)Punk Shakespeare, Carnival and Rebellion: The Filth
and the Fury and Richard III 1
2 Shakespeare and Inversion: My Oum Private Idaho
and Henry IV Parts 1 2 31
3 The Dance of Death: DognteM: The King Is Alive
and King Lear 58
4 Three Hamlets: Festivity and Sedition 87
Prologue: Hamlet the “Reformer”
i. Hamlet Liikemaailmassa (Hamlet Goes Business) 90
ii. Festen (The Celebration) 105
iii. Hamlet (2000) 125
Bibliography 159
Index 173 |
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| title | Shakespeare, cinema, counter-culture appropriations and inversion |
| title_auth | Shakespeare, cinema, counter-culture appropriations and inversion |
| title_exact_search | Shakespeare, cinema, counter-culture appropriations and inversion |
| title_full | Shakespeare, cinema, counter-culture appropriations and inversion Ailsa Grant Ferguson |
| title_fullStr | Shakespeare, cinema, counter-culture appropriations and inversion Ailsa Grant Ferguson |
| title_full_unstemmed | Shakespeare, cinema, counter-culture appropriations and inversion Ailsa Grant Ferguson |
| title_short | Shakespeare, cinema, counter-culture |
| title_sort | shakespeare cinema counter culture appropriations and inversion |
| title_sub | appropriations and inversion |
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