The Canadian postmodern: a study of contemporary Canadian fiction ; with a new introduction
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Don Mills
Oxford Univ. Press
2012
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XVI, 230 S. |
| ISBN: | 9780199001798 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Preface
vii
Acknowledgements
xiii
1.
Introduction
1
2.
Caveat Lector: The Early Postmodernism of Leonard
Cohen
26
3.
The Postmodernist Scribe: The Dynamic Stasis of
Contemporary Canadian Writing
45
4. Historiographie Metafiction 61
5.
The Postmodern Challenge to Boundaries
78
6.
Shape Shifters : Canadian Women Writers and the
Tradition
107
7.
Process, Product, and Politics: The Postmodernism of
Margaret Atwood
138
8.
Seeing Double: Concluding with Kroetsch
160
Appendix: The Novel
(1972-1984),
from The Literary History
of Canada, Vol.
4 188
Index
223
THE CANADIAN
A Study of Contemporary Canadian Fiction
POSTMODERN
Hutcheon reshapes contemporary Canadian literature!—Globe and Mail
Postmodernism in visual art and fiction was a remarkable phenomenon of the
1980s
and
1990s,
a trend foregrounding the process of artistic creation and exploring how
art represents the world. Linda Hutcheons groundbreaking study of postmodernism
in Canadian writing, first published in
1988,
remains one of the clearest evaluations of
self-consciousness and self-parody in many of the novels of this period.
The Canadian Postmodern examines the theory and practice of postmodernism as seen
through both contemporary cultural theory and the writings of Audrey Thomas, Michael
Ondaatje, Robert Kroetsch, Margaret Atwood, Timothy Findley, Jack Hodgins, Aritha
van Herk, Leonard Cohen, Susan Swan, Clark Blaise, George Bowermg, and others.
LINDA HUTCHEON is a professor of English and comparative literature at the University of
Toronto who has published in the fields of literary theory and criticism, opera, and Canadian
studies. In
2000
she was elected the
1
17th president of the Modern Language Association,
the third Canadian to hold this position, and the first Canadian woman.
The Canadian Postmodern is a WYNFORD book—one of a
series of tides representing significant milestones in Canadian
literature, thought, and scholarship. Aritha van Herk
introduces this new edition with a look back on Hutcheons
contributions to the field of postmodernism. It is dedicated to
the late Robert Kroetsch.
Cover image:
©
Nigel Scott, courtesy:
Corion
Gallery, Toronto.
Photograph with Julie Powers by Nigel Scott
|
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| title | The Canadian postmodern a study of contemporary Canadian fiction ; with a new introduction |
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