Doing cultural studies: the story of the Sony Walkman
Gespeichert in:
Format: | Buch |
---|---|
Sprache: | English |
Veröffentlicht: |
Los Angeles, Calif. [u.a.]
Sage
2013
|
Ausgabe: | 2. ed. |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | Literaturverz. 166 - 170 |
Beschreibung: | XXXII, 175 S. Ill. |
ISBN: | 9781849205498 1849205493 1849205507 9781849205504 |
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Datensatz im Suchindex
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---|---|
adam_text | Titel: Doing cultural studies
Autor: Du Gay, Paul
Jahr: 2013
Acknowledgements viii
Introduction to the second edition xi
Introduction to the first edition xxviii
1 MAKING SENSE OF THE WALKMAN 1
1.1 Introduction 2
1.2 What is culture ? 5
Back to the future: materiality and culture 7
1.3 Meanings and practices 7
1.4 Meaning by association: semantic networks 9
Back to the future: meanings and associations 11
1.5 Signifying practices 11
1.6 Contemporary soundscapes 13
Back to the future: produsage: the changing relationship
between production and consumption? 15
1.7 Culture in the age of electronic reproduction 16
Back to the future - Benjamin v/2.0 18
Back to the future: mobile privatization? 19
1.8 Walk-men and Walk-women: subjects and identities 20
Back to the future: advertising and branding 21
1.9 Summary 35
2 THE PRODUCTION OF THE SONY WALKMAN 36
2.1 Introduction: the many origins of an idea 37
2.2 Cultures of production, contexts of innovation 39
2.3 Heroic individuals 39
Back to the future: technological innovation, heroic individuals
and distributed agency 40
2.3.1 Sony, Japan and the United States 42
2.3.2 Sony: signifying Japan ? 43
2.3.3 Happy accidents at work: enter the Walkman 45
Doing Cultural Studies
2.4 Making the Walkman to sell: connecting production and consumption 46
2.4.1 Assembling for the young consumer: the mothers of the invention 47
2.4.2 Naming the machine: Sony grammar 49
2.4.3 Marketing and public relations 51
Back to the future: promotional culture 52
2.4.4 Monitoring consumption and market research 52
Back to the future: produsage revisited 54
3 DESIGNING THE WALKMAN: ARTICULATING PRODUCTION
AND CONSUMPTION 55
3.1 Designers as cultural intermediaries 56
3.2 The organization of design at Sony 56
3.3 Lifestyling the Walkman 59
Back to the future: the power of software: culture made malleable? 63
3.4 The Walkman: how Japanese is it? 64
4 SONY AS A GLOBAL FIRM 70
4.1 Following the Walkman: competition and financial crisis 71
4.2 Sony goes global and local 72
Back to the future: the global-local nexus 74
4.3 Combining hardware and software: the culture industry 75
Back to the future: synergies and cultural industries 77
5 CONSUMING THE WALKMAN 78
5.1 Introduction 79
5.2 Perspectives on consumption 80
Back to the future: perspectives on consumption 81
Back to the future: authenticity 81
5.2.1 The production of consumption 82
5.2.2 The Walkman and the production of consumption critique 83
Back to the future: revolutionary technologies? 89
Back to the future: optimism and pessimism in relation to Web 2.0 89
Back to the future: no sense of place? 90
5.2.3 Consumption as sociocultural differentiation 91
5.2.4 Walkman consumption and social differentiation 93
5.2.5 Consumption as appropriation and resistance 95
6 REGULATING THE WALKMAN 103
6.1 The Walkman and questions of cultural regulation 104
6.2 The Walkman: the public and the private 105
vi
Contents
6.3 Walkman use and the blurring of boundaries 106
Back to the future: cultural regulation of modern technologies 110
6.4 Summary of Chapters 5 and 6 110
SELECTED READINGS 112
Bruno Latour Technology is society made durable 112
Axel Bruns Produsage: towards a broader framework for user-led content creation 117
Walter Benjamin The work of art in the age of mechanical reproduction 122
Raymond Williams Mobile privatization 126
Ana Andjelic Time to rewrite the brand playbook for digital 128
Nick Lyons Scratching a global dream 130
Shu Ueyama The selling of the Walkman 131
Thomas A. Harvey How Sony Corporation became first with kids 133
Lev Manovich There is only software 136
Jonathan Zittrain The personal computer is dead 139
Rey Chow Listening otherwise, music miniaturized: a different type of
question about revolution 142
Ross Kaminsky Iran s Twitter Revolution 150
Tim O Reilly What is Web 2.0? Design patterns and business models for the
next generation of software 152
Mirko Tobias Schäfer Bastard culture! How user participation transforms
cultural production 157
Iain Chambers A miniature history of the Walkman 161
Vincent Jackson Menace II society 164
REFERENCES 166
INDEX 171
vii
|
any_adam_object | 1 |
author_GND | (DE-588)128866527 |
building | Verbundindex |
bvnumber | BV040917011 |
classification_rvk | AP 18100 AP 18250 ZN 6820 |
ctrlnum | (OCoLC)862794872 (DE-599)BVBBV040917011 |
discipline | Allgemeines Elektrotechnik / Elektronik / Nachrichtentechnik |
edition | 2. ed. |
era | Geschichte gnd |
era_facet | Geschichte |
format | Book |
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spelling | Doing cultural studies the story of the Sony Walkman Paul Du Gay ; Stuart Hall ; Linda Janes ; Hugh McKay and Keith Negus 2. ed. Los Angeles, Calif. [u.a.] Sage 2013 XXXII, 175 S. Ill. txt rdacontent n rdamedia nc rdacarrier Literaturverz. 166 - 170 Sonī Kabushiki Kaisha Geschichte gnd rswk-swf Sound / Equipment and supplies / Social aspects Popular culture Gesellschaft Kultur (DE-588)4125698-0 gnd rswk-swf Geschichte (DE-588)4020517-4 gnd rswk-swf Produktgestaltung (DE-588)4047340-5 gnd rswk-swf Walkman (DE-588)4139302-8 gnd rswk-swf Sony Marke (DE-588)4393907-7 gnd rswk-swf Walkman (DE-588)4139302-8 s Sony Marke (DE-588)4393907-7 s Kultur (DE-588)4125698-0 s Geschichte z DE-604 Produktgestaltung (DE-588)4047340-5 s 1\p DE-604 Geschichte (DE-588)4020517-4 s 2\p DE-604 Du Gay, Paul Sonstige (DE-588)128866527 oth HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025896229&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Doing cultural studies the story of the Sony Walkman Sonī Kabushiki Kaisha Sound / Equipment and supplies / Social aspects Popular culture Gesellschaft Kultur (DE-588)4125698-0 gnd Geschichte (DE-588)4020517-4 gnd Produktgestaltung (DE-588)4047340-5 gnd Walkman (DE-588)4139302-8 gnd Sony Marke (DE-588)4393907-7 gnd |
subject_GND | (DE-588)4125698-0 (DE-588)4020517-4 (DE-588)4047340-5 (DE-588)4139302-8 (DE-588)4393907-7 |
title | Doing cultural studies the story of the Sony Walkman |
title_auth | Doing cultural studies the story of the Sony Walkman |
title_exact_search | Doing cultural studies the story of the Sony Walkman |
title_full | Doing cultural studies the story of the Sony Walkman Paul Du Gay ; Stuart Hall ; Linda Janes ; Hugh McKay and Keith Negus |
title_fullStr | Doing cultural studies the story of the Sony Walkman Paul Du Gay ; Stuart Hall ; Linda Janes ; Hugh McKay and Keith Negus |
title_full_unstemmed | Doing cultural studies the story of the Sony Walkman Paul Du Gay ; Stuart Hall ; Linda Janes ; Hugh McKay and Keith Negus |
title_short | Doing cultural studies |
title_sort | doing cultural studies the story of the sony walkman |
title_sub | the story of the Sony Walkman |
topic | Sonī Kabushiki Kaisha Sound / Equipment and supplies / Social aspects Popular culture Gesellschaft Kultur (DE-588)4125698-0 gnd Geschichte (DE-588)4020517-4 gnd Produktgestaltung (DE-588)4047340-5 gnd Walkman (DE-588)4139302-8 gnd Sony Marke (DE-588)4393907-7 gnd |
topic_facet | Sonī Kabushiki Kaisha Sound / Equipment and supplies / Social aspects Popular culture Gesellschaft Kultur Geschichte Produktgestaltung Walkman Sony Marke |
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