The Cambridge introduction to theatre directing:
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
2013
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Cambridge introductions to literature
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XI, 283 S. Ill. |
| ISBN: | 9780521844499 9780521606226 |
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Datensatz im Suchindex
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|---|---|
| adam_text | The Cambridge Introduction to
Theatre Directing
rr ir 1
CHRISTOPHER INNES
MARIA SHEVTSOVA
Hi CAMBRIDGE
UNIVERSITY PRESS
Contents
List of illustrations page ix
Acknowledgements x
Introduction 1
Chapter 1 Traditional staging and the
evolution of the director 6
Classical Greek theatre; director as choreographer 7
From Greece to Classical Rome 9
Medieval European staging 11
Playwright-managers: Renaissance and early
seventeenth-century theatre 14
The seventeenth and eighteenth centuries:
Enlightenment and the actor-manager 18
Introducing scenery: Philip Jacques de
Loutherbourg 23
Henry Irving: the nineteenth-century actor-manager 25
The transition from traditional staging 27
The German stage and the function of the Intendant 30
The critic as director: Gotthold Lessing at the
Hamburg Nationaltheater 32
Chapter 2 The rise of the modern director 36
The Meiningen Players and the conditions for naturalism 36
The Meiningen influence 39
The theory of naturalism: Eniile Zola 41
The naturalistic director: Andre Antoine and the
Theatre Libre 44
Symbolist theatre: a call for directorial vision 50
v
vi Contents
Richard Wagner: total theatre 54
Adolphe Appia: lighting and space 56
Gordon Craig, Adolphe Appia and the theory of
directing 60
Stanislavsky and psychological realism 62
The Seagull 68
Acting with the body 74
Chapter 3 Directors of theatricality 77
Vsevolod Meyerhold: commedia dell arte to
biomechanics 77
Theatricality, stylization and the grotesque 78
The director as engineer: constructivism and
biomechanics 83
Aleksandr Tairov: aestheticized theatricalization 86
Yevgeny Vakhtangov: festivity and spectacle 90
Revisiting Meyerhold: Valery Fokin 94
The politics of theatricality: Ariane Mnouchkine 96
Masters 97
Theatricality, metaphor and the East 99
Directing in a collectivity of equals 101
Frank Castorf and Thomas Ostermeier: theatricality
and violence 105
Eastern European directors: theatricality as resistance 111
Chapter 4 Epic theatre directors 116
Erwin Piscator s political theatre 117
Political staging: Piscator s Rasputin 120
Film and stage 122
Political directing: the Piscator approach 124
The Rasputin production: a model for epic theatre 125
Documentary theatre 127
Bertolt Brecht s epic theatre 128
Epic theatre and cabaret 130
Developing an epic style of staging and directing 131
Directing epic theatre: Mother Courage 134
The influence of epic theatre 139
Heiner Miiller and post-Brechtian epic theatre 140
Postmodern epic directing: Roberto Ciulli 143
Contents vii
Chapter 5 Total theatre: the director
as auteur 147
Gordon Craig and the Artist of the Theatre 147
Max Reinhardt: the Director s Book 150
Combining directorial methods: Norman Bel
Geddes 152
Peter Brook: collective creation versus directorial vision 154
Robert Wilson: the Visual Book 161
Robert Lepage: cinematic self-directing 167
Total theatre and directing opera: Robert Wilson,
Robert Lepage, Peter Sellars 172
Visual stylization as musical context: Robert Wilson 173
Cinematic and mechanistic deconstructions of
opera: Robert Lepage 175
Conceptual politics: Peter Sellars 177
Sound and space: Christoph Marthaler 181
Chapter 6 Directors of ensemble theatre 185
Giorgio Strehler, Peter Stein, Peter Brook 186
Three versions of The Cherry Orchard 189
Lev Dodin and Anatoli Vassiliev: continuing
Stanislavsky s principles 198
Dodin - director-pedagogue 199
Vassiliev s laboratory 204
Katie Mitchell and Declan Donnellan: adapting
Russian ideals of ensemble 209
Chapter 7 Directors, collaboration and
improvisation 218
Theory and politics of improvisation 218
Physical theatre: Simon McBurney 220
The Wooster Group: medial ted) improvisations 225
The paradox of improvisation: Jerzy Grotowski and
Eugenio Barba 229
The Grotowski paradigm 229
Eugenio Barba: improvisation and dramaturgies 235
Wlodzimierz Staniewski (Gardzienice); Anna
Zubrzycki and Grzegorz Bral (Song of the Goat) 241
viii Contents
Musicality 244
Jaroslaw Fret (Teatr ZAR): choral collaboration 246
Notes 253
Select bibliography 269
Index 276
|
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| spelling | Innes, Christopher 1941- Verfasser (DE-588)122038703 aut The Cambridge introduction to theatre directing Christopher Innes ; Maria Shevtsova Theatre directing 1. publ. Cambridge [u.a.] Cambridge Univ. Press 2013 XI, 283 S. Ill. txt rdacontent n rdamedia nc rdacarrier Cambridge introductions to literature Includes bibliographical references and index Geschichte 1900-2000 Geschichte Theater Production and direction Theater Production and direction History 20th century Theatrical producers and directors DRAMA / General bisacsh Theaterproduktion (DE-588)4261186-6 gnd rswk-swf Regisseur (DE-588)4049050-6 gnd rswk-swf Inszenierung (DE-588)4027223-0 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content Regisseur (DE-588)4049050-6 s Inszenierung (DE-588)4027223-0 s Theaterproduktion (DE-588)4261186-6 s DE-604 Shevtsova, Maria 1945- Verfasser (DE-588)173914837 aut HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025886925&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Innes, Christopher 1941- Shevtsova, Maria 1945- The Cambridge introduction to theatre directing Geschichte Theater Production and direction Theater Production and direction History 20th century Theatrical producers and directors DRAMA / General bisacsh Theaterproduktion (DE-588)4261186-6 gnd Regisseur (DE-588)4049050-6 gnd Inszenierung (DE-588)4027223-0 gnd |
| subject_GND | (DE-588)4261186-6 (DE-588)4049050-6 (DE-588)4027223-0 (DE-588)4151278-9 |
| title | The Cambridge introduction to theatre directing |
| title_alt | Theatre directing |
| title_auth | The Cambridge introduction to theatre directing |
| title_exact_search | The Cambridge introduction to theatre directing |
| title_full | The Cambridge introduction to theatre directing Christopher Innes ; Maria Shevtsova |
| title_fullStr | The Cambridge introduction to theatre directing Christopher Innes ; Maria Shevtsova |
| title_full_unstemmed | The Cambridge introduction to theatre directing Christopher Innes ; Maria Shevtsova |
| title_short | The Cambridge introduction to theatre directing |
| title_sort | the cambridge introduction to theatre directing |
| topic | Geschichte Theater Production and direction Theater Production and direction History 20th century Theatrical producers and directors DRAMA / General bisacsh Theaterproduktion (DE-588)4261186-6 gnd Regisseur (DE-588)4049050-6 gnd Inszenierung (DE-588)4027223-0 gnd |
| topic_facet | Geschichte Theater Production and direction Theater Production and direction History 20th century Theatrical producers and directors DRAMA / General Theaterproduktion Regisseur Inszenierung Einführung |
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