Tjutchev: euphony and beyond
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Bloomington, Ind.
Slavica
2012
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 249 S. |
| ISBN: | 9780893573713 |
Internformat
MARC
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| 245 | 1 | 0 | |a Tjutchev |b euphony and beyond |c Elizabeth A. Ginzburg |
| 264 | 1 | |a Bloomington, Ind. |b Slavica |c 2012 | |
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Datensatz im Suchindex
| _version_ | 1804150190201896960 |
|---|---|
| adam_text | Contents
List of Tables
............................................................................................................... xi
Acknowledgments
.,................................................................................................. xiii
Abbreviations
............................................................................................................. xv
Preface
.......................,................................................................................................xvii
Praeludium. Sound Repetition in Tjutchev s Lyrics:
Preliminary Speculations
..................................................................................... 1
A. Accepting Tjutchev
......................,................................................................. 2
B. Tjutchev: The Name and the Rhyme
.......................................................... 5
When our decrepit powers
...
( Когда дряхлеющие силы
... ) .. 7
C.
Germinating Rhyme
...................................................................................... 8
April
17, 1818
( 17-e
апреля
1818 )..................................................... 9
Tears
( Слёзы )
...................................................................................... 10
D.
The Triumph of Harmony: Spring
( Весна )
.................................... 13
Part I. Sound and Structure in Tjutchev s Lyrics. Tjutchev and
Fet
................. 17
Chapter
1.
Poetry or Music?
.................................................................................... 19
Section
1:
Poetry and Music
............................................................................ 19
A. A Musical Approach to Poetic Form
................................................ 19
B. Musicological Terminology in Verse Theory
.................................. 25
C. Formal Structures: The Period in Music and
the Stanza in Verse
.............................................................................. 33
Section
2.
Insomnia : Two Poems
................................................................ 38
A. Poetry or Music?
................................................................................... 39
B. Synaesthesia
............................................................................................ 43
C. Comparison
............................................................................................ 45
D. Formal Organization: Sound Texture, Rhymes, and
Composition in Ins.
1
and Ins,
2........................................................ 52
Chapter
2.
The Theory of Assonance: Scholarly Works and
Supplements. Sound Patterns in Multi-Stanzaic Composition
................. 61
Section
1:
Scholarly Works
.............................................................................. 61
A. Viktor Zhirmunskij, Rhyme: Its History and Theory
(Рифма, ее история и теория;
1923)................................................. 62
viii
Contents
В.
Ian Lilly, Dynamics of Russian Verse
(1995) ....................................... 65
C M. L. Gašparov,
The Probability of Assonances
( Вероятностные ассонансы ;
1992) .............................................. 66
Section
2.
Systematic Repetition;
Supplements to the Theory of Assonance
.............................................. 67
Sections. Glimmer
( Проблеск ):
Sound Patterns in
Multi-Stanzaic Composition
...................................................................... 74
A. X-crossings
............................................................................................. 75
B. Composition and Imagery
................................................................... 80
C. Composition and Sound Structure
.................................................... 82
Chapters. Tjutchevand
Fet:
Two Sound Models
.............................................. 87
Section
1.
Tjutchev s Iambic Tetrameter Quatrains
.................................... 88
A. The Division of Tjutchev s Lyrics into Three Periods
................... 88
B. Iambic Tetrameter Quatrains with/without X-crossings
.............. 90
C. Functions or Rhyme in the abab and abba Verse Forms (with
Alternating RVs ABAB and Homogeneous RVs AAAA)
............ 93
Section
2.
Calculations
...................................................................................... 96
A. Forms of
RSV
Repetitions, and Methods of Calculations
............ 96
B. Iambic Tetrameter Quatrains with X-crossings
.............................. 97
C. Location of X-crossings, and the Cadence Line
.............................. 98
D. Notes on Tjutchev s Vowel Preferences in Rhyme
...................... 100
Section
3.
Comparing Tjutchev and
Fet:
The Dynamic versus Static Model of the Stanza
................................ 105
A. Iambic Tetrameter Quatrains in
Feťs
Lyrics: Material. RV
Forms with/without X-crossings. Location of X-crossings
........ 106
B. Homogeneous Forms in
Feťs
Lyrics:
Prediction of RV Preferences
............................................................ 107
C. Rhyme Vowel Preferences in Tjutchev and
Fet
............................ 108
D.
The Dynamic versus Static Sound Model
......................................
Ill
Interludium.
From Structure to Meaning
......................................................... 117
A. The Point of Golden Section in a Stanza
................................................ 118
Over hot ash...
( Как над горячею золой... ).............................
120
B.
Symmetry, Sound Repetition, and The Point of
Golden Section in Composition
.............................................................. 123
The royal heir lies dying in Nice...
( Сын царский умирает в Ницце... )
........................................ 123
Part II. Sound, Graphic Form, and Meaning in Tjutchev s Lyrics
.................. 127
Chapter
4.
Tjutchev s Lyrics before
1850
and after
1864................................. 129
Section
1.
Ferdinand
de Saussure
on Anagrams
....................................... 129
Section
2.
Tjutchev and Ausonius
................................................................ 131
Section
3.
Visual Forms in Tjutchev s Lyrics before
1850....................... 141
Contents
¡χ
Oleg s Shield
( Олегов щит )
........................................................... 141
And the coffin is already pushed into the grave...
( И гроб опущен уж в могилу... )
.................................................... 143
Section
4.
Experimenting with the Alliterative Form in
Tjutchev s Poem K.B.
............................................................................. 146
A. Zhukovskij s and Pushkin s Influence on Tjutchev:
I Used to Meet the Young Muse.
..
by Zhukovskij;
To*** by Pushkin; and K.B by Tjutchev
................................. 147
B. An Acrostic in Zhukovskij, and Its Modification
in Pushkin and Tjutchev
................................................................... 149
C. K.B : The Alliterative Form, and the Name of Tjutchev s
Addressee
............................................................................................ 152
Chapterõ.
Tjutchev s Lyrics of
1850-64............................................................. 155
Section
1.
Anagram and Rhyme in the Poems of the
Denis eva Period,
1850-64........................................................................ 157
A. Anagrammatization of Elena Denis eva s Name
......................... 158
Last Love
( Последняя любовь )
.............................................. 158
All day she lay deeply drowsing...
( Весь день она лежала в забытьи... )
.................................. 159
She sat on the floor...
( Она сидела на полу... )
.................. 160
О
how murderously we love...
( О, как убийственно мы любим... )
.................................... 162
B.
Rhyme and Initials
.............................................................................. 162
Many s the time you heard my confession...
( He
раз ты слышала признанье
... )................................... 162
On the River Neva
( На Неве )
.................................................. 163
Again I stand above the Neva.
..
( Опять стою я над Невой... )
................................................ 164
Section
2.
First Leaf
( Первый лист )
as a
Congratulatory Epistle
.............................................................................. 167
A. First Leaf in Tjutchev s Biography
.............................................. 167
B. An Anagram and a Word/Sound-Play in the
Central Lines
(11-13).......................................................................... 169
С
The Rhymes and the Rhyme Expectation
...................................... 170
D. A Message Encoded in the Initial and Central Lines
(1
and
13)
of First Leaf
................................................................... 173
Section
3.
Last Love and Some Parallels
................................................. 175
A. The Generic Roots of Last Love
................................................... 176
B. Last Love : Deviations from the Norm
........................................ 179
C. Last Love : The Origins of the Graphic Form
........................... 185
Ludwig Rellstab: Leise flehen meine Lieder.,.
( Песнь моя летит с
мольбою...
........................................... 185
χ
Contents
Friedrich von Schiller: Fisherknabe ( Es lächelt der See../ )
( С озера веет прохлада и нега../ )
........................................ 186
D.
Two Poems as a Micro-Cycle
........................................................... 187
Don t say: he loves me like before
...
( He
говори: меня он, как и прежде, любит... )
............... 189
Postludium
............................................................................................................... 193
Appendix ..................................................................................................................
197
Bibliography
............................................................................................................. 219
Index of Names
......................................................................................................... 237
Index of Subjects
....................................................................................................... 241
|
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| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 891 - East Indo-European and Celtic literatures |
| dewey-raw | 891.71/3 |
| dewey-search | 891.71/3 |
| dewey-sort | 3891.71 13 |
| dewey-tens | 890 - Literatures of other languages |
| discipline | Slavistik |
| format | Book |
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| id | DE-604.BV040906053 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T00:34:59Z |
| institution | BVB |
| isbn | 9780893573713 |
| language | English |
| lccn | 2012013613 |
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| publisher | Slavica |
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| spelling | Ginzburg, Elizabeth A. 1957- Verfasser (DE-588)1035531941 aut Tjutchev euphony and beyond Elizabeth A. Ginzburg Bloomington, Ind. Slavica 2012 249 S. txt rdacontent n rdamedia nc rdacarrier Tjutčev, Fëdor I. 1803-1873 (DE-588)11875839X gnd rswk-swf Music and literature Euphonie (DE-588)4369716-1 gnd rswk-swf Lyrik (DE-588)4036774-5 gnd rswk-swf Sprachanalyse (DE-588)4129916-4 gnd rswk-swf Tjutčev, Fëdor I. 1803-1873 (DE-588)11875839X p Lyrik (DE-588)4036774-5 s Sprachanalyse (DE-588)4129916-4 s Euphonie (DE-588)4369716-1 s DE-604 Digitalisierung UB Passau - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025885485&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Ginzburg, Elizabeth A. 1957- Tjutchev euphony and beyond Tjutčev, Fëdor I. 1803-1873 (DE-588)11875839X gnd Music and literature Euphonie (DE-588)4369716-1 gnd Lyrik (DE-588)4036774-5 gnd Sprachanalyse (DE-588)4129916-4 gnd |
| subject_GND | (DE-588)11875839X (DE-588)4369716-1 (DE-588)4036774-5 (DE-588)4129916-4 |
| title | Tjutchev euphony and beyond |
| title_auth | Tjutchev euphony and beyond |
| title_exact_search | Tjutchev euphony and beyond |
| title_full | Tjutchev euphony and beyond Elizabeth A. Ginzburg |
| title_fullStr | Tjutchev euphony and beyond Elizabeth A. Ginzburg |
| title_full_unstemmed | Tjutchev euphony and beyond Elizabeth A. Ginzburg |
| title_short | Tjutchev |
| title_sort | tjutchev euphony and beyond |
| title_sub | euphony and beyond |
| topic | Tjutčev, Fëdor I. 1803-1873 (DE-588)11875839X gnd Music and literature Euphonie (DE-588)4369716-1 gnd Lyrik (DE-588)4036774-5 gnd Sprachanalyse (DE-588)4129916-4 gnd |
| topic_facet | Tjutčev, Fëdor I. 1803-1873 Music and literature Euphonie Lyrik Sprachanalyse |
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