Terror and the cinematic sublime: essays on violence and the unpresentable in post-9/11 films
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Jefferson, NC
McFarland
2013
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | "The sublime provides a ready tool for analyses of trauma, horror, catastrophe and apocalypse, the military-industrial complex, the end of humanism, and the limits of freedom. Such essays take the pulse of our cultural moment, while providing the reader with the dual nature of the sublime in critical work, and how it continues to evolve conceptually"--Provided by publisher. Includes bibliographical references and index |
| Beschreibung: | VI, 208 S. |
| ISBN: | 9780786472079 |
Internformat
MARC
| LEADER | 00000nam a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV040891050 | ||
| 003 | DE-604 | ||
| 005 | 20130603 | ||
| 007 | t | ||
| 008 | 130317s2013 xxu |||| 00||| eng d | ||
| 010 | |a 2012049760 | ||
| 020 | |a 9780786472079 |c softcover : alk. paper |9 978-0-7864-7207-9 | ||
| 035 | |a (OCoLC)844038079 | ||
| 035 | |a (DE-599)BVBBV040891050 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 044 | |a xxu |c US | ||
| 049 | |a DE-12 | ||
| 050 | 0 | |a PN1995.9.V5 | |
| 082 | 0 | |a 791.43/655 | |
| 245 | 1 | 0 | |a Terror and the cinematic sublime |b essays on violence and the unpresentable in post-9/11 films |c ed. by Todd A. Comer and Lloyd Isaac Vayo |
| 264 | 1 | |a Jefferson, NC |b McFarland |c 2013 | |
| 300 | |a VI, 208 S. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a "The sublime provides a ready tool for analyses of trauma, horror, catastrophe and apocalypse, the military-industrial complex, the end of humanism, and the limits of freedom. Such essays take the pulse of our cultural moment, while providing the reader with the dual nature of the sublime in critical work, and how it continues to evolve conceptually"--Provided by publisher. | ||
| 500 | |a Includes bibliographical references and index | ||
| 650 | 4 | |a Film | |
| 650 | 4 | |a Violence in motion pictures | |
| 650 | 4 | |a Motion pictures | |
| 650 | 0 | 7 | |a Das Erhabene |0 (DE-588)4148823-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Terrorismus |g Motiv |0 (DE-588)4482648-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
| 651 | 7 | |a USA |0 (DE-588)4078704-7 |2 gnd |9 rswk-swf | |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
| 689 | 0 | 1 | |a Film |0 (DE-588)4017102-4 |D s |
| 689 | 0 | 2 | |a Terrorismus |g Motiv |0 (DE-588)4482648-5 |D s |
| 689 | 0 | 3 | |a Das Erhabene |0 (DE-588)4148823-4 |D s |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Comer, Todd A. |d 1972- |e Sonstige |0 (DE-588)1033578193 |4 oth | |
| 856 | 4 | 2 | |m HEBIS Datenaustausch |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025870704&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-025870704 | ||
| 942 | 1 | 1 | |c 791.409 |e 22/bsb |f 090511 |g 73 |
Datensatz im Suchindex
| _version_ | 1804150173332406272 |
|---|---|
| adam_text | Terror and the
Cinematic Sublime
Essays on Violence and the
Unpresentable in Post-9/11 Films
Edited by TODD A COMER and
LLOYD ISAAC VAYO
Afterword by Patrick Fuery
D*
McFarland amp; Company, Inc , Publishers
Jefferson, North Carolina, and London
Table of Contents
Preface and Acknowledgments 1
Introduction: Terror and the (Post)Cinematic Sublime
TODD A COMER and LLOYD ISAAC VAYO 5
Hits and Missives: Excluding/Embracing 9/11
Plummeting to the Pavement: The Fall of the Body in
Spider-Man
KARTIK NAIR 15
When Does the Hurting Stop? Cloverfield and the
(Re)Enabling of Fantasy in the Post-9/11 City
SCOTT WILSON 29
Keeping Terror Alive: The Political Economy of Visibility
in Inside Man
SVEN CVEK 42
Pushing the Enveloped:
Exposing the Limits of Freedom
Aronofsky s Cinematic Vision and the Ethical Meaning of
Freedom as the Sublime Horizon of Amor Fati
DONALD CALLEN 57
The Apocalyptic Sublime: Hollywood Disaster Films and
Donnie Darko
SEUNG-HOON JEONG 72
History Is Always Virgin: Quentin Tarantino s Inglourious
Basterds and the Lyotardian Sublime
MARCO GROSOLI 88
V
Table of Contents
Tarrying with Sublimity: The Limits of Cinematic Form in
Duncan Jones Source Code
MICHAEL J BLOUIN 103
Communique-tion Breakdown:
(Post)Cinematic Interruptions
Pleasure and Pain: Post-Cinematic Remakes
HOLLY WILLIS 119
Watching the World Burn: Intensity, Absurdity and Echoes
of the Sublime in Contemporary Science Fiction Destruction
JOHN P WARTON 134
The Alllusion: Intelligent Machines, Jacques Derrida s Ethical
Turn and Oren Peli s Paranormal Activity
LARRIE DUDENHOEFFER 150
The Indigestibility of the World: Birthing the Posthuman in
Spielberg s A I
TODD A COMER 165
Afterword: Afterwards
PATRICK FUERY 181
Selected Bibliography 187
About the Contributors 199
Index 201
J
VI
|
| any_adam_object | 1 |
| author_GND | (DE-588)1033578193 |
| building | Verbundindex |
| bvnumber | BV040891050 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.9.V5 |
| callnumber-search | PN1995.9.V5 |
| callnumber-sort | PN 41995.9 V5 |
| callnumber-subject | PN - General Literature |
| ctrlnum | (OCoLC)844038079 (DE-599)BVBBV040891050 |
| dewey-full | 791.43/655 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/655 |
| dewey-search | 791.43/655 |
| dewey-sort | 3791.43 3655 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02308nam a2200505zc 4500</leader><controlfield tag="001">BV040891050</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20130603 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">130317s2013 xxu |||| 00||| eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">2012049760</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780786472079</subfield><subfield code="c">softcover : alk. paper</subfield><subfield code="9">978-0-7864-7207-9</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)844038079</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV040891050</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxu</subfield><subfield code="c">US</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">PN1995.9.V5</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.43/655</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Terror and the cinematic sublime</subfield><subfield code="b">essays on violence and the unpresentable in post-9/11 films</subfield><subfield code="c">ed. by Todd A. Comer and Lloyd Isaac Vayo</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Jefferson, NC</subfield><subfield code="b">McFarland</subfield><subfield code="c">2013</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">VI, 208 S.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">"The sublime provides a ready tool for analyses of trauma, horror, catastrophe and apocalypse, the military-industrial complex, the end of humanism, and the limits of freedom. Such essays take the pulse of our cultural moment, while providing the reader with the dual nature of the sublime in critical work, and how it continues to evolve conceptually"--Provided by publisher.</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Violence in motion pictures</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Das Erhabene</subfield><subfield code="0">(DE-588)4148823-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Terrorismus</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4482648-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Terrorismus</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4482648-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Das Erhabene</subfield><subfield code="0">(DE-588)4148823-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Comer, Todd A.</subfield><subfield code="d">1972-</subfield><subfield code="e">Sonstige</subfield><subfield code="0">(DE-588)1033578193</subfield><subfield code="4">oth</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">HEBIS Datenaustausch</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025870704&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-025870704</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">791.409</subfield><subfield code="e">22/bsb</subfield><subfield code="f">090511</subfield><subfield code="g">73</subfield></datafield></record></collection> |
| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| geographic | USA (DE-588)4078704-7 gnd |
| geographic_facet | USA |
| id | DE-604.BV040891050 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T00:34:43Z |
| institution | BVB |
| isbn | 9780786472079 |
| language | English |
| lccn | 2012049760 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-025870704 |
| oclc_num | 844038079 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | VI, 208 S. |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | McFarland |
| record_format | marc |
| spelling | Terror and the cinematic sublime essays on violence and the unpresentable in post-9/11 films ed. by Todd A. Comer and Lloyd Isaac Vayo Jefferson, NC McFarland 2013 VI, 208 S. txt rdacontent n rdamedia nc rdacarrier "The sublime provides a ready tool for analyses of trauma, horror, catastrophe and apocalypse, the military-industrial complex, the end of humanism, and the limits of freedom. Such essays take the pulse of our cultural moment, while providing the reader with the dual nature of the sublime in critical work, and how it continues to evolve conceptually"--Provided by publisher. Includes bibliographical references and index Film Violence in motion pictures Motion pictures Das Erhabene (DE-588)4148823-4 gnd rswk-swf Terrorismus Motiv (DE-588)4482648-5 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content USA (DE-588)4078704-7 g Film (DE-588)4017102-4 s Terrorismus Motiv (DE-588)4482648-5 s Das Erhabene (DE-588)4148823-4 s DE-604 Comer, Todd A. 1972- Sonstige (DE-588)1033578193 oth HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025870704&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Terror and the cinematic sublime essays on violence and the unpresentable in post-9/11 films Film Violence in motion pictures Motion pictures Das Erhabene (DE-588)4148823-4 gnd Terrorismus Motiv (DE-588)4482648-5 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4148823-4 (DE-588)4482648-5 (DE-588)4017102-4 (DE-588)4078704-7 (DE-588)4143413-4 |
| title | Terror and the cinematic sublime essays on violence and the unpresentable in post-9/11 films |
| title_auth | Terror and the cinematic sublime essays on violence and the unpresentable in post-9/11 films |
| title_exact_search | Terror and the cinematic sublime essays on violence and the unpresentable in post-9/11 films |
| title_full | Terror and the cinematic sublime essays on violence and the unpresentable in post-9/11 films ed. by Todd A. Comer and Lloyd Isaac Vayo |
| title_fullStr | Terror and the cinematic sublime essays on violence and the unpresentable in post-9/11 films ed. by Todd A. Comer and Lloyd Isaac Vayo |
| title_full_unstemmed | Terror and the cinematic sublime essays on violence and the unpresentable in post-9/11 films ed. by Todd A. Comer and Lloyd Isaac Vayo |
| title_short | Terror and the cinematic sublime |
| title_sort | terror and the cinematic sublime essays on violence and the unpresentable in post 9 11 films |
| title_sub | essays on violence and the unpresentable in post-9/11 films |
| topic | Film Violence in motion pictures Motion pictures Das Erhabene (DE-588)4148823-4 gnd Terrorismus Motiv (DE-588)4482648-5 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Film Violence in motion pictures Motion pictures Das Erhabene Terrorismus Motiv USA Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025870704&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT comertodda terrorandthecinematicsublimeessaysonviolenceandtheunpresentableinpost911films |