Copyright and cultural consonance: insights from an empirical legal study on piracy in the Indian film industry
Gespeichert in:
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| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
2012
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 303 S. |
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Datensatz im Suchindex
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| adam_text | Titel: Copyright and cultural consonance
Autor: Scaria, Arul George
Jahr: 2012
Contents
List of Abbreviations i
Acknowledgments iii
Prologue 1
1 Introduction 2
1.1 Background................................ 2
1.2 Research questions............................ 14
1.3 Why India and Indian film industry?.................. 14
1.4 Significance................................ 17
1.4.1 Significance of this study from an internarional perspective . 18
1.4.2 Significance of this study for the contemporary Indian society 18
1.5 Preview.................................. 21
2 Methodology 23
2.1 Overview ................................. 23
2.2 Research design ............................. 23
2.2.1 Mixed methods framework.................... 24
2.2.2 Empirical survey......................... 26
2.2.2.1 Core objective of the survey and the sub-research
questions........................ 26
2.2.2.2 Hypotheses....................... 27
2.2.2.3 Questionnaire Designing................ 28
2.2.2.4 Sampling........................ 32
2.2.2.5 Data Collection .................... 35
2.3 A critical methodological analysis of the estimates of piracy in the
Indian film industry............................ 36
2.3.1 Some common methodological issues.............. 37
2.3.2 USIBC-E Y study on the effects of counterfeiting and piracy
on India s entertainment industry (2008)............ 38
2.3.3 MPA sponsored study on internet piracy in India (2009) ... 41
2.3.4 Ministry of Human Resource Development (Government of
India) sponsored study on copyright piracy in India (1999) . . 47
2.3.5 ICC-BASCAP research report on consumer attitudes and per-
ceptions (2009).......................... 50
2.3.6 Study conducted by the Creative and Innovative Economy
Center, George Washington University Law School (2007) . . 53
2.3.7 SSRC study on media piracy in emerging economies (2011) . . 54
2.4 Summary ................................. 55
Copyright Law in India - A Legal, Historical and Cultural Analysis 57
3.1 Overview ................................. 57
3.2 Historical and cultural evolution of copyright law in India....... 57
3.2.1 Transplantation of a legal system................ 57
3.2.2 Evolution of copyright law in the post-independence period . . 62
3.2.3 Experimenting new ideas in the adopted legal system..... 68
3.3 Attitude of the Indian judiciary towards copyright issues....... 75
3.3.1 Approach towards the concept of copyright infringement ... 76
3.3.2 Approach towards different types of remedies.......... 80
3.3.2.1 Civil remedies...................... 81
3.3.2.2 Criminal remedies................... 90
3.3.2.3 Administrative remedies................ 96
3.3.3 Approach towards moral rights protection........... 99
3.4 Summary ................................. 103
Copyright Piracy and Consumers - Insights from an Empirical Sur-
vey 104
4.1 Overview .................................104
4.2 Exposure to different pirate media....................105
4.2.1 Streaming and downloading pirated movies...........106
4.2.2 Watching pirated movie VCDs/DVDs..............109
4.2.3 Sharing and receiving pirated movies..............110
4.3 Subjective norms.............................112
4.4 Social costs of piracy...........................117
4.5 Social benefits of piracy .........................119
4.6 Lawfulness of different behaviors.....................122
4.7 Legal risks.................................127
4.7.1 Streaming pirated movies ....................127
4.7.2 Downloading pirated movies ..................129
4.7.3 Uploading pirated movies ....................130
4.7.4 Buying pirated movie VCDs/DVDs ..............131
4.7.5 Selling pirated movie VCDs/DVDs...............133
4.7.6 Sharing pirated movie VCDs/DVDs ..............134
4.8 Morality of piracy.............................136
4.9 Perceptions of consumers regarding the causes as well as the solutions
for piracy in the Indian film industry..................139
4.10 Summary .................................141
5 In Search of Optimal Legal and Policy Options 143
5.1 Overview .................................143
5.2 Need for a balanced mix of positive and negative incentives .....144
5.3 Negative incentives for higher compliance - Time for a radical change
in the present enforcement approaches .................147
5.3.1 Is strictest enforcement the optimal enforcement?.......147
5.3.2 Criminal remedies - Need and relevance of a new model of
enforcement............................149
5.3.2.1 Current model of criminal enforcement under Indian
copyright law......................152
5.3.2.2 Need for a radical reform in the current model of
criminal enforcement .................156
5.3.2.3 Guidelines for a new model of criminal enforcement 160
5.3.2.4 Possible models for implementation of the guidelines
proposed ........................165
5.3.2.5 TRIPS compliance of proposed changes in criminal
remedies.........................169
5.3.3 Civil remedies - Time for tuning up ..............173
5.3.3.1 Optimal changes for civil remedies..........174
5.3.3.2 TRIPS compliance of proposed changes in civil reme-
dies ...........................179
5.4 Positive incentives for higher compliance - Need for collective efforts
from the side of the industry and the state...............181
5.4.1 Explore fortune at the bottom of the pyramid.........181
5.4.2 Increase the availability of cinemas...............188
5.4.3 Faster release of movies in different platforms .........189
5.4.4 Evolve better price discrimination strategies..........194
5.4.5 Learn from pirates........................196
5.4.6 Be fair and transparent in transactions within and outside the
industry..............................197
5.4.7 Produce better movies......................199
5.4.8 Remove price controls and unnecessary bureaucratic interven-
tions ................................200
5.4.9 Introduce exceptions for format shifting.............201
5.4.10 Capacity building for centralised license clearance systems . . 203
5.5 Summary .................................205
6 Conclusion 206
Appendix 1: Tables 213
Appendix 2: Questionnaire 266
Table of Cases 278
Bibliography 280
Zusammenfassung der Dissertation 291
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| spelling | Scaria, Arul George Verfasser aut Copyright and cultural consonance insights from an empirical legal study on piracy in the Indian film industry Arul George Scaria 2012 303 S. txt rdacontent n rdamedia nc rdacarrier München, Univ., Diss., 2012 Urheberrecht (DE-588)4062127-3 gnd rswk-swf Indien (DE-588)4026722-2 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Indien (DE-588)4026722-2 g Urheberrecht (DE-588)4062127-3 s DE-604 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025869233&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Copyright and cultural consonance insights from an empirical legal study on piracy in the Indian film industry |
| title_auth | Copyright and cultural consonance insights from an empirical legal study on piracy in the Indian film industry |
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| title_full | Copyright and cultural consonance insights from an empirical legal study on piracy in the Indian film industry Arul George Scaria |
| title_fullStr | Copyright and cultural consonance insights from an empirical legal study on piracy in the Indian film industry Arul George Scaria |
| title_full_unstemmed | Copyright and cultural consonance insights from an empirical legal study on piracy in the Indian film industry Arul George Scaria |
| title_short | Copyright and cultural consonance |
| title_sort | copyright and cultural consonance insights from an empirical legal study on piracy in the indian film industry |
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