From the score to the stage: an illustrated history of continental opera production and staging
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Chicago ; London
University of Chicago Press
2013
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | XXIII, 439 Seiten Illustrationen |
ISBN: | 9780226035086 |
Internformat
MARC
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Datensatz im Suchindex
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adam_text | Titel: From the score to the stage
Autor: Baker, Evan
Jahr: 2013
Contents
List offflustrations xi
Preface xv
Acknowledgments xxi
Overture 1
CHAPTER ONE
l«:*T-lTO ?
Die Beginnings
11
Competition among Theaters, 12 *
The First Public Opera House and Andromeda, 15 *
An Early Theater Technicians Handbook, 17 * A
Revolution in Opera Production: Giacomo Torelli,
grand sorcier, 20 * A Treatise on Stage Machinery,
23 * The Opera Impresario: Marco Faustini
and Theatrical Competition, 26 * German Lands,
29 * Lodovico Burnacini: J7 Pomo d oro, 30 * France:
Jean-Baptiste Lully and the Establishment of
the Academie Royale de Musique, 33
CHAPTER TWO
Perspectives wiih a New View
39
Opera seria: Its Rules and Reforms, 41 * Pietro
Metastasio, Librettist and Stage Director, 42 * New
Theaters and Audiences, 43 * Stage Design and
Production Practices before Galli-Bibiena, 44 * The
Vanishing Point, 45 * Ferdinando Galli-Bibiena,
the Paul Veronese of the Theater, 47 * A New
Method of Viewing Theatrical Scenes at an Angle,
49 * The Spectacle Builds: Jean-Philippe Rameau,
Giovanni Niccolö Servandoni, and the Paris Opera,
52 * Lighting the Stage, $7 * Gestures and
Acting, 58 * Directing the Singers, 61
CHARTER THREE
^ ?^® ^ ¦
1 *:* * l 1
Theaterfor the Greater Public
67
The Great Reform Operas of Christoph Willibald von
Gluck: Orfeo ed Euridice and Alceste, 78 * Directing and
Rehearsing the Opera, 84 * Idomeneo, re di Creta, 86 *
Onstage Movements, 88 * Spectacle and New
Technology, 89 * Stage Lighting, 89 * Revolutionary
New Light, 91 * National Theater in Vienna: The
Burgtheater, 91 * Private, For-Profit Theaters in
Suburban Vienna: The Freihaus Theater, 94
CONTENTS
CHAPTER FOUR
Romanticism in Germany
101
German Romanticism, 101 * German Theaters:
Construction, Personnel, and Production Styles,
104 * Performance Conditions, 104 * Count Karl von
Brühl and Karl Friedrich Schinkel: Make This the Best
Theater in Germany! 106 * Brühl s Designer: Schinkel
and Die Zauberflöte, 108 * Publication of German
Stage Designs, 108 * Schinkel s New Theater: A Lost
Opportunity, 110 * Carl Maria von Weber: I Won t
Stand for Thai Schnickschnack] 113 * The Greatest
Romantic Opera: Der Freischütz, 114 * Continuing the
Change in Theater Architecture: Gottfried Semper
and the Dresden Opera House, 119
CHAPTER FIVE
French Grand Opera
121
L etat, c est grand opera, 123 *¦ The Temple of
French Grand Opera, 124 * Coup de Theätre : The
Boulevard Theaters and Populär Entertainments Challenge
the Opera, 129 * Aladin, ou La lampe merveilleuse:
The Opera and New Technology, 132 * The First True
Opera Stage Director: Jacques Solome, 135 * The livret
de mise-en-scene, 138 * A Volcanic Explosion: La Muette
de Portici, 140 * The Middle-Class Ascendant at the
Opera, 145 * The Claque, 149 * Romanticism, Robert
le Diable, and Grand Opera: These Are Impossible
Things; One Has to See It to Believe It. It s Prodigious!
It sProdigious! i5i * Nonnes, m entendez-vous? /
Nuns, Do You Hear Me? 153 * The Phenomenon
of Robert le Diable, 157
CONTENTS
CHAPTER SIX
CHAPTER SEVEN
Italy, Center of Opera
161
The Italian Operagoing Public, 161 * The
Opera House: Center of the Community, 164 * Music
Publishing in Italy, 166 * The Evolution of the Italian
Stage Director, 167 * Stage Design and Theater
Architecture: Polemics and Theory, 169 * Alessandro
Sanquirico, 171 * The Impresarios: This Infamous
Profession, 172 * Domenico Barbaja: The Prince of
Impresarios, 173 * Bartolomeo Merelli: The Napoleon
of Impresarios, 177 * Alessandro Lanari: Dedicated to
Serving the Public, 181 * Lanari, Verdi, and Macbeth,
181 * For God s Sake, We ve Already Rehearsed
It a Hundred and Fifty Times! 187
Two Giants, a Devil, and a Gypsy
191
The Growth of Music Publishing, 192 * Grand
Opera Houses and New Theater Technology, 194 *
A New Position: The Technical Director, 199 * The
Search for Quality: Richard Wagner and Giuseppe
Verdi, 201 * Wagner and Polemics of the Theater,
201 * Staging an Opera from Afar: Lohengrin,
203 * Wagner s Ideal Theatrical Space, 210 *
Wagner and the Bayreuth Festspielhaus, 211 * The
First Production in the Festspielhaus: Der Ring des
Nibelungen, 217 * Icons of Opera Production: Faust
and Carmen, 221 * Staging Act 1 of Carmen: The
Habanera, 228 * Verdi and the Fight for Artistic
Integrity, 233 * The Italian Stage Director and
the disposizione scenica, 238 * Verdi Stages Aida,
241 * The Grand March: The March Is Very, Very,
Very Long___But Don t Be Terrified, 246
CONTENTS
CHAPTER EIGHT
Clearing the Stage
253
Theater Architecture and Technology, 254 * The
Visionary: Adolphe Appia and the Aesthetics of Stage
Lighting, 255 * Gustav Mahler at the Vienna Hofoper:
For God s Sake, Why Haven t the Sets Crashed?
264 * Mahler and the Old Order : The Struggle for
Quality, 267 * A New Iconoclasm: The Secession and
the Theatrical Arts, 269 * Mahler s Artistic Soul Mate:
Alfred Roller and Tristan und Isolde, 271 * Tristan und
Isolde: Public Reaction, 273 * A Break in the Scenic
Traditions: Don Giovanni and the Roller Towers,
274 * The Premiere and a Tumultuous Reception
of Roller s Don Giovanni: They Insult the Eyes,
275 * Giacomo Puccini: Incidents Clear and Brilliant
to the Eye Rather Than the Ear, 277 *¦ The Russians
Arrive in Paris: Sergei Diaghilev and Boris Godunov,
285 * Fyodor Chaliapin: He Communicates the Life of
the Character He Portrays through Singing, 290 * Boris
Godunov and Chaliapin s Techniques, 290 * Also
Rosenkavalierl The Devil Take Him! 292 * The Weimar
Republic: A Volatile Mixture of Opera and Politics,
299 * A New Style of Production: Die neue Sachlichkeit,
300 * Wozzeck: The Staging of aMasterpiece,
303 * The Final Iconoclasms before the Deluge,
308 * Kulturbolschevismus : The Krolloper, 308
CHAPTER NINE
Postwar Revolution
32.1
Postwar Reconstruction and Politics in Opera
Production, 321 * NewFigures oflnfluence: The
Technical Consultant and the Lighting Designer,
325 * The Return of the Festivals: Salzburg and
Bayreuth, 326 * The Stage Director as a New Star:
Innovation or Detriment? 327 * Operatic Acting:
Maria Callas, 327 *• Walter Felsenstein and the
Komische Oper, 329 * Werkstatt Bayreuth and the
Richard Wagner Festival, 335 * The 1970s:
The Advent of Regietheater, 351
Epilogue 369
Bibliography 383
Index 409
|
any_adam_object | 1 |
author | Baker, Evan |
author_facet | Baker, Evan |
author_role | aut |
author_sort | Baker, Evan |
author_variant | e b eb |
building | Verbundindex |
bvnumber | BV040875366 |
callnumber-first | M - Music |
callnumber-label | ML1720 |
callnumber-raw | ML1720 |
callnumber-search | ML1720 |
callnumber-sort | ML 41720 |
callnumber-subject | ML - Literature on Music |
classification_rvk | LR 54170 |
contents | 1637-1700 : The beginnings -- 1700-1750 : Perspectives with a new view -- 1750-1800 : Theater for the greater public -- 1800-1850 : Romanticism in Germany -- 1800-1850 : French grand opera -- 1800-1850 : Italy, center of opera -- 1850-1900 : Two giants, a devil, and a gypsy -- 1900-1945 : Clearing the stage -- 1945-1976 : Postwar revolution |
ctrlnum | (OCoLC)869847985 (DE-599)BVBBV040875366 |
dewey-full | 792.5094 |
dewey-hundreds | 700 - The arts |
dewey-ones | 792 - Stage presentations |
dewey-raw | 792.5094 |
dewey-search | 792.5094 |
dewey-sort | 3792.5094 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines Musikwissenschaft |
era | Geschichte gnd |
era_facet | Geschichte |
format | Book |
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spelling | Baker, Evan Verfasser aut From the score to the stage an illustrated history of continental opera production and staging Evan Baker Chicago ; London University of Chicago Press 2013 XXIII, 439 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index 1637-1700 : The beginnings -- 1700-1750 : Perspectives with a new view -- 1750-1800 : Theater for the greater public -- 1800-1850 : Romanticism in Germany -- 1800-1850 : French grand opera -- 1800-1850 : Italy, center of opera -- 1850-1900 : Two giants, a devil, and a gypsy -- 1900-1945 : Clearing the stage -- 1945-1976 : Postwar revolution Geschichte gnd rswk-swf Geschichte Opera Production and direction Europe History Theaters Stage-setting and scenery Europe History Inszenierung (DE-588)4027223-0 gnd rswk-swf Opernproduktion (DE-588)4232690-4 gnd rswk-swf Oper (DE-588)4043582-9 gnd rswk-swf Europa Europa (DE-588)4015701-5 gnd rswk-swf Europa (DE-588)4015701-5 g Opernproduktion (DE-588)4232690-4 s Geschichte z DE-604 Oper (DE-588)4043582-9 s Inszenierung (DE-588)4027223-0 s HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025855250&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Baker, Evan From the score to the stage an illustrated history of continental opera production and staging 1637-1700 : The beginnings -- 1700-1750 : Perspectives with a new view -- 1750-1800 : Theater for the greater public -- 1800-1850 : Romanticism in Germany -- 1800-1850 : French grand opera -- 1800-1850 : Italy, center of opera -- 1850-1900 : Two giants, a devil, and a gypsy -- 1900-1945 : Clearing the stage -- 1945-1976 : Postwar revolution Geschichte Opera Production and direction Europe History Theaters Stage-setting and scenery Europe History Inszenierung (DE-588)4027223-0 gnd Opernproduktion (DE-588)4232690-4 gnd Oper (DE-588)4043582-9 gnd |
subject_GND | (DE-588)4027223-0 (DE-588)4232690-4 (DE-588)4043582-9 (DE-588)4015701-5 |
title | From the score to the stage an illustrated history of continental opera production and staging |
title_auth | From the score to the stage an illustrated history of continental opera production and staging |
title_exact_search | From the score to the stage an illustrated history of continental opera production and staging |
title_full | From the score to the stage an illustrated history of continental opera production and staging Evan Baker |
title_fullStr | From the score to the stage an illustrated history of continental opera production and staging Evan Baker |
title_full_unstemmed | From the score to the stage an illustrated history of continental opera production and staging Evan Baker |
title_short | From the score to the stage |
title_sort | from the score to the stage an illustrated history of continental opera production and staging |
title_sub | an illustrated history of continental opera production and staging |
topic | Geschichte Opera Production and direction Europe History Theaters Stage-setting and scenery Europe History Inszenierung (DE-588)4027223-0 gnd Opernproduktion (DE-588)4232690-4 gnd Oper (DE-588)4043582-9 gnd |
topic_facet | Geschichte Opera Production and direction Europe History Theaters Stage-setting and scenery Europe History Inszenierung Opernproduktion Oper Europa |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025855250&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT bakerevan fromthescoretothestageanillustratedhistoryofcontinentaloperaproductionandstaging |