Preserving and exhibiting media art: challenges and perspectives
Gespeichert in:
| Weitere Verfasser: | , , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Amsterdam Univ. Press
2013
|
| Schriftenreihe: | Framing film
|
| Schlagworte: | |
| Online-Zugang: | Volltext Inhaltsverzeichnis |
| Beschreibung: | Erscheint auch als Open Access bei De Gruyter |
| Beschreibung: | 428 S., [8] Bl. Ill. 24 cm |
| ISBN: | 9789089642912 9089642919 |
| DOI: | 10.1515/9789048513833 |
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| adam_text |
JULIA
NOORDEGRAAF,
COSETTA
G.
SABA,
BARBARA LE MAÎTRE, AND VINZENZ HEDIGER
(EDS.)
PRESERVING AND
EXHIBITING
MEDIA ART
Challenges and Perspectives
AMSTERDAM UNIVERSITY
PRESS
TABLE
OF
CONTENTS
Acknowledgements
8
Introduction
її
JULIA NOORDEGRAAF
PART I
HISTORY, ARCHAEOLOGY, AESTHETICS, ARCHIVE: THEORETICAL PATHS
Introduction
23
VINZENZ HEDIGER
1
Between Art History and Media History: A Brief Introduction to
Media Art
25
CHRIS WAHL
2
Media Archaeology: Where Film History, Media Art, and New Media
(Can) Meet
59
WANDA STRAUVEN
3
Media Aesthetics
81
DARIO MARCHIORI
4
Media Art and the DigitalArchive
101
COSETTA G. SABA
PART II
ANALYSIS, DOCUMENTATION, ARCHIVING
Introduction
123
JULIA NOORDEGRAAF
5
The Analysis of the Artwork
127
DARIO MARCHIORI
6
Methodologies of
Multimedial
Documentation and Archiving
149
6.1
Enjoying the Gap: Comparing Contemporary
Documentation Strategies
149
ANNET
DEKKER
6.2
Case Study: No Ghost Just a Shell by Pierre Huyghe, Philippe
Parreno, and Many Others
170
VIVIAN VAN SAAZE
6.3
The Artist's Interview as a Tool for Documenting and Recreating
a Complex Installation: The Example oiMbube, an Audio-
Installation by Roberto Cuoghi in the
Museo Del Novecento,
Milan
176
IOLANDA
RATTI
6.4
MAXXI Pilot Tests Regarding the Documentation of Installation
Art
181
ALESSANDRA
BARBUTO
AND LAURA BARRECA
PART III
TECHNOLOGICAL PLATFORMS, PRESERVATION, AND RESTORATION
Introduction
197
COSETTA G. SABA
7
Technological Platforms
201
Introduction
201
SIMONE VENTURINI
7.1
The History and Technological Characteristics of
Cinematographic Production and Reception Devices
203
SIMONE
VENTURINI AND MIRCO
SANTI
7.2
The History and Technological Characteristics of Video
Production and Reception Devices
217
ALESSANDRO
BORDINA
PRESERVING
AND EXHIBITING MEDIA ART
7-3 Computers and Digital
Reception
Devices:
History and
Technological Characteristics
227
TABEA
LURK AND
JÜRGEN ENGE
7.4
Obsolete Equipment: Ethics and Practices of Media Art
Conservation
235
GABY WIJERS
8
Theories, Techniques, Decision-making Models: The European Context
253
8.1
Operational Practices for a Film and Video Preservation and
Restoration Protocol
253
ALESSANDRO
BORDINA
AND
SIMONE VENTURINI
8.2
Operational Practices for a Digital Preservation and Restoration
Protocol
270
JÜRGEN ENGE
AND
TABEA
LURK
8.3
Case Study: The Conservation of Media Art at
Tate
282
AN INTERVIEW WITH PIP LAURENSON (HEAD OF TIME-BASED MEDIA
CONSERVATION AT
TATE)
BY JULIA NOORDEGRAAF
PART IV
ACCESS, REUSE, AMD EXHIBITION
Introduction
305
BARBARA
LE MAÎTRE
9
Exhibition Strategies
309
Introduction
309
BARBARA
LE MAÎTRE
AND
SENTA
SIEWERT
9.1
From Cinema to the Museum: A State of Affairs
311
9.1.1
A "Cinema Effect" in Contemporary Art
311
PHILIPPE DUBOIS
9.2
Exhibiting Images in Movement
326
9.2.1
Exhibiting/Editing: Dominique
Paini
and Programming at the
Cinémathèque française
at the Turn of the Centenary
326
STÉPHANIE-EMMANUELLE
LOUIS
9.2.2
The Expanded Archive: The MindFrames exhibition
331
CLAUDIA d'aLONZO
9.2.3
Exhibiting Film and Reinventing the Painting
335
BARBARA
LE MAÎTRE
9.3
The Image Traveling across Territories: Cinema, Video, TV,
Museum, the Web, and beyond
342
9.3.1
On Passages Between Art and Cinema
342
ARIANE NOËL DE
TILLY
TABLE OF CONTENTS
9·3·2
Across the Territories: Exhibiting Music Video
346
SENTA
SIEWERT
9.3.3
Developing, Presenting, and Documenting Unstable Media
atV2_
352
ARIE ALTENA
9.4
New
Dispositifs, New
Modes of Reception
362
9.4.1
Video Installations as Experiences in Montage
362
TERESA
FAUCON
9.4.2
From the Film to the Map: Patrick Keiller and The City of the
Future
366
TERESA CASTRO
9.4.3
Site-specific Exhibition and
Reexhibition
Strategies: Max
Neuhaus's Times Square
370
ELENA
BISERNA
8
I
9.4.4
From Archival Model to Exhibition Platform? Video Art As a Web
Resource and the imai Online Catalogue
376
RENATE BUSCHMANN
10
On Curating New Media Art
379
SARAH COOK
Epilogue
407
JULIA NOORDEGRAAF AND
ARIANE
NOËL DE
TILLY
List of contributors
415
Index
419
PRESERVING AND EXHIBITING MEDIA ART |
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| title | Preserving and exhibiting media art challenges and perspectives |
| title_auth | Preserving and exhibiting media art challenges and perspectives |
| title_exact_search | Preserving and exhibiting media art challenges and perspectives |
| title_full | Preserving and exhibiting media art challenges and perspectives [contributors: Claudia d'Alonzo ...]. Julia Noordegraaf, Cosetta G. Saba, Barbara Le Maître, and Vinzenz Hediger (eds.) |
| title_fullStr | Preserving and exhibiting media art challenges and perspectives [contributors: Claudia d'Alonzo ...]. Julia Noordegraaf, Cosetta G. Saba, Barbara Le Maître, and Vinzenz Hediger (eds.) |
| title_full_unstemmed | Preserving and exhibiting media art challenges and perspectives [contributors: Claudia d'Alonzo ...]. Julia Noordegraaf, Cosetta G. Saba, Barbara Le Maître, and Vinzenz Hediger (eds.) |
| title_short | Preserving and exhibiting media art |
| title_sort | preserving and exhibiting media art challenges and perspectives |
| title_sub | challenges and perspectives |
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