Understanding the music industries:
Gespeichert in:
| Hauptverfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Los Angeles, Calif. [u.a.]
Sage Publ.
2013
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Literaturverz. S. [216] - 226 |
| Beschreibung: | XI, 236 S. graph. Darst. 25 cm |
| ISBN: | 9781446207949 1446207943 9781446207956 1446207951 |
Internformat
MARC
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| 100 | 1 | |a Anderton, Chris |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Understanding the music industries |c Chris Anderton, Andrew Dubber, and Martin James |
| 250 | |a 1. publ. | ||
| 264 | 1 | |a Los Angeles, Calif. [u.a.] |b Sage Publ. |c 2013 | |
| 300 | |a XI, 236 S. |b graph. Darst. |c 25 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Literaturverz. S. [216] - 226 | ||
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Musikwirtschaft |0 (DE-588)4268614-3 |2 gnd |9 rswk-swf |
| 653 | |a Music trade. | ||
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| 689 | 0 | 1 | |a Geschichte |A z |
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| 700 | 1 | |a Dubber, Andrew |e Verfasser |0 (DE-588)104509143X |4 aut | |
| 700 | 1 | |a James, Martin |e Verfasser |4 aut | |
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Datensatz im Suchindex
| _version_ | 1804150091704958976 |
|---|---|
| adam_text | CONTENTS
Boxes and Figures
ix
Notes on Authors and Contributors
x
Introduction
1
Questioning Traditional Models of the Music Industry
1
Structure of the Book
2
Acknowledgments
3
1
Studying the Music Industries
4
Key Findings
4
Getting Started
4
Organizational Structure
5
Political Economy
5
Culture Industry
8
Sociology
9
Musicology
10
Metanarrative
11
Historical Analysis
12
Technological Development
14
Media Ecology
16
Digital Technologies
18
Issues
20
Conclusion
21
Further Reading
22
2
The Recorded Music Industry
23
Key Findings
23
The Structure and Size of the Recording Industry
23
A Brief History of the Recorded Music Industry
26
The Majors: Business Structures and Characteristics
30
The Independent Sector: Definitions and Types
33
The Ideology of Independence
36
Strategies for Dealing with Uncertainty and Risk
39
Conclusion
43
Further Reading
44
3
Songwriting and Publishing
45
Key Findings
45
Songwriters, Performers and Publishers
45
Contents
Motivations
47
Songwriting as Commercial
Practice
49
Songwriting
Methods and Tools
53
Music Publishing
55
Traditional Income Streams
58
New Income Streams
59
Sampling
60
Conclusion
63
Further Reading
63
4
Music Production
64
Key Findings
64
Changing Models and the Mythology of the Recording Studio
64
The Production Process
66
Tracking
68
Mixing
71
Mastering
73
Manufacturing
76
Production Careers and Roles
77
Project Studios, MIDI and Other Developments
80
Conclusion
83
Further Reading
83
5
Music Distribution
84
Key Findings
84
Introducing Music Distribution
84
Physical Distribution
86
Mass-Market Retailers
89
Independent Retailers
91
Second-hand Retailers
92
Online Music Distribution
93
Streaming Services
96
Music Media Distribution
97
Unauthorized Distribution
98
Conclusion
98
Further Reading
99
6
Music Promotion
100
Key Findings
100
Marketing, Branding and Gatekeeping
100
The Promotional Campaign
103
Music Journalism
106
Radio 111
Television
117
Point of Sale
(POS)
Marketing and In-store Music
118
Sponsorships and Endorsements
119
Contents
vii
Grassroots Marketing
120
Social Media/Mobile Media
122
Conclusion
123
Further Reading
123
7
The Live Music Industries
125
Key Findings
125
The Resurgence of Live Music
125
A Brief History of the Live Music Industry
126
Motivations for Live Concert Touring
131
Authenticity and Live Performance
134
Live Music Sponsorship
135
Roles and Responsibilities
136
Live Performance Contracts
139
Concert and Festival Ticketing
140
The Relationship between the Recorded and the Live Music Industries
143
Conclusion
145
Further Reading
145
8
Music Audiences
146
Key Findings
146
Understanding Music Audiences
146
Music on the Move: from the Walkman to the iPhone
150
Music and Social Media Consumption
152
Heritage and Nostalgia
154
Record Collecting
156
Conclusion
159
Further Reading
160
9
Copyright and Music Piracy
161
Key Findings
161
Introducing Copyright
161
Copyright Basics
163
Key Terms in UK Copyright Law
165
US Copyright Law: Key Differences
170
Collection Societies
171
Music Piracy
174
Music Industry Responses to Piracy
176
Artist Responses to Piracy
179
Conclusion
181
Further Reading
182
10
Contractual Agreements and Relationships
183
Key Findings
183
Artist Management Agreements
184
Music Publishing Agreements
189
Contents
Recording
Agreements 193
Conclusion
201
Further Reading
202
Conclusion
203
Complexity and Symbiosis
203
Be Wary of Metanarratives
203
Diversity and Reorganization
204
Where Next?
205
Glossary
207
References
216
Index
227
|
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| discipline | Wirtschaftswissenschaften |
| edition | 1. publ. |
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| indexdate | 2024-07-10T00:33:25Z |
| institution | BVB |
| isbn | 9781446207949 1446207943 9781446207956 1446207951 |
| language | English |
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| physical | XI, 236 S. graph. Darst. 25 cm |
| publishDate | 2013 |
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| publisher | Sage Publ. |
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| spelling | Anderton, Chris Verfasser aut Understanding the music industries Chris Anderton, Andrew Dubber, and Martin James 1. publ. Los Angeles, Calif. [u.a.] Sage Publ. 2013 XI, 236 S. graph. Darst. 25 cm txt rdacontent n rdamedia nc rdacarrier Literaturverz. S. [216] - 226 Geschichte gnd rswk-swf Musikwirtschaft (DE-588)4268614-3 gnd rswk-swf Music trade. (DE-588)4151278-9 Einführung gnd-content Musikwirtschaft (DE-588)4268614-3 s Geschichte z DE-604 Dubber, Andrew Verfasser (DE-588)104509143X aut James, Martin Verfasser aut Digitalisierung BSB Muenchen 4 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025742699&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Anderton, Chris Dubber, Andrew James, Martin Understanding the music industries Musikwirtschaft (DE-588)4268614-3 gnd |
| subject_GND | (DE-588)4268614-3 (DE-588)4151278-9 |
| title | Understanding the music industries |
| title_auth | Understanding the music industries |
| title_exact_search | Understanding the music industries |
| title_full | Understanding the music industries Chris Anderton, Andrew Dubber, and Martin James |
| title_fullStr | Understanding the music industries Chris Anderton, Andrew Dubber, and Martin James |
| title_full_unstemmed | Understanding the music industries Chris Anderton, Andrew Dubber, and Martin James |
| title_short | Understanding the music industries |
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| topic | Musikwirtschaft (DE-588)4268614-3 gnd |
| topic_facet | Musikwirtschaft Einführung |
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