Twentieth-century music and politics: essays in memory of Neil Edmunds
When considering the role music played in the major totalitarian regimes of the century it is music's usefulness as propaganda that leaps first to mind. But as a number of the chapters in this volume demonstrate, there is a complex relationship both between art music and politicised mass cultur...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Farnham [u.a.]
Ashgate
2013
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | When considering the role music played in the major totalitarian regimes of the century it is music's usefulness as propaganda that leaps first to mind. But as a number of the chapters in this volume demonstrate, there is a complex relationship both between art music and politicised mass culture, and between entertainment and propaganda. Nationality, self/other, power and ideology are the dominant themes of this book, whilst key topics include: music in totalitarian regimes; music as propaganda; music and national identity; émigré communities and composers; music's role in shaping identities of 'self' and 'other' and music as both resistance to and instrument of oppression. Taking the contributions together it becomes clear that shared experiences such as war, dictatorship, colonialism, exile and emigration produced different, yet clearly inter-related musical consequences. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XVIII, 292 S. Notenbeisp. |
| ISBN: | 9781409400264 |
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| 520 | |a When considering the role music played in the major totalitarian regimes of the century it is music's usefulness as propaganda that leaps first to mind. But as a number of the chapters in this volume demonstrate, there is a complex relationship both between art music and politicised mass culture, and between entertainment and propaganda. Nationality, self/other, power and ideology are the dominant themes of this book, whilst key topics include: music in totalitarian regimes; music as propaganda; music and national identity; émigré communities and composers; music's role in shaping identities of 'self' and 'other' and music as both resistance to and instrument of oppression. Taking the contributions together it becomes clear that shared experiences such as war, dictatorship, colonialism, exile and emigration produced different, yet clearly inter-related musical consequences. | ||
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Datensatz im Suchindex
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|---|---|
| adam_text | Titel: Twentieth-century music and politics
Autor: Fairclough, Pauline
Jahr: 2013
Contents
List of Figures ix
List of Musical Examples xi
Notes on Contributors xiii
Foreword (Robin Milner-Gulland) xvii
Preface and Acknowledgements xix
Introduction 1
Pauline Fairclough
1 A World of Marxist Orthodoxy ? Alan Bush s Wat Tyler in
Great Britain and the German Democratic Republic 7
Joanna Bullivant
2 Stravinsky s Petrushka: Modernizing the Past, Russianizing
the Future; or, How Stravinsky Learned to Be an Exile 23
Jonathan Cross
3 Detente to Cold War: Anglo-Soviet Musical Exchanges in the
Late Stalin Period 37
Pauline Fairclough
4 Front Theatre: Musical Films and the War in Nazi Cinema 57
Guido Heldt
5 Those damn foreigners : Xenophobia and British Musical Life
During the First Half of the Twentieth Century 81
Erik Levi
6 An angry ape : Some Preliminary Thoughts about Orango 97
Gerard McBurney
7 A Bridge between Two Worlds: The Founding Years of the
Warsaw Autumn Festival 117
Bogumila Mika
8 Winning Hearts and Minds? Soviet Music in the Cold War
Struggle against the West 135
Simo Mikkonen
9 Preserving the Facade of Normal Times: Musical Life in
Belgrade under the German Occupation (1941 -1944) 15 5
Melita Milin
10 Musical Commemorations in Post-Civil War Spain: Joaquin
Rodrigo s Concierto Heroico 177
Eva Moreda Rodriguez
11 The Racialization and Ghettoization of Music in the General
Government 191
Katarzyna Naliwajek
12 I Only Need the Good Old Budapest : Hungarian Cabaret in
Wartime London 211
Florian Scheding
13 Irish Nationalism, British Imperialism and the Role of Popular
Music 231
Derek B. Scott
14 Shostakovich as Film Music Theorist 249
Joan Titus
15 Diaspora, Music and Politics: Russian Musical Life in Shanghai
during the Interwar Period 261
Hon-Lun Yang
Select Bibliography 279
Index 287
|
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| discipline | Musikwissenschaft |
| era | Geschichte 1900-2000 Geschichte 1900-2000 gnd |
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| spelling | Twentieth-century music and politics essays in memory of Neil Edmunds ed. by Pauline Fairclough Farnham [u.a.] Ashgate 2013 XVIII, 292 S. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index When considering the role music played in the major totalitarian regimes of the century it is music's usefulness as propaganda that leaps first to mind. But as a number of the chapters in this volume demonstrate, there is a complex relationship both between art music and politicised mass culture, and between entertainment and propaganda. Nationality, self/other, power and ideology are the dominant themes of this book, whilst key topics include: music in totalitarian regimes; music as propaganda; music and national identity; émigré communities and composers; music's role in shaping identities of 'self' and 'other' and music as both resistance to and instrument of oppression. Taking the contributions together it becomes clear that shared experiences such as war, dictatorship, colonialism, exile and emigration produced different, yet clearly inter-related musical consequences. Geschichte 1900-2000 Geschichte 1900-2000 gnd rswk-swf Geschichte Musik Politik Music Political aspects History 20th century Politik (DE-588)4046514-7 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Einflussnahme (DE-588)4131701-4 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content (DE-588)4016928-5 Festschrift gnd-content Musik (DE-588)4040802-4 s Politik (DE-588)4046514-7 s Einflussnahme (DE-588)4131701-4 s Geschichte 1900-2000 z DE-604 Fairclough, Pauline 1970- (DE-588)102972007X edt Edmunds, Neil hnr Erscheint auch als Online-Ausgabe, EPUB 978-1-4094-7311-4 Erscheint auch als Online-Ausgabe, PDF 978-1-4094-5508-0 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025726534&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Twentieth-century music and politics essays in memory of Neil Edmunds Geschichte Musik Politik Music Political aspects History 20th century Politik (DE-588)4046514-7 gnd Musik (DE-588)4040802-4 gnd Einflussnahme (DE-588)4131701-4 gnd |
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| title | Twentieth-century music and politics essays in memory of Neil Edmunds |
| title_auth | Twentieth-century music and politics essays in memory of Neil Edmunds |
| title_exact_search | Twentieth-century music and politics essays in memory of Neil Edmunds |
| title_full | Twentieth-century music and politics essays in memory of Neil Edmunds ed. by Pauline Fairclough |
| title_fullStr | Twentieth-century music and politics essays in memory of Neil Edmunds ed. by Pauline Fairclough |
| title_full_unstemmed | Twentieth-century music and politics essays in memory of Neil Edmunds ed. by Pauline Fairclough |
| title_short | Twentieth-century music and politics |
| title_sort | twentieth century music and politics essays in memory of neil edmunds |
| title_sub | essays in memory of Neil Edmunds |
| topic | Geschichte Musik Politik Music Political aspects History 20th century Politik (DE-588)4046514-7 gnd Musik (DE-588)4040802-4 gnd Einflussnahme (DE-588)4131701-4 gnd |
| topic_facet | Geschichte Musik Politik Music Political aspects History 20th century Einflussnahme Aufsatzsammlung Festschrift |
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