Country music: a cultural and stylistic history
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York [u.a.]
Oxford Univ. Press
2013
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references |
| Beschreibung: | XXX, 530 S. Ill., Kt. |
| ISBN: | 0199730598 9780199730599 |
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| 245 | 1 | 0 | |a Country music |b a cultural and stylistic history |c Jocelyn R. Neal |
| 264 | 1 | |a New York [u.a.] |b Oxford Univ. Press |c 2013 | |
| 300 | |a XXX, 530 S. |b Ill., Kt. | ||
| 336 | |b txt |2 rdacontent | ||
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| 500 | |a Includes bibliographical references | ||
| 648 | 7 | |a Geschichte 1920-2013 |2 gnd |9 rswk-swf | |
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Datensatz im Suchindex
| _version_ | 1804150061442007040 |
|---|---|
| adam_text | Contents
Preface
..............................................................................................................................xiii
Introduction:
Heading into the Country
.....................................................................xix
Country as Genre
xix
Definition of Country
xxi
Is It Real? Issues of Authenticity in Country Music
xxiii
Goals and Themes
xxiv
Situating a Performer
xxvi
How to Listen
xxvi
Getting Started
xxx
Part I: The Early Years
(1920s
and
1930s)
Overview
............................................................................................................................1
Chapter l;The Birth of Country Music
............................................5
Musical Sources
5
New Technologies: Records and Radio
10
Essay (Culture): Radio Barn Dances
12
Artist Profile: Fiddlin John Carson
14
Audiences
16
The Business of Music
17
Essay (Musical Style): Hillbilly Entertainers
18
The Performers
21
Listening Guide: The Little Old Log Cabin in the Lane
22
Artist Profile:
DeFord
Bailey
26
Listening Guide: Don t Let Your Deal Go Down Blues
28
Listening Guide: Hallelujah Side
30
Essay (Identity): Women in Early Country Music
33
Chapter
2:
The Big Bang of Country Music
................................37
Role of the Producer
37
Essay (Music Business): Copyright
38
Essay (Technology): Making Records in the
1920s 41
Listening Guide: Keep on the Sunny Side
42
Artist Profile: The Carter Family and Its Legacy
44
Listening Guide: Blue Yodel
46
Artist Profile: Jimmie Rodgers
48
Listening Guide: Can the Circle Be Unbroken (Bye and Bye)
50
Contributions of Jimmie Rodgers and the Carter Family to Country Music
52
Listening Guide: Blue Yodel No.
9 56
Essay (Culture): Cover Songs
58
Essay (Identity): Race in Early Country Music
59
vi
Contents
Chapter
3:
Innovation and Change
....................................................63
Barn Dance Radio Shows, Stars, and the Brother Acts
63
Essay (Musical Style): Brother Acts
65
Essay (Music Business): Sponsorship
67
Listening Guide: The Great Speckled Bird
70
Artist Profile: Roy Acuff
72
Western Swing
74
Essay (Musical Style): Innovation in Western Swing
76
Artist Profile: Bob Wills
80
Singing Cowboy
83
Listening Guide: New San Antonio Rose
84
Essay (Musical Style): Singing Cowboys
88
Listening Guide: Back in the Saddle Again
90
OntheBrinkofWorldWarll
91
Part II: World War II and After: Nationalism and
Country Music
(1940s
and
1950s)
Overview
..........................................................................................................................93
Chapter
4:
Honky-Tonk Heyday
............................................................97
New Radio Stars
97
Essay (Music Business): Forces behind the Scenes
98
Country Music Culture in the Postwar Years
99
Essay (Technology): A New Era in Recording
100
Essay (Culture): Folk, Country, and the Novelty Song
101
Honky-Tonk Roots
103
Essay (Musical Style): Honky-Tonk
104
Essay (Musical Style): Country Boogie
105
Listening Guide: Walking the Floor over You
108
The Louisiana Hayride
109
Honky-Tonk Heyday
110
Artist Profile: Hank Williams
112
Song Comparison: In the Jailhouse Now
114
Listening Guide: Your Cheatin Heart
116
The Honky-Tonk Image
118
Honky-Tonk Angels
118
Answer Songs
119
Artist Profile: Rose Maddox
120
Listening Guide: (Pay Me) Alimony
122
Essay (Songwriting): Songwriting in Nashville
124
The Impact of Honky-Tonk
125
Chapter
5^
The Birth of Bluegrass
.....................................................127
The Origins of Bluegrass
127
Artist Profile: Bill Monroe
128
Essay (Musical Style): Bluegrass
131
Contents
vii
Listening Guide: Blue Moon of Kentucky
134
First-Generation Bands
136
Artist Profile: Earl Scruggs
137
Listening Guide: Foggy Mountain Breakdown
138
Essay (Identity): Women in Bluegrass
142
Bluegrass Meets Folk
144
From Bluegrass to Folk to Commercial Country
148
Essay (Culture): Bluegrass Festivals
149
Bluegrass as Symbol and Soundtrack
151
Listening Guide: Rocky Top
152
The Relationship between Bluegrass and Country
154
Chapter
6:
Rockabilly and Teen Romance
................................157
Setting the Stage: The Emergence of Rock
rí
Roll
157
Memphis Rockabilly and Elvis Presley
159
Essay (Culture): Teenagers and Music
159
Essay (Culture): Cajun Country
160
Essay (Musical Style): Rockabilly
163
Song Comparison: Blue Moon of Kentucky
165
Rockabilly as Part of Country Music
168
Artist Profile: Johnny Cash
170
Listening Guide: Folsom Prison Blues
172
Rockabilly Women
174
Rock
rí
Roll and Country Connections beyond Sun
175
Artist Profile: Wanda Jackson
176
Listening Guide: I Gotta Know
178
Country Teen Crooners
180
Listening Guide: Young Love
182
Coming to an End
184
Part III: The Big Business of Country Music
(1960s
and
1970s)
Overview
........................................................................................................................187
Chapter
7:
The Nashville Sound and Musical
Innovation
..............................................................................................................191
Artist Profile: Chet Atkins
192
The Stars
194
Essay (Musical Style): The Nashville Sound
195
Artist Profile: Patsy
Cline
198
Listening Guide: Faded Love
200
Listening Guide: He ll Have to Go
202
The Songs
203
Song Comparison: Take Me in Your Arms and Hold Me
204
Essay (Songwriting): A Professional Writers Town
206
Listening Guide: El Paso
208
viii Contents
Instrumentals 212
Essay
(Music
Business) :
The Country Music Association
212
The Second Wave of Nashville Sound Artists
214
Making Sense of the Nashville Sound
216
Chapter
8;
California Country and Country Rock
219
Out in Bakersfield
219
Essay (Musical Style): Bakersfield Sound
221
Artist Profile: Merle Haggard
222
Listening Guide: Mama Tried
224
Artist Profile: Buck Owens
226
Listening Guide: Excuse Me (I Think I ve Got a Heartache)
228
Essay (History): Okie from Muskogee and Country Music Politics
230
Bluegrass Meets Folk-Rock
231
Country Rock
235
Essay (Culture): The Byrds on the Opry
237
Country Rock Branches Out
239
California Country
241
Listening Guide: Will the Circle Be Unbroken
242
Chapter
9:
Traditionalists and Classic Country
...................247
Essay (Musical Style): Classic Country
249
Classic Country s Female Stars
250
Artist Profile: Dolly
Parton
251
Listening Guide: Coal Miners Daughter
252
Song Comparison: Muleskinner Blues
257
Classic Country s Male Stars
258
Essay (Identity): Gender in Classic Country
259
Artist Profile: George Jones
261
Listening Guide: He Stopped Loving Her Today
262
Listening Guide: You ve Never Been This Far Before
266
Breaking Barriers
266
Essay (Culture): The Opry Moves
269
Essay (Songwriting): Story Songs
272
Essay (Songwriting): Truckin Songs and the Open Road
274
The Duets and Ensembles
275
TV and Country Music
276
Looking Back on Classic Country
276
Part IV: Expansion: From Country to Rock and Pop
and Back Again
(1970s
and
1980s)
Overview
........................................................................................................................279
Contents ix
Chapter
10:
Outlaw Country and Southern Rock
Rebellion
.................................................................................................................283
The Emergence of Outlaw Country
284
Essay (Music Business): Behaving Like Outlaws
285
Artist Profile: Willie Nelson
288
Essay (Musical Style): Outlaw Country
291
Album Exploration: Red Headed Stranger
292
Outlaw Country Runs Its Course
293
Listening Guide: Luckenbach, Texas (Back to the Basics of Love)
294
Essay (Culture): Long-Haired Rednecks, Hippies, and Cosmic Cowboys
297
Southern Rock and the Country Audience
298
Essay (Musical Style): Southern Rock
300
Listening Guide: Sweet Home Alabama
302
Artist Profile: Charlie Daniels
306
Listening Guide: The Souths Gonna Do It
308
Chapter II; Urban Cowboys, Countrypolitan,
and the Reagan Era
........................................................................................
зп
History and Rise of Crossover Country
311
Essay (Musical Style): Countrypolitan
313
Pop Culture, the Cowboy, and the Country Boy
314
Essay (Culture): Country Music on the Silver Screen
315
Politics, Economics, and the Appeal of the Urban Cowboy
319
New Media and Breaking Down Genre Borders
320
The Stars and Songs of Urban Cowboy
321
Artist Profile: Barbara Mandrell
322
Essay (Music Business): International Country
324
Listening Guide: I Was Country (When Country Wasn t Cool)
328
Listening Guide: Love in the First Degree
332
The End of Urban Cowboy
335
Artist Profile: Emmylou Harris
336
Listening Guide: Islands in the Stream
338
Chapter
12:
Neotraditionalists and Remaking
the Past
.....................................................................................................................343
Countrypolitan Fades
343
Neotraditionalist Philosophy
345
Essay (Musical Style): Neotraditionalist Recordings
345
Early Practitioners
347
Essay (Songwriting): Cover Songs Revisited
348
Artist Profile: George Strait
350
Listening Guide: Grandpa (Tell Me Bout the Good Old Days)
354
Contents
Artist Profile: Reba McEntire 356
Listening
Guide:
How Blue
358
Neotraditionalism Takes
Root
360
Listening
Guide: All
My Ex s Live in
Texas 362
Co-opted, Conservative, and Commercial
365
Essay (Culture): Branson, Missouri, and Country Music Tourism
366
Part
¥:
Country Music in Popular Culture
(1990s
and 2000s)
Overview
........................................................................................................................371
Chapter
13:
The Commercial Country Explosion
...............375
The Class of
1989
and New Country
375
Artist Profile: Garth Brooks
378
Essay (History): Southernization and Soccer Moms
381
Essay (Musical Style): New Country and Country Pop
383
Themes in New Country
384
Listening Guide: Friends in Low Places
386
Listening Guide: Gone Country
388
Stylistic Pendulums and Country Pop
391
Essay (Culture): Line Dancing
391
Artist Profile: Shania Twain
394
Listening Guide: Any Man of Mine
398
Essay (Songwriting): Songwriting and Sophistication
402
The End of the
1990s 404
Chapter
14:
Alternative Country and Roots Revival
.........407
Defining Alternative Country
407
Alternative Country Origins
408
Alternative Country Coalesces
409
A Broader Definition: Alternative Country as Musical Space
411
Artist Profile: Ryan Adams
412
Essay (Technology): The Internet Age
414
Listening Guide: No Depression
416
Essay (Musical Style): What Alt-Country Doesn t Sound Like
419
Listening Guide: Suppose Tonight Would Be Our Last
420
Essay (Culture): Gay Line Dancing
424
Americana
425
Another Alternative: Bluegrass
425
The Impact on Mainstream Country
426
Artist Profile: Rhonda Vincent
428
Changes in Commercial Country
430
Murder on Music Row : The Turning Tide
432
Listening Guide: Man of Constant Sorrow
434
Essay (Culture): The
О
Brother Phenomenon
436
Contents
5;
Into the Present
...................................................................441
Country Music in the Spotlight
441
Essay (Culture): Dixie Chicks and Politics
442
Listening Guide: Long Time Gone
446
Listening Guide: Whiskey Lullaby
448
Return of Roots and Rednecks
451
Artist Profile: Brad Paisley
452
Listening Guide: Redneck Woman
456
Americana and Alternative?
459
Pop Culture Lays Claim to Country Music
462
Artist Profile: Carrie Underwood
464
Essay (Identity): Race in Contemporary Country
466
Essay (Technology):
МРЗѕ
Please
470
Reflecting and Projecting Meaning
471
The Main Themes in Country Music s History
473
Looking Forward
475
Appendix A: Song Form
..............................................................................................477
Appendix B: Country Instruments
............................................................................487
Appendix C: Finding the Recordings
........................................................................497
Appendix D: Glossary
..................................................................................................501
Appendix E: Timeline
...................................................................................................505
Selected Bibliography
...................................................................................................509
Index
...............................................................................................................................513
|
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| id | DE-604.BV040741060 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T00:32:56Z |
| institution | BVB |
| isbn | 0199730598 9780199730599 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-025720994 |
| oclc_num | 835294875 |
| open_access_boolean | |
| owner | DE-12 DE-11 DE-29 DE-703 |
| owner_facet | DE-12 DE-11 DE-29 DE-703 |
| physical | XXX, 530 S. Ill., Kt. |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Oxford Univ. Press |
| record_format | marc |
| spelling | Neal, Jocelyn R. 1973- Verfasser (DE-588)140329706 aut Country music a cultural and stylistic history Jocelyn R. Neal New York [u.a.] Oxford Univ. Press 2013 XXX, 530 S. Ill., Kt. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references Geschichte 1920-2013 gnd rswk-swf Countrymusic (DE-588)4138030-7 gnd rswk-swf Countrymusic (DE-588)4138030-7 s Geschichte 1920-2013 z DE-604 Digitalisierung BSB Muenchen 4 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025720994&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Neal, Jocelyn R. 1973- Country music a cultural and stylistic history Countrymusic (DE-588)4138030-7 gnd |
| subject_GND | (DE-588)4138030-7 |
| title | Country music a cultural and stylistic history |
| title_auth | Country music a cultural and stylistic history |
| title_exact_search | Country music a cultural and stylistic history |
| title_full | Country music a cultural and stylistic history Jocelyn R. Neal |
| title_fullStr | Country music a cultural and stylistic history Jocelyn R. Neal |
| title_full_unstemmed | Country music a cultural and stylistic history Jocelyn R. Neal |
| title_short | Country music |
| title_sort | country music a cultural and stylistic history |
| title_sub | a cultural and stylistic history |
| topic | Countrymusic (DE-588)4138030-7 gnd |
| topic_facet | Countrymusic |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025720994&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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