Art after philosophy: Boris Pasternak's early prose
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Columbus
Ohio State Univ. Press
2013
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XV, 348 S. |
| ISBN: | 9780814212066 9780814293089 0814212069 |
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Datensatz im Suchindex
| _version_ | 1804150052910792704 |
|---|---|
| adam_text | Contents
Abbreviations x
Acknowledgments
xii
Introduction
1
Chapter
1
The Character of Philosophical Influence in Pasternak s Early Prose
12
1.1
Safe Conduct: Farewell to music and the souls stretched wings
16
1.2
Seeing the fate of philosophy in the flesh
20
1.3
Between Leibniz and
Neo-
Kantianism: Archival data and
Boris
Pasternaks Lehrjahre 24
1.4
The
multi
-voicedness of philosophical themes searching for
literary nourishment
30
Chapter
2
Similarity and Contiguity in Pasternak s Early Poetics and
Their Philosophical Underpinnings
38
2.1
Pasternak s justification through metaphor
43
2.2
The unparalleled analytical clarity of Hume
48
2.3
Perception, contiguity, and
Immanuel
Kant s a priori of time and space
54
2.4
Beyond The
Wassermann
Test ; Contiguities and their
characterization in Roman
Jakobsons
essays and Boris Pasternak s
early prose
59
viii
I Contents
Chapter
3
Arguing with the Sun in The Mark of
Apelles
71
3.1
Poetry born in darkness: Toward an unwritten philosophical aesthetics
73
3.2
I have dug into idealism to its very foundation
87
3.3
The composition of The Mark of
Apelles
and its vertical saturation
92
Chapter
4
Letters from Tula : «Was
ist Apperzeption? 113
4.1
Was
ist Apperzeption?
Finding a fruitful approach to Letters from Tula
116
4.2
Between love and art in the world of reflections:
The adjustment of the protagonists gaze
121
4.3
Searching for synthesis:
Art, play-acting, and film actors from Moscow
135
4.4
Between to kalon and to agathon:
Cohens
Neo
-Kantianism, the fire of conscience, and
Lev Tolstoy s gift of perception
142
4.5
Tolstoy, the Tolstoyans, and the living characters of fictional space:
Autonomous transcendental consciousness versus a created living
world of perceived and perceiving selves
152
Chapter
5
Contextualizing the Intellectual Aims of
1918:
From Letters from Tula to The Childhood of
Luvers 158
5.1
The spirituality of prose:
It is important to visit a person when he is whole
161
5.2
Three groups : Three levels of reality in Ordering a Drama
173
5.3
The limitations of psychology:
Neo-Kantians in dispute with David Hume
183
5.4
Beyond the metonymous self:
Moving beyond traditional readings of the novella
193
Chapter
6
The Long Days in The Childhood of
Luvers:
Chronology of a Permeable Self
198
6.1
Transition from infancy to early childhood:
Zhenyas first awareness of the world beyond
199
Contents
6.2
Childhood:
Acquaintance with still life and the quiet plasticity of the
northern daylight
204
6.3
The boundary of spring and the outlines of the soul:
New kindredness with nature at the appointed time
209
6.4
The boundary of summer:
An infinitely expanding world approaching limits within the unlimited
220
6.5
Tablei:
Chronology of a permeable self: The Long Days of
Detstvo
Luvers 232
Chapter
7
The Stranger in The Childhood of
Luvers:
Disruptions in Chronology and the Collision with Other Worlds
233
7.1
The boundary of fall: Erased faces of others and turpentine sun
236
7.2
Metaphoric narrative and spirits meeting at the threshold:
Reading
Lermontov
s
Demon at sunset
249
7.3
What does Tsvetkov do? The world of the indefinable other
260
7.4
In the sanctuary of the sacristan Defendov
268
7.5
Three Names and the construction of the Demonic or
spirit-bearing protagonist
277
7.6
Alexander
S
criabin and the freshness of his spirit
281
7.7
Philosophical overtones of the indefinable Tsvetkov
287
7.8
Sensing transition: Temporal and spatial complexities of the conclusion
290
7.9
Table II:
Disruptions of chronology and the collision of multiple worlds in
The Stranger
295
Chapter
8
Conclusion. Pasternak s Symbolic World: Prose and Philosophy
296
8.1
Assessing Pasternak s later view of his early prose
297
8.2
Metaphor and metonymy:
Pasternak s philosophical studies and their role in his early prose
302
8.3
New symbolism: Toward the soul of the later prose
319
Bibliography
327
Index of Works by Boris Pasternak
342
General Index
345
ART AFTER PHILOSOPHY: BORIS PASTERNAK S
EARLY PROSE, by Elena Glazov-
Corrigan,
redefines an area in Slavic studies which has
s u íle
red from neglect for several decades,
namely, Pasternak s early prose narratives. In
her bold new study, Glazov-Corrigan analyzes
the conceptual networks of thought Pasternak
developed uThen he turned to literature
arter
abandoning the study ofNeo-Kantianism in
Marburg during the summer of
1912.
irbis
book
shows conclusively that Pasternak s knowledge of
philosophy is inseparable from his prose works,
even though in his early stories and novellas
(1913—1918)
philosophical ideas operate neither
as discrete textual units nor as micro -elements
or clusters of possible signification. In the early
Pasternak, philosophy becomes a narrative art, a
large scale narrative frame, a manner of seeing
rather than of constructing reality.
After Roman
Jakobsons
famous
1935
essay,
which characterised the early Pasternak as
a virtuoso ofmetonymy in contrast to the
naetaphoric Mayakovsky, no other approach
has been able to generate comparable scholarly
influence. The present study takes up the implicit
challenge of this critical impasse. Entering into
a debate with
Jakobs
ons
findings, Art after
Philosophy illuminates
Pasternaks
boldest
artistic experiments and suggests to his readers
entirely new ways of approaching not only his
early but also his later writing.
|
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| language | English |
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| spelling | Glazov-Corrigan, Elena Verfasser (DE-588)129615412 aut Art after philosophy Boris Pasternak's early prose Elena Glazov-Corrigan Columbus Ohio State Univ. Press 2013 XV, 348 S. txt rdacontent n rdamedia nc rdacarrier Pasternak, Boris Leonidovič 1890-1960 (DE-588)118591940 gnd rswk-swf aPasternak, Boris Leonidovichd1890-1960xCriticism and interpretation Pasternak, Boris Leonidovič 1890-1960 (DE-588)118591940 p DE-604 Digitalisierung UB Passau - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025714939&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Passau - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025714939&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Glazov-Corrigan, Elena Art after philosophy Boris Pasternak's early prose Pasternak, Boris Leonidovič 1890-1960 (DE-588)118591940 gnd aPasternak, Boris Leonidovichd1890-1960xCriticism and interpretation |
| subject_GND | (DE-588)118591940 |
| title | Art after philosophy Boris Pasternak's early prose |
| title_auth | Art after philosophy Boris Pasternak's early prose |
| title_exact_search | Art after philosophy Boris Pasternak's early prose |
| title_full | Art after philosophy Boris Pasternak's early prose Elena Glazov-Corrigan |
| title_fullStr | Art after philosophy Boris Pasternak's early prose Elena Glazov-Corrigan |
| title_full_unstemmed | Art after philosophy Boris Pasternak's early prose Elena Glazov-Corrigan |
| title_short | Art after philosophy |
| title_sort | art after philosophy boris pasternak s early prose |
| title_sub | Boris Pasternak's early prose |
| topic | Pasternak, Boris Leonidovič 1890-1960 (DE-588)118591940 gnd aPasternak, Boris Leonidovichd1890-1960xCriticism and interpretation |
| topic_facet | Pasternak, Boris Leonidovič 1890-1960 aPasternak, Boris Leonidovichd1890-1960xCriticism and interpretation |
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