(De)composing sound:
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Abingdon
Routledge
2011
|
| Schriftenreihe: | Contemporary music review
30.2011,5 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Einzelaufnahme eines Zeitschr.-H. |
| Beschreibung: | S. 321 - 443 Ill., Notenbeisp. |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contemporary Music Review
VOLUME
30
NUMBERS OCTOBER
2011
(Decomposing Sound
Edited by Nicolas Donin
Contents
Bayer.
S i a a t
з
b i b i i o í h e k
München
Zeitschriften Lesesaal
ai 2012
Preface:
Creative
Process and Objective Properties of
Sound
Nicolas Dänin 321
The Theories of Helmholtz in the Work of
Várese
Philippe Lalitte 327
The Emergence of Spectra
in
Gerard
Grise/s
Compositional Process: From
Derives
(1973-74)
to
les espaces acoustiques
(1974-85)
François-Xavier Féron
343
The Creative Process in
Traiettoria:
An Account of the Genesis of Marco
Stroppa s Musical Thought
Vincent Tiffon and
Noémié Sprenger-Ohana
377
Studying
Luigi
Nono s
A Pierre.
Dell azzurro silenzio,
inquietutn (1985)
as a
Performance Event
Laura Zattra, Ian Burleigh and Friedemann Sallis
411
About the Authors
441
|
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