Sea-changes: Melville - Forster - Britten ; the story of Billy Budd and its operatic adaptation
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| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Göttingen, Niedersachs
Niedersächsische Staats- und Universitätsbibliothek
2012
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| Online-Zugang: | kostenfrei Inhaltsverzeichnis |
| Beschreibung: | 594 S. Notenbeisp. |
| ISBN: | 9783863950453 |
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| 245 | 1 | 0 | |a Sea-changes |b Melville - Forster - Britten ; the story of Billy Budd and its operatic adaptation |c Hanna Rochlitz |
| 264 | 1 | |a Göttingen, Niedersachs |b Niedersächsische Staats- und Universitätsbibliothek |c 2012 | |
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Datensatz im Suchindex
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| adam_text | IMAGE 1
CONTENTS
ACKNOWLEDGEMENTS XIII
COPYRIGHT STATEMENT XV
LIST O F ABBREVIATIONS XVI
NOTE ON CITATIONS AND EDITORIAL PRACTICE XVIII
INTRODUCTION 19
PART ONE: BILLY BUDD. NOVELLA AND OPERA 29
1.1. TRANSFORMING PROSE WORKS INTO OPERA: SOME KEY CONCERNS 31
1.2. MELVILLE S BILLY BUDD. THE TEXT AND ITS READERS 39
1.2.1. TEXTUAL HISTORY AND TEXTUAL PROBLEMS 39
1.2.2. EARLY CRITICAL RECEPTION AND POST-1950 CRITICISM 41
1.2.3. E. M. FORSTER AND BENJAMIN BRITTEN IN THE TRADITION OF BRITISH
MELVILLE RECEPTION 46
1.2.4. THE EDITIONS USED BY BRITTEN AND HIS LIBRETTISTS 48
HTTP://D-NB.INFO/1030123209
IMAGE 2
VIII
CONTENTS
1.3. TO QUARRY A PLAY OUT O F [MELVILLE] : THE THREE MAIN CHARACTERS AS
RAW MATERIAL 53
1.3.1. METHODOLOGICAL REFLECTIONS AND GENERAL OBSERVATIONS 53
1.3.2. BILLY 57
1.3.3. CLAGGART 67
1.3.4. VERE 73
1.4. BILLJ BUDD TRANSPOSED AND TRANSFORMED: THE LIBRETTO 85
1.4.1. ADAPTING MELVILLE S PLOT 85
1.4.2. ORIGINAL MELVILLE MATERIAL IN THE LIBRETTO 91
1.4.3. BILLY 92
1.4.4. CLAGGART 100
1.4.5. VERE 105
1.4.6. FURTHER OBSERVATIONS AND CONCLUSION 117
1.5. MUSICAL STRUCTURES: YET ANOTHER INSIDE NARRATIVE 121
1.5.1. LEITMOTIFS, NARRATIVE VOICE, AND NARRATIVE PERSPECTIVE 121
1.5.2. A FAMILY O F MOTIVIC SHAPES : THE MUTINY CLUSTER 123
1.5.3. MUSICAL PRESENCES O F THE MAIN CHARACTERS: A BRIEF OVERVIEW 128
1.5.3.1. BILLY 128
1.5.3.2. CLAGGART 129
1.5.3.3. VERE . 1 131
1.5.4. TONAL SYMBOLISM, THE CLOSETED INTERVIEW, AND SALVATION 134
1.6. PART ONE: SUMMARY AND OUDOOK 141
PART TWO: E. M. FORSTER AND THE STORY O F BILLY BUDD 145
II. 1. FORSTER READS MELVILLE: THE FIRST ENCOUNTER 147
II. 1.1. FORSTER S 1927 BILLY BUDD. GOOD VERSUS EVIL, A DRAMA FOR TWO
ACTORS 147 II. 1.2. OTHER CLAIMANTS TO SATANIC INTIMACY : FORSTER S
QUEER DECODINGS 149 II.1.3. SATANIC INTIMACY ? CHALLENGING THE
CONNECTION BETWEEN HOMOSEXUALITY AND EVIL 159
II.2. FORSTERIAN THEMES AND NARRATIVE PATTERNS 163
11.2.1. ONLY ONE NOVEL TO WRITE : RECURRING THEMES AND CHARACTER TYPES
163 11.2.2. THE DARK /TIGHT CHARACTER PAIRING IN FORSTER S FICTION 167
II.2.2.1. TYPOLOGY 167
IMAGE 3
CONTENTS IX
11.2.2.2. SAVING THE ENGLISH CHARACTER : DARK REDEEMED BY LIGHT 169
11.2.2.3. IT TAKES TWO TO MAKE A HERO ? THE LIGHT SAVIOUR CHARACTER
AS OTHER 171
11.2.2.4. BRING ME A BATH : THE HOMOPHOBIC LIGHT CHARACTER 173
11.2.2.5. ETERNAL PURSUIT: SEXUALITY, VIOLENCE AND DEATH IN FORSTER S
FICTION 174
11.2.3. THE FORSTERIAN SALVATION NARRATIVE 178
11.2.3.1. FROM CONFUSION TO SALVATION : TRAVELLING LIGHT 178
11.2.3.2. THE SALVATION THAT WAS LATENT IN HIS OWN SOUL : CONNECTION
WITH THE OTHER AS A MEANS TO CONNECTION WITH THE SELF. 181
11.2.3.3. SEIZING THE SYMBOLIC MOMENT: HUMAN FAILURE, ODIOUS
BEHAVIOUR, AND THE POSSIBILITY O F REDEMPTION 182 11.2.3.4. A LAND
WHERE SHE LL ANCHOR FOREVER : DEATH, LOVE AND THE SALUTARY PROPHETIC
VISION 185
11.2.3.5. BUT HE HAS SAVED ME : THE STRAINS AND TENSIONS O F ENFORCED
SALVATION 188
11.2.3.6. FORSTER S NUNC DIMITTIS - HIS FINAL WORD ON SALVATION? 190
11.2.4. AN AFFINITY O F LITERARY IMAGINATION: SOME ASPECTS O F FORSTER S
AND MELVILLE S NARRATIVE STRATEGIES 191
11.2.4.1. FORSTER S INSIDE NARRATIVES 191
11.2.4.2. FORSTER AND MELVILLE HINT AT MYSTERY: SCRIPTURAL
REMINISCENCE , UNSYMPATHETIC OUTSIDERS, AND NARRATORIAL ELOQUENCE 194
II.3. FORSTER S LITTLE PHRASES : PAN-FORSTERIAN TEXTUAL LEITMOTIFS 199
11.3.1. INTRODUCTION 199
11.3.2. MUDDLE 200
11.3.3. MIST 201
11.3.4. OH, WHAT HAVE I DONE? 205
11.3.5. I D DIE FOR YOU 207
11.3.6. INTIMATOPIA: HELPING , LOOKING AFTER , TRUSTING , AND
FEELING SAFE 209 11.3.7. COME 212
11.3.8. LIGHTS IN THE DARKNESS AND FAR-SHINING SAILS 217
11.3.9. I M DONE FOR AND FATE 229
11.3.10. ONLY A BOY : PATERNALISM AND THE PITFALLS O F DESIRE 232
11.3.10.1. FORSTERIAN BOYS 232
11.3.10.2. THE PHYSICAL VIOLENCE O F THE YOUNG : THE AGGRESSIVE BOY
AS OBJECT O F EROTIC LONGING 234
IMAGE 4
X
CONTENTS
11.3.10.3. DESPOTIC FATHERS, OBEDIENT SONS, AND SALUTARY BREAKING :
BILLY BUDD AND HOWARDS E N D 239
11.3.10.4. THE PARALLEL CASE O F ARTHUR SNATCHFOLD 247
11.3.10.5. MAN/BOY: NARRATIVE TRAJECTORIES IN BILLY BUDD 248
11.3.10.6. YOU [...] SPOKE SO FATHERLY TO ME : PATERNAL BLANDISHMENTS
AND BOYS BETRAYALS 252
11.4. TEXTUAL RELATIONSHIPS: FOUR CASE STUDIES ;..257
11.4.1. RALPH AND TONY (1903) 257
11.4.2. THE LONGEST JOURNEY (1907) 269
11.4.2.1. INTRODUCTION AND SYNOPSIS 269
11.4.2.2. TIGHT CHARACTERS 271
11.4.2.2.1. STEPHEN WONHAM: A PAGAN DEITY IN EDWARDIAN GUISE 271
11.4.2.2.2. THE PETTY ATHLETE: GERALD DAWES AS HOMOPHOBIC LIGHT
CHARACTER 284
11.4.2.3. T)ARK CHARACTERS 289
11.4.2.3.1. TOO WEAK : RICKIE ELLIOT, A PROTAGONIST WHO FAILS 289
11.4.2.3.2. DESPERATE VILLAINS: JOHN CLAGGART AND AGNES ELLIOT, NEE
PEMBROKE 297
11.4.3. HE WOULD NOT SAVE HIS SAVIOUR : ARTHUR SNATCHFOLD (1928) 303
11.4.4. THE OTHER BOAT (1957/58) 314
11.5. CHARACTER RELATIONSHIPS: PROTAGONIST, VILLAIN, SAVIOUR 325
11.5.1. A MAN WHO DESPITE HIS EDUCATION, UNDERSTANDS : FORSTERIAN
READINGS O F CAPTAIN VERE 325
11.5.1.1. REPRESENTATION AND TRANSFORMATION: THE VERE O F THE 1947 BBC
BOOK TALK 325
11.5.1.2. READING MATTER(S): E. M. FORSTER AND E. F. VERE 334
11.5.1.3. NATURES CONSTITUTED LIKE CAPTAIN VERE S AMONG THE FORSTERIAN
DARK CHARACTERS 344
11.5.1.4. WAS HE UNHINGED? : MELVILLE, FORSTER AND THE VOICE O F
SCIENCE 354
11.5.1.5. I WHO AM KING O F THIS FRAGMENT O F EARTH : THE PROBLEM O F
AUTHORITY 362
11.5.2. SYMPATHY FOR THE DEVIL: THE FORSTERIAN DARK CHARACTER AS
VILLAIN, VICTIM AND LOVER O F VIOLENCE 367
II.5.2.1. GOATS OR SHEEP? HOMOSEXUAL PANIC, REPRESSION, HOMOEROTIC
LONGING AND SALVATION 367
IMAGE 5
CONTENTS XI
11.5.2.2. IDEAL BACHELORS AND A CERTAIN DEVIL KNOWN AS ASCETICISM: THE
DARK SIDE O F RESPECTABILITY 370
11.5.2.3. ON THE SURFACE THEY WERE AT WAR : THE EROTICS O F ANTAGONISM
386 II.5.3. BILLY BUDD: A MAN IN THE PRECISE MEANING O F THE WORD 392
11.5.3.1. ALLOYED BY H. M. S SUPPRESSED HOMOSEX: : FORSTER S EARLIEST
ENCOUNTER WITH BILLY BUDD 392
11.5.3.2. BELTED BILLY AS THE DESIRABLE FORSTERIAN LIGHT CHARACTER
395 11.5.3.3. THE LIGHT [...] THAT IRRITATES AND EXPLODES -AND INSPIRES
DESIRE 397
11.5.3.4. HE S A-STAMMER : (MISREPRESENTATION, INARTICULACY AND
VIOLENCE 401
11.5.3.5. BEAUTIFUL MALES, ICONS O F DESIRE: BILLY BUDD AND OTHER
FORSTERIAN LIGHT CHARACTERS 403
11.5.3.6. T O MAKE BILLY, RATHER THAN VERE, THE HERO : AN EXERCISE IN
COMMUNICATIVE AMBIGUITY 408
11.5.3.7. THE STRENGTH O F ANTIGONE : ACCEPTANCE, FORTITUDE AND
FORGIVENESS 415
II.6. MUTINY AND HOMOSEXUALITY IN BILLY BUDD. QUEER READING(S) 419
11.6.1. INTRODUCTORY: NAVAL REPORT U. S. A. 419
11.6.2. AUGHT AMISS : DISCOURSES ABOUT MUTINY AND HOMOSEXUALITY IN
MELVILLE S NOVELLA 421
11.6.3. DEATH IS THE PENALTY : MUTINY AND HOMOSEXUALITY IN NAVAL LAW
AND IMPERIALIST IDEOLOGY 422
11.6.4. SUBVERTING CIVILISATION AS WE HAVE MADE IT : FORSTER AND QUEER
DESIRE 424 11.6.5. I LL NOT DISCUSS : THE UNSPEAKABLE IN FORSTER S WORK
427
11.6.6. NEVER COULD I DO THOSE FOUL THINGS : NEGOTIATING THE BORDERS
BETWEEN HOMOEROTIC LONGING AND HOMOPHOBIA (I) 433
11.6.7. WE ARE BOTH IN SORE TROUBLE, HIM AND ME : NEGOTIATING THE
BORDERS BETWEEN HOMOEROTIC LONGING AND HOMOPHOBIA (II) 438
11.6.8. THE MUTINY MOTIF: NEGOTIATING THE BORDERS BETWEEN HOMOEROTIC
LONGING AND HOMOPHOBIA (III) 441
PART THREE: GENESIS O F AN OPERA: THE SOURCES TALE 451
III.L. LET S MAKE AN OPERA (I): THE GENESIS O F BILLY BUDD 453
III.L.L. INTRODUCTION 453
III. 1.2. OUR MOST MUSICAL NOVELIST : FORSTER S OPERATIC AFFINITIES 454
III.L.3. SETTING TO WORK 462
III. 1.4. A POSITIVE CHALLENGE : ALL-MALE OPERA AND RELATIONS BETWEEN
MEN 464
IMAGE 6
XII
CONTENTS
III.1.5. WE DID STEEP OURSELVES IN THIS STORY : RESEARCHING THE
HISTORICAL BACKGROUND 470
III. 1.6. FROM DRAFT TO OPERA STAGE: A BRIEF TIMELINE 474
111.2. LET S MAKE AN OPERA (II): EVOLUTION O F THE LIBRETTO 481
111.2.1. HOW ODIOUSLY VERE COMES OUT IN THE TRIAL SCENE : READINGS,
RESPONSES, RE-IMAGININGS 481
111.2.2. THE SOURCE MATERIAL: OVERVIEW AND GENERAL OBSERVATIONS 486
111.2.3. I AM AN OLD MAN : THE METAMORPHOSES O F CAPTAIN VERE 494
111.2.3.1. VERE [...] HAD BETTER LIVE ON : CHANGED FUNCTIONS O F A
CHANGED FIGURE 494
111.2.3.2. REALLY THE WORST O F OUR PROBLEMS : REWRITING THE TRIAL
SCENE 499
111.2.3.3. FROM HUBRIS TO THE STRAITS O F HELL : VERE S SHORTER ACT II
MONOLOGUES 511
111.2.3.4. LOST ON THE INFINITE SEA : FROM CONFUSION TO TRANSCENDENT
VISION 515
111.2.4. THIS IS THE TRAP CONCEALED IN THE DAISIES : THE EVOLUTION O F
THE BILLY /VERE RELATIONSHIP 523
111.2.5. A SANITISED BILLY BUCK? ? CONCERNING THE FLOGGING O F THE
NOVICE 528 111.2.6. WELL TAKE NO QUARTER : THE CAPTAIN S MUSTER AND THE
1960 REVISIONS 533 111.2.7. EDITING TENDENCIES: FROM HISTORICAL REALISM
TOWARDS THE UNIVERSAL 538
111.3. CODA: THE CLAGGART MONOLOGUE: RESISTING AND REWRITING 543
III. 3.1. IT IS MY MOST IMPORTANT PIECE O F WRITING : FORSTER S BIG
MONOLOGUE FOR CLAGGART 543
111.3.2. NOT SOGGY DEPRESSION OR GROWLING REMORSE : COMPOSER AND
LIBRETTIST AT ODDS OVER THE OPERA S VILLAIN 546
111.3.3. I SEEMED TURNING FROM ONE MUSICAL DISCOMFORT TO ANOTHER :
CLAGGART S ARIA, FIRST VERSION 549
111.3.4. HAUNTING FOURTHS: BRITTEN, FORSTER AND THE MUSICAL CONVERGENCE
O F CLAGGART AND VERE 553
CONCLUSION AND OUDOOK 557
APPENDIX A: MUSICAL EXAMPLES 565
APPENDIX B: E. M. FORSTER AND BILLY BUDD TIMELINE 569
WORKS CITED 575
INDEX 591
|
| any_adam_object | 1 |
| author | Rochlitz, Hanna |
| author_GND | (DE-588)1030331952 |
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| author_sort | Rochlitz, Hanna |
| author_variant | h r hr |
| building | Verbundindex |
| bvnumber | BV040721632 |
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| collection | ebook |
| ctrlnum | (OCoLC)828791662 (DE-599)DNB1030123209 |
| dewey-full | 782.10268 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.10268 |
| dewey-search | 782.10268 |
| dewey-sort | 3782.10268 |
| dewey-tens | 780 - Music |
| discipline | Anglistik / Amerikanistik Musikwissenschaft |
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| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| id | DE-604.BV040721632 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T00:32:28Z |
| institution | BVB |
| isbn | 9783863950453 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-025701836 |
| oclc_num | 828791662 |
| open_access_boolean | 1 |
| owner | DE-355 DE-BY-UBR DE-29 DE-384 |
| owner_facet | DE-355 DE-BY-UBR DE-29 DE-384 |
| physical | 594 S. Notenbeisp. |
| psigel | ebook |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | Niedersächsische Staats- und Universitätsbibliothek |
| record_format | marc |
| spelling | Rochlitz, Hanna Verfasser (DE-588)1030331952 aut Sea-changes Melville - Forster - Britten ; the story of Billy Budd and its operatic adaptation Hanna Rochlitz Göttingen, Niedersachs Niedersächsische Staats- und Universitätsbibliothek 2012 594 S. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Zugl.: Kassel, Univ., Diss., 2011 Melville, Herman 1819-1891 Billy Budd (DE-588)4230147-6 gnd rswk-swf Britten, Benjamin 1913-1976 Billy Budd (DE-588)300777612 gnd rswk-swf Forster, E. M. 1879-1970 (DE-588)118534408 gnd rswk-swf Britten, Benjamin 1913-1976 (DE-588)118515527 gnd rswk-swf Libretto (DE-588)4035588-3 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Entstehung (DE-588)4156614-2 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Melville, Herman 1819-1891 Billy Budd (DE-588)4230147-6 u Rezeption (DE-588)4049716-1 s Forster, E. M. 1879-1970 (DE-588)118534408 p Britten, Benjamin 1913-1976 Billy Budd (DE-588)300777612 u Libretto (DE-588)4035588-3 s DE-604 Britten, Benjamin 1913-1976 (DE-588)118515527 p 1\p DE-604 Entstehung (DE-588)4156614-2 s 2\p DE-604 http://webdoc.sub.gwdg.de/univerlag/2012/Rochlitz.pdf Verlag kostenfrei Volltext DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025701836&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Rochlitz, Hanna Sea-changes Melville - Forster - Britten ; the story of Billy Budd and its operatic adaptation Melville, Herman 1819-1891 Billy Budd (DE-588)4230147-6 gnd Britten, Benjamin 1913-1976 Billy Budd (DE-588)300777612 gnd Forster, E. M. 1879-1970 (DE-588)118534408 gnd Britten, Benjamin 1913-1976 (DE-588)118515527 gnd Libretto (DE-588)4035588-3 gnd Rezeption (DE-588)4049716-1 gnd Entstehung (DE-588)4156614-2 gnd |
| subject_GND | (DE-588)4230147-6 (DE-588)300777612 (DE-588)118534408 (DE-588)118515527 (DE-588)4035588-3 (DE-588)4049716-1 (DE-588)4156614-2 (DE-588)4113937-9 |
| title | Sea-changes Melville - Forster - Britten ; the story of Billy Budd and its operatic adaptation |
| title_auth | Sea-changes Melville - Forster - Britten ; the story of Billy Budd and its operatic adaptation |
| title_exact_search | Sea-changes Melville - Forster - Britten ; the story of Billy Budd and its operatic adaptation |
| title_full | Sea-changes Melville - Forster - Britten ; the story of Billy Budd and its operatic adaptation Hanna Rochlitz |
| title_fullStr | Sea-changes Melville - Forster - Britten ; the story of Billy Budd and its operatic adaptation Hanna Rochlitz |
| title_full_unstemmed | Sea-changes Melville - Forster - Britten ; the story of Billy Budd and its operatic adaptation Hanna Rochlitz |
| title_short | Sea-changes |
| title_sort | sea changes melville forster britten the story of billy budd and its operatic adaptation |
| title_sub | Melville - Forster - Britten ; the story of Billy Budd and its operatic adaptation |
| topic | Melville, Herman 1819-1891 Billy Budd (DE-588)4230147-6 gnd Britten, Benjamin 1913-1976 Billy Budd (DE-588)300777612 gnd Forster, E. M. 1879-1970 (DE-588)118534408 gnd Britten, Benjamin 1913-1976 (DE-588)118515527 gnd Libretto (DE-588)4035588-3 gnd Rezeption (DE-588)4049716-1 gnd Entstehung (DE-588)4156614-2 gnd |
| topic_facet | Melville, Herman 1819-1891 Billy Budd Britten, Benjamin 1913-1976 Billy Budd Forster, E. M. 1879-1970 Britten, Benjamin 1913-1976 Libretto Rezeption Entstehung Hochschulschrift |
| url | http://webdoc.sub.gwdg.de/univerlag/2012/Rochlitz.pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025701836&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT rochlitzhanna seachangesmelvilleforsterbrittenthestoryofbillybuddanditsoperaticadaptation |