Sonata h-moll Franciszka Liszta - od opracowania do interpretacji:
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| Format: | Book |
| Language: | Polish |
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Poznań
Akademia Muzyczna im. I.J. Paderewskiego
2011
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| Online Access: | Inhaltsverzeichnis Abstract Literaturverzeichnis Register // Personenregister Inhaltsverzeichnis Abstract Literaturverzeichnis Register // Personenregister |
| Item Description: | Bibliografie Seite 143-145. Index |
| Physical Description: | 147, [1] Seiten Notenbeispiele 20 cm |
| ISBN: | 9788388392528 8388392522 |
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| adam_text | SPIS TREŚCI Wstęp 7 I WOKÓŁ SONATY H-MOLL FRANCISZKA LISZTA 1.1. Sonata h-moll w twórczości Franciszka Liszta 1.2. Burzliwe dzieje Sonaty h-moll 1.3. Forma utworu 1.4. Odniesienia programowe 12 12 15 18 25 II OPRACOWANIE SONATY H-MOLL FRANCISZKA LISZTA 2.1. Rękopis 2.2. Pierwsze wydania 2.3. Różnice tekstowe 2.3.1. Analiza porównawcza 2.3.2. Podsumowanie 2.4. Pedalizacja 2.5. Brzmienie instrumentu i jego barwa 2.6. Miejsca w manuskrypcie zaklejone przez Liszta 33 33 35 37 38 46 48 48 52 III ZAGADNIENIA INTERPRETACYJNE SONATY H-MOLL FRANCISZKA LISZTA 3.1. Sposoby rozwiązywania problemów technicznych jako podstawowy etap przygotowania pracy nad utworem - metoda F. Liszta 3.2. Komentarz wykonawczy 3.2.1. Wstęp 3.2.2. Komentarz właściwy 3.3. Autorskie opracowanie edytorskie Sonaty h-moll Franciszka Liszta - materiał nutowy 57 57 76 76 77 106 Zakończenie 139 Summary Bibliografia Indeks nazwisk 141 143 146
SUMMARY Sonata in В Minor by Franz Liszt is a unique phenomenon in the histoiy of piano music. It belongs to the most popular, demanding and difficult masterpieces of all piano literature. Since it was written in 1853, Sonata has been published by various publishing houses, including Breitkopf Härtel and C.F. Peters. The analysis and com parison of those editions has shown that there is no edition that would meet the requirements of contemporary piano performance practices. Therefore, in order to find a perfect solution to the afore mentioned problem, this paper aims to arrange and publish a new edition of Sonata in В Minor, and provide an interpretation made from the perspective of the author’s arrangement of the masterpiece. The dissertation is composed of three chapters. The first chapter is titled SONATA IN В MINOR BY FRANZ LISZT and consists of four sections which discuss the origins and the form of the sonata. The first section, SONATA IN В MINOR IN THE CONTEXT OF PIANO WORKS BY FRANZ LISZT, introduces basic aspects connected with the meaning and role of the sonata in piano literature. The second section, TURBULENT HISTORY OF THE SONATA IN В MINOR, de picts the controversial reception of the sonata in the second half of the nineteenth century, including both positive and negative opin ions of such composers and critics as Johannes Brahms, Richard Wagner, Clara Schumann and Edward Hanslick. The third section, FORM OF THE PIECE, explores various possibilities of formal con struction of the sonata. Although the work does not consist of sepa rate movements, many
scholars attempt to divide it into inner parts that reflect either sonata form or sonata cycle. The fourth section concentrates on the interpretation of the sonata with special empha sis on the four most popular interpretations: as a musical portrayal of the legend of Dr. Faustus, musical autobiography of Liszt, eternal battle between God and Devil, and an allegory of Eden that refers to Milton’s Paradise Lost. 141
The second chapter under the title of THE AUTHOR’S AR RANGEMENT OF SONATA IN В MINOR BY FRANZ LISZT contains five sections. The first section titled THE MANUSCRIPT describes in detail the manuscript of the sonata, including its appearance and physical properties. Section two, FIRST EDITIONS, discusses first arrangements and editions of the piece, among others by Jose Vianna da Motta, Rafael Joseffy, Emil von Sauer, and Ernst Herttrich, whereas the third section, TEXTUAL DIFFERENCES BETWEEN THE MANUSCRIPT AND FIRST EDITIONS, explores textual discrepancies between the manuscript and the aforementioned editions. The fourth section, PEDALIZATION, emphasizes the issues of pedalization and fingering as well as such components of music as melodics, tempo, timbre and harmony. Section five, FRAGMENTS OF THE MANUSCRIPT COVERED BY LISZT, reveals several alternative solu tions that were finally removed by Liszt and replaced with fragments that appeared later in the urtext and other editions. Depiction of the unknown bars that were taken directly from the manuscript may help pianists understand the intention of the composer. The third chapter fitted INTERPRETATION OF THE SONATA IN В MI NOR BY FRANZ LISZT constitutes the main core of this paper. Sec tion one, METHODS OF SOLVING TECHNICAL AND MUSICAL PROBLEMS AS A BASIC STAGE OF WORK ON THE MUSICAL PIECE deals with the main aspects of Liszt’s methodology and bas ing on the example of Liszt’s Technische Studien introduces basic notions of working on the technique that helps to attain pianistic virtuosity. The second section,
PERFORMANCE COMMENTARY, includes detailed guidelines connected with practicing and playing Liszt’s Sonata in В Minor. Section three is the author’s own arrange ment of the sonata which not only provides detailed pedalization and fingering but also gives technical and musical commentaries and suggests alternative solutions often rooted in Liszt’s methodology. Both the theoretical part of the paper and the author’s own ar rangement and edition of the Sonata in В Minor by Franz Liszt aim to bring forward many aspects of piano playing in the context of Liszt’s methodology. Hopefully, it will prove to be of help to every pianist who understands and plays on the highest level of the greatest mas terpieces in piano literature? - Sonata in В Minor by Franz Liszt.
BIBLIOGRAFIA Boissier A., Liszt Pedagogue, Associated Music Publishers, Inc., New York 1973. Chomiński J. M., Główne problemy techniki dźwiękowej Liszta, „Muzyka” 1961 nr 4. Chomiński J., Wilkowska-Chomińska K., Formy muzyczne, t. I i II, PWM, Kraków 1983. Dahlhaus C., Idea muzyki absolutnej i inne studia, tłum. A. Buch ner, PWM, Kraków 1988. Dubai D., Evenings with Horowitz, Amadeus Press, Cambridge 2004. Einstein A., Muzyka w epoce romantyzmu, tłum. M. i S. Jarociń scy, PWM, Kraków 2009. Franz Liszt’s Briefe, է. II, red. La Mara (Marie Lipsius), Breitkopf Härtel, Leipzig 1893. Franz Liszt’s Briefe, է. VI, red. La Mara (Marie Lipsius), Breitkopf äs Härtel, Leipzig 1902. Gal G. S., W blasku sławy. Powieść o Liszcie, PWM, Kraków 1985. Goldchild N. J., Liszt’s Technical Studies: A Methodology for the Attainment of Pianistic Virtuosity, University of New South Wales 2011. Golianek R. D., Muzyka programowa XIX wieku, Wydawnictwo Na ukowe UAM, Poznań 1988. Góllerich A., Franz Liszt, Marquardt Co., Berlin 1908. Hamilton K., Sonata in В Minor, Cambridge University Press, New York 1996. Kański J., Problem formy w Sonacie h-moll F. Liszta, „Studia Mu zykologiczne” t. IV, red. J. Chomiński, Kraków 1956. Kosz S., Sonata h-moll Ferenca Liszta - „Retoryczna fantazja”, [w:] Muzyka fortepianowa X. Prace specjalne 53, Akademia Muzyczna im. S. Moniuszki, Gdańsk 1995. Lachmund C., Living with Liszt: from the diary of Carl Lachmund an American pupil of Liszt, 1882-1884, red. A. Walker, Pendragon Press 1998. 143
Liszt Technical Exercises for the Piano, red. J. Esteban, Alfred Pu blishing Co., Inc., New York 1971. Liszt F., Technische Studien für Klavier, է. II, red. I. Mező, Editio Musica, Budapest 1983. Longyear R. M., Liszt’s B Minor sonata precedents for a structural analisis, „The Music Review”, Cambridge 1973. Longyear R. M., The text of Liszt’s В Minor sonata, „The Musical Quarterly, New York 1974. Morawski J., Faktura fortepianowa Liszta, „Muzyka” 1962 որ 1. Newman W., The Sonata Since Beethoven, The University of North Carolina Press 1969. Nowik W., Refleksy form sonatowych w liryce fortepianowej Fran ciszka Liszta, [w:] Muzyka fortepianowa XIII, Prace specjalne 63, Akademia Muzyczna im. S. Moniuszki, Gdańsk 2004. Pietrukaniec L, Franciszka Liszta dwie legendy: „Św. Franciszek z Asyżu - Kazanie do ptaków; Św. Franciszek à Paulo kroczący po falach” - jako dwa odmienne problemy interpretacyjno-pianistyczne, [w:] Muzyka fortepianowa XIII, Prace specjalne 63, Akademia Mu zyczna im. S. Moniuszki, Gdańsk 2004. Podhajski M., Cechy formy sonatowej, [w:] Muzyka fortepianowa П, Prace specjalne 12, Akademia Muzyczna im. S. Moniuszki, Gdańsk 1977. Polony L., hasło: Liszt, [w:] Encyklopedia Muzyczna PWM, к l ł, red. E. Dziębowska, PWM, Kraków 1997. Poniatowska I., Historia i interpretacja muzyki, Musica Iagellonica, Kraków 1993. Poniatowska I., Muzyka fortepianowa i pianistyka w wieku XIX, Oficyna wydawnicza „Rewasz”, Warszawa 1991. Reiss J., Formy muzyczne, Breitkopf Härtel, Lipsk 1917. Reiss J., Problem trešā w muzyce, Gebethner i Wolff, Kraków 1922. Schonberg H. C., The Great
Pianists, Simon and Schuster, New York 1963. Searle H., hasło: Liszt, [w:] The new Grove dictionary of music and musicians, t. XI, red. S. Sadie, Macmillan Publishers Limited, Lon don 1980. Stolarzewicz M., Hector Berlioz jako krytyk muzyczny. Kilka uwag na podstawie felietonu „Alceste Eurypidesa. Teksty Quinault i Calzabigiego. Partytury Lully’ego, Glucka, Gugliemiego i Handia oparte na tym temacie”, [w:] „Muzykalia” 2008 nr 1, red. M. Bristiger, E. Schreiber; 144
http://www.demusica.pl/pdf/stolarzewicz_zeszyt francuski.pdf, od czyt: 10 X 2009. Szenic S., Franciszek Liszt, PIW, Warszawa 1975. Walker A., Liszt, v. 2.: The Weimar years, 1848-1861, Cornell Uni versity Press 1989. Walker A., Reflections on Liszt, Cornell University Press 2005.
INDEKS NAZWISK Bach Johann Sebastian 47 Beethoven Ludwig, van 12, 14, 15, 17, 18, 19, 22, 23, 24, 25 Berlioz Hector 17, 18, 26 Boissier Augusta 11,57,60,62,71,75 Boissier Valeria 60 Bradinis Johannes 16, 142 Buchner Antoni 25 Buckner Ernst 22 Bülow Hans, von 17, 18 Buonarroti Michelangelo (Michał Anioł) 13 Busoni Feruccio 14, 89 Casanova Marchese della Valle, di 33, 36 Chomiński Józef 18, 19,22 Chopin Fryderyk 8, 9, 13 Clementi Muzio 58 Cornelius Peter 23 Cortot Alfred 26, 33, 36, 48, 79, 84, 86, 89, 93, 95 Cramer Johann Baptist 58 Czerny Carl 8, 58, 75 Czemy-Stefańska Halina 8 Dante Alighieri 13, 14 Dohnanyi Ernő 23 Donington Robert 85 Dubad David 8 Dziębowska Elżbieta 13 Einstein Alfred 14, 15, 16,25 Engel Gustav 17 Esteban Julio 58,59,61 Gal György Sándor 18, 19, 25 Goethe Johann Wolfgang 26, 29 Golianek Ryszard Daniel 30 146
Göllerich August 15, 16, 18 Goodchild Neil J. 60 Gottschalg Alexander Wilhelm 59 Hamilton Kenneth 11, 22, 23, 24, 30, 78, 83, 86, 94, 97, 104 Hanslick Edward 18, 142 Herttrich Ernst 9, 35, 37, 47, 92, 143 Herz Henri 58 Horowitz Vladimir 8 Hugo Wiktor 14 Janis Byron 8 Jarocińska Michalina 14 Jarociński Stefan 14 Joseffy Rafael 9, 10, 35, 36, 37, 38, 46, 47, 48, 143 Kański Józef 22 Kehrer Rudolf 7 Klindworth Karl 17 Kohler Louis 17 La Mara (Marie Lipsius) 58, 59 Lachmund Carl 60, 61, 76 Lehman Robert Owen 33, 35, 37 Longyear R. M. 36, 37 Mező Imre 59 Michał Anioł zob. Buonarroti Michelangelo Mierżanow Wiktor 7 Milton John 30, 142 Moscheles Ignacy 58 Motta José Vianna, da 9, 10, 34, 35, 36, 37, 38, 43, 46, 47, 52, 143 Neuhaus Heinrich 50 Newman William 12, 14, 17, 22, 23, 24, 25 Olga Janina zob. Piasecka Olga Paganini Niccolò 13, 15 Petrarka Francesco 13 Petri Egon 7 Piasecka Olga (Olga Janina) 59 Pietrukaniec Izabela 29 Polony Leszek 13 Poniatowska Irena 12 147
Rafael Santi 13 Ramann Lina 46 Reiss Józef 23 Richter Światosław 50 Sadie Stanley 14 Saint-Saëns Camille 19 Sauer Emil, von 9, 10, 35, 37, 38, 46, 47, 87, 143 Sayn-Wittgenstein Karolina, von 12, 58 Schonberg Harold C. 7, 37 Schuberth Julius 59 Schumann Шага 16, 142 Schumann Robert 15, 16, 36, 107 Searle Humphrey 14, 22, 24 Stefański Ludwik 7 Szenic Stanisław 15 Theopold Hans Martin 9, 37 Wagner Ryszard 17, 142 Walker Allan 7, 11, 12, 14, 16, 26, 61 Weber Jan 8 Wilkowska Krystyna 18,19 Wójcik Leszek 9 Bayerische Staatsbibliothek München V /
SPIS TREŚCI Wstęp 7 I WOKÓŁ SONATY H-MOLL FRANCISZKA LISZTA 1.1. Sonata h-moll w twórczości Franciszka Liszta 1.2. Burzliwe dzieje Sonaty h-moll 1.3. Forma utworu 1.4. Odniesienia programowe 12 12 15 18 25 II OPRACOWANIE SONATY H-MOLL FRANCISZKA LISZTA 2.1. Rękopis 2.2. Pierwsze wydania 2.3. Różnice tekstowe 2.3.1. Analiza porównawcza 2.3.2. Podsumowanie 2.4. Pedalizacja 2.5. Brzmienie instrumentu i jego barwa 2.6. Miejsca w manuskrypcie zaklejone przez Liszta 33 33 35 37 38 46 48 48 52 III ZAGADNIENIA INTERPRETACYJNE SONATY H-MOLL FRANCISZKA LISZTA 3.1. Sposoby rozwiązywania problemów technicznych jako podstawowy etap przygotowania pracy nad utworem - metoda F. Liszta 3.2. Komentarz wykonawczy 3.2.1. Wstęp 3.2.2. Komentarz właściwy 3.3. Autorskie opracowanie edytorskie Sonaty h-moll Franciszka Liszta - materiał nutowy 57 57 76 76 77 106 Zakończenie 139 Summary Bibliografia Indeks nazwisk 141 143 146
SUMMARY Sonata in В Minor by Franz Liszt is a unique phenomenon in the histoiy of piano music. It belongs to the most popular, demanding and difficult masterpieces of all piano literature. Since it was written in 1853, Sonata has been published by various publishing houses, including Breitkopf Härtel and C.F. Peters. The analysis and com parison of those editions has shown that there is no edition that would meet the requirements of contemporary piano performance practices. Therefore, in order to find a perfect solution to the afore mentioned problem, this paper aims to arrange and publish a new edition of Sonata in В Minor, and provide an interpretation made from the perspective of the author’s arrangement of the masterpiece. The dissertation is composed of three chapters. The first chapter is titled SONATA IN В MINOR BY FRANZ LISZT and consists of four sections which discuss the origins and the form of the sonata. The first section, SONATA IN В MINOR IN THE CONTEXT OF PIANO WORKS BY FRANZ LISZT, introduces basic aspects connected with the meaning and role of the sonata in piano literature. The second section, TURBULENT HISTORY OF THE SONATA IN В MINOR, de picts the controversial reception of the sonata in the second half of the nineteenth century, including both positive and negative opin ions of such composers and critics as Johannes Brahms, Richard Wagner, Clara Schumann and Edward Hanslick. The third section, FORM OF THE PIECE, explores various possibilities of formal con struction of the sonata. Although the work does not consist of sepa rate movements, many
scholars attempt to divide it into inner parts that reflect either sonata form or sonata cycle. The fourth section concentrates on the interpretation of the sonata with special empha sis on the four most popular interpretations: as a musical portrayal of the legend of Dr. Faustus, musical autobiography of Liszt, eternal battle between God and Devil, and an allegory of Eden that refers to Milton’s Paradise Lost. 141
The second chapter under the title of THE AUTHOR’S AR RANGEMENT OF SONATA IN В MINOR BY FRANZ LISZT contains five sections. The first section titled THE MANUSCRIPT describes in detail the manuscript of the sonata, including its appearance and physical properties. Section two, FIRST EDITIONS, discusses first arrangements and editions of the piece, among others by Jose Vianna da Motta, Rafael Joseffy, Emil von Sauer, and Ernst Herttrich, whereas the third section, TEXTUAL DIFFERENCES BETWEEN THE MANUSCRIPT AND FIRST EDITIONS, explores textual discrepancies between the manuscript and the aforementioned editions. The fourth section, PEDALIZATION, emphasizes the issues of pedalization and fingering as well as such components of music as melodics, tempo, timbre and harmony. Section five, FRAGMENTS OF THE MANUSCRIPT COVERED BY LISZT, reveals several alternative solu tions that were finally removed by Liszt and replaced with fragments that appeared later in the urtext and other editions. Depiction of the unknown bars that were taken directly from the manuscript may help pianists understand the intention of the composer. The third chapter fitted INTERPRETATION OF THE SONATA IN В MI NOR BY FRANZ LISZT constitutes the main core of this paper. Sec tion one, METHODS OF SOLVING TECHNICAL AND MUSICAL PROBLEMS AS A BASIC STAGE OF WORK ON THE MUSICAL PIECE deals with the main aspects of Liszt’s methodology and bas ing on the example of Liszt’s Technische Studien introduces basic notions of working on the technique that helps to attain pianistic virtuosity. The second section,
PERFORMANCE COMMENTARY, includes detailed guidelines connected with practicing and playing Liszt’s Sonata in В Minor. Section three is the author’s own arrange ment of the sonata which not only provides detailed pedalization and fingering but also gives technical and musical commentaries and suggests alternative solutions often rooted in Liszt’s methodology. Both the theoretical part of the paper and the author’s own ar rangement and edition of the Sonata in В Minor by Franz Liszt aim to bring forward many aspects of piano playing in the context of Liszt’s methodology. Hopefully, it will prove to be of help to every pianist who understands and plays on the highest level of the greatest mas terpieces in piano literature? - Sonata in В Minor by Franz Liszt.
BIBLIOGRAFIA Boissier A., Liszt Pedagogue, Associated Music Publishers, Inc., New York 1973. Chomiński J. M., Główne problemy techniki dźwiękowej Liszta, „Muzyka” 1961 nr 4. Chomiński J., Wilkowska-Chomińska K., Formy muzyczne, t. I i II, PWM, Kraków 1983. Dahlhaus C., Idea muzyki absolutnej i inne studia, tłum. A. Buch ner, PWM, Kraków 1988. Dubai D., Evenings with Horowitz, Amadeus Press, Cambridge 2004. Einstein A., Muzyka w epoce romantyzmu, tłum. M. i S. Jarociń scy, PWM, Kraków 2009. Franz Liszt’s Briefe, է. II, red. La Mara (Marie Lipsius), Breitkopf Härtel, Leipzig 1893. Franz Liszt’s Briefe, է. VI, red. La Mara (Marie Lipsius), Breitkopf äs Härtel, Leipzig 1902. Gal G. S., W blasku sławy. Powieść o Liszcie, PWM, Kraków 1985. Goldchild N. J., Liszt’s Technical Studies: A Methodology for the Attainment of Pianistic Virtuosity, University of New South Wales 2011. Golianek R. D., Muzyka programowa XIX wieku, Wydawnictwo Na ukowe UAM, Poznań 1988. Góllerich A., Franz Liszt, Marquardt Co., Berlin 1908. Hamilton K., Sonata in В Minor, Cambridge University Press, New York 1996. Kański J., Problem formy w Sonacie h-moll F. Liszta, „Studia Mu zykologiczne” t. IV, red. J. Chomiński, Kraków 1956. Kosz S., Sonata h-moll Ferenca Liszta - „Retoryczna fantazja”, [w:] Muzyka fortepianowa X. Prace specjalne 53, Akademia Muzyczna im. S. Moniuszki, Gdańsk 1995. Lachmund C., Living with Liszt: from the diary of Carl Lachmund an American pupil of Liszt, 1882-1884, red. A. Walker, Pendragon Press 1998. 143
Liszt Technical Exercises for the Piano, red. J. Esteban, Alfred Pu blishing Co., Inc., New York 1971. Liszt F., Technische Studien für Klavier, է. II, red. I. Mező, Editio Musica, Budapest 1983. Longyear R. M., Liszt’s B Minor sonata precedents for a structural analisis, „The Music Review”, Cambridge 1973. Longyear R. M., The text of Liszt’s В Minor sonata, „The Musical Quarterly, New York 1974. Morawski J., Faktura fortepianowa Liszta, „Muzyka” 1962 որ 1. Newman W., The Sonata Since Beethoven, The University of North Carolina Press 1969. Nowik W., Refleksy form sonatowych w liryce fortepianowej Fran ciszka Liszta, [w:] Muzyka fortepianowa XIII, Prace specjalne 63, Akademia Muzyczna im. S. Moniuszki, Gdańsk 2004. Pietrukaniec L, Franciszka Liszta dwie legendy: „Św. Franciszek z Asyżu - Kazanie do ptaków; Św. Franciszek à Paulo kroczący po falach” - jako dwa odmienne problemy interpretacyjno-pianistyczne, [w:] Muzyka fortepianowa XIII, Prace specjalne 63, Akademia Mu zyczna im. S. Moniuszki, Gdańsk 2004. Podhajski M., Cechy formy sonatowej, [w:] Muzyka fortepianowa П, Prace specjalne 12, Akademia Muzyczna im. S. Moniuszki, Gdańsk 1977. Polony L., hasło: Liszt, [w:] Encyklopedia Muzyczna PWM, к l ł, red. E. Dziębowska, PWM, Kraków 1997. Poniatowska I., Historia i interpretacja muzyki, Musica Iagellonica, Kraków 1993. Poniatowska I., Muzyka fortepianowa i pianistyka w wieku XIX, Oficyna wydawnicza „Rewasz”, Warszawa 1991. Reiss J., Formy muzyczne, Breitkopf Härtel, Lipsk 1917. Reiss J., Problem trešā w muzyce, Gebethner i Wolff, Kraków 1922. Schonberg H. C., The Great
Pianists, Simon and Schuster, New York 1963. Searle H., hasło: Liszt, [w:] The new Grove dictionary of music and musicians, t. XI, red. S. Sadie, Macmillan Publishers Limited, Lon don 1980. Stolarzewicz M., Hector Berlioz jako krytyk muzyczny. Kilka uwag na podstawie felietonu „Alceste Eurypidesa. Teksty Quinault i Calzabigiego. Partytury Lully’ego, Glucka, Gugliemiego i Handia oparte na tym temacie”, [w:] „Muzykalia” 2008 nr 1, red. M. Bristiger, E. Schreiber; 144
http://www.demusica.pl/pdf/stolarzewicz_zeszyt francuski.pdf, od czyt: 10 X 2009. Szenic S., Franciszek Liszt, PIW, Warszawa 1975. Walker A., Liszt, v. 2.: The Weimar years, 1848-1861, Cornell Uni versity Press 1989. Walker A., Reflections on Liszt, Cornell University Press 2005.
INDEKS NAZWISK Bach Johann Sebastian 47 Beethoven Ludwig, van 12, 14, 15, 17, 18, 19, 22, 23, 24, 25 Berlioz Hector 17, 18, 26 Boissier Augusta 11,57,60,62,71,75 Boissier Valeria 60 Bradinis Johannes 16, 142 Buchner Antoni 25 Buckner Ernst 22 Bülow Hans, von 17, 18 Buonarroti Michelangelo (Michał Anioł) 13 Busoni Feruccio 14, 89 Casanova Marchese della Valle, di 33, 36 Chomiński Józef 18, 19,22 Chopin Fryderyk 8, 9, 13 Clementi Muzio 58 Cornelius Peter 23 Cortot Alfred 26, 33, 36, 48, 79, 84, 86, 89, 93, 95 Cramer Johann Baptist 58 Czerny Carl 8, 58, 75 Czemy-Stefańska Halina 8 Dante Alighieri 13, 14 Dohnanyi Ernő 23 Donington Robert 85 Dubad David 8 Dziębowska Elżbieta 13 Einstein Alfred 14, 15, 16,25 Engel Gustav 17 Esteban Julio 58,59,61 Gal György Sándor 18, 19, 25 Goethe Johann Wolfgang 26, 29 Golianek Ryszard Daniel 30 146
Göllerich August 15, 16, 18 Goodchild Neil J. 60 Gottschalg Alexander Wilhelm 59 Hamilton Kenneth 11, 22, 23, 24, 30, 78, 83, 86, 94, 97, 104 Hanslick Edward 18, 142 Herttrich Ernst 9, 35, 37, 47, 92, 143 Herz Henri 58 Horowitz Vladimir 8 Hugo Wiktor 14 Janis Byron 8 Jarocińska Michalina 14 Jarociński Stefan 14 Joseffy Rafael 9, 10, 35, 36, 37, 38, 46, 47, 48, 143 Kański Józef 22 Kehrer Rudolf 7 Klindworth Karl 17 Kohler Louis 17 La Mara (Marie Lipsius) 58, 59 Lachmund Carl 60, 61, 76 Lehman Robert Owen 33, 35, 37 Longyear R. M. 36, 37 Mező Imre 59 Michał Anioł zob. Buonarroti Michelangelo Mierżanow Wiktor 7 Milton John 30, 142 Moscheles Ignacy 58 Motta José Vianna, da 9, 10, 34, 35, 36, 37, 38, 43, 46, 47, 52, 143 Neuhaus Heinrich 50 Newman William 12, 14, 17, 22, 23, 24, 25 Olga Janina zob. Piasecka Olga Paganini Niccolò 13, 15 Petrarka Francesco 13 Petri Egon 7 Piasecka Olga (Olga Janina) 59 Pietrukaniec Izabela 29 Polony Leszek 13 Poniatowska Irena 12 147
Rafael Santi 13 Ramann Lina 46 Reiss Józef 23 Richter Światosław 50 Sadie Stanley 14 Saint-Saëns Camille 19 Sauer Emil, von 9, 10, 35, 37, 38, 46, 47, 87, 143 Sayn-Wittgenstein Karolina, von 12, 58 Schonberg Harold C. 7, 37 Schuberth Julius 59 Schumann Шага 16, 142 Schumann Robert 15, 16, 36, 107 Searle Humphrey 14, 22, 24 Stefański Ludwik 7 Szenic Stanisław 15 Theopold Hans Martin 9, 37 Wagner Ryszard 17, 142 Walker Allan 7, 11, 12, 14, 16, 26, 61 Weber Jan 8 Wilkowska Krystyna 18,19 Wójcik Leszek 9 Bayerische Staatsbibliothek München V /
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| indexdate | 2024-07-10T00:32:05Z |
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| physical | 147, [1] Seiten Notenbeispiele 20 cm |
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| publisher | Akademia Muzyczna im. I.J. Paderewskiego |
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| spelling | Stryjniak, Jerzy 1958- Verfasser (DE-588)1220110841 aut Sonata h-moll Franciszka Liszta - od opracowania do interpretacji Jerzy Stryjniak Poznań Akademia Muzyczna im. I.J. Paderewskiego 2011 147, [1] Seiten Notenbeispiele 20 cm txt rdacontent n rdamedia nc rdacarrier Bibliografie Seite 143-145. Index Zusammenfassung in englischer Sprache Liszt, Franz 1811-1886 (DE-588)118573527 gnd rswk-swf Sonate (DE-588)4131190-5 gnd rswk-swf Liszt, Franz 1811-1886 (DE-588)118573527 p Sonate (DE-588)4131190-5 s DE-604 Digitalisierung BSB München 25 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025684392&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München 25 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025684392&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract Digitalisierung BSB München 25 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025684392&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis Digitalisierung BSB München 25 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025684392&sequence=000007&line_number=0004&func_code=DB_RECORDS&service_type=MEDIA Register // Personenregister Digitalisierung BSB München 25 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025684392&sequence=000009&line_number=0005&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München 25 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025684392&sequence=000011&line_number=0006&func_code=DB_RECORDS&service_type=MEDIA Abstract Digitalisierung BSB München 25 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025684392&sequence=000013&line_number=0007&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis Digitalisierung BSB München 25 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025684392&sequence=000015&line_number=0008&func_code=DB_RECORDS&service_type=MEDIA Register // Personenregister |
| spellingShingle | Stryjniak, Jerzy 1958- Sonata h-moll Franciszka Liszta - od opracowania do interpretacji Liszt, Franz 1811-1886 (DE-588)118573527 gnd Sonate (DE-588)4131190-5 gnd |
| subject_GND | (DE-588)118573527 (DE-588)4131190-5 |
| title | Sonata h-moll Franciszka Liszta - od opracowania do interpretacji |
| title_auth | Sonata h-moll Franciszka Liszta - od opracowania do interpretacji |
| title_exact_search | Sonata h-moll Franciszka Liszta - od opracowania do interpretacji |
| title_full | Sonata h-moll Franciszka Liszta - od opracowania do interpretacji Jerzy Stryjniak |
| title_fullStr | Sonata h-moll Franciszka Liszta - od opracowania do interpretacji Jerzy Stryjniak |
| title_full_unstemmed | Sonata h-moll Franciszka Liszta - od opracowania do interpretacji Jerzy Stryjniak |
| title_short | Sonata h-moll Franciszka Liszta - od opracowania do interpretacji |
| title_sort | sonata h moll franciszka liszta od opracowania do interpretacji |
| topic | Liszt, Franz 1811-1886 (DE-588)118573527 gnd Sonate (DE-588)4131190-5 gnd |
| topic_facet | Liszt, Franz 1811-1886 Sonate |
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