Native Americans on film: conversations, teaching, and theory
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Lexington
Univ. Press of Kentucky
2013
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | VIII, 390 S. Ill. |
| ISBN: | 9780813136653 |
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| 505 | 0 | |a Introduction: talking back, moving forward -- Theoretical conversations. Dimensions of difference in indigenous film / Houston Wood -- Reading Nanook's smile: visual sovereignty, indigenous revisions of ethnography, and Atanarjuat: The fast runner / Michelle H. Raheja -- Dismantling the master's house: the feminist fourth cinema documentaries of Alanis Obomsawin and Loretta Todd / Jennifer L. Gauthier -- Indigenous (re)memory and resistance: video works by Dana Claxton / Carla Taunton -- Pedagogical conversations. Native resistance to Hollywood's persistence of vision: teaching films about contemporary American Indians / Carole Gerster -- Geographies of identity and belonging in Sherman Alexie's The business of fancydancing / Amy Corbin -- Teaching Native American filmmakers: Osawa, Eyre, and Redroad / Angelica Lawson -- "The native's point of view" as seen through the native's (and non-native's) points of view / Sam Pack -- The dirt roads of consciousness: teaching and producing videos with an indigenous purpose / Beverly Singer -- Conversations with filmmakers. "Pockets full of stories": an interview with Sterlin Harjo and Blackhorse Lowe / Joanna Hearne and Zack Shlachter -- Wrestling the greased pig: an interview with Randy Redroad / M. Elise Marubbio -- An upstream journey: an interview with Sandra Osawa / Saza Osawa -- Video as community ally and Dakota sense of place: an interview with Mona Smith / Jennifer A. Machoirlatti -- The journey's discovery: an interview with Shelley Niro / Elizabeth Weatherford | |
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Datensatz im Suchindex
| _version_ | 1804150005820293120 |
|---|---|
| adam_text | Native Americans
on Film
Conversations,
Teaching, and Theory
Edited by
M Elise Marubbio and Eric L Buffalohead
UNIVERSITY PRESS OF KENTUCKY
Contents
List of Illustrations vii
Introduction: Talking Back, Moving Forward 1
Section One: Theoretical Conversations
Introduction to Section One 31
Dimensions of Difference in Indigenous Film 35
Houston Wood
Reading Nanook s Smile: Visual Sovereignty, Indigenous Revisions
of Ethnography, and Atanarjuat: The Fast Runner 58
Michelle H Raheja
Dismantling the Master s House: The Feminist Fourth Cinema
Documentaries of Alanis Obomsawin and Loretta Todd 89
Jennifer L Gauthier
Indigenous (Re)memory and Resistance: Video Works by
Dana Claxton 116
Carla Taunton
Section Two: Pedagogical Conversations
Introduction to Section Two 1 ^7
Native Resistance to Hollywood s Persistence of Vision: Teaching
Films about Contemporary American Indians 141
Carole Gerster
Geographies of Identity and Belonging in Sherman Alexie s
The Business of Fancydancing 17 5
Amy Corbin
vi Contents
Teaching Native American Filmmakers: Osawa, Eyre, and
Redroad 202
Angelica Lawson
The Native s Point of View as Seen through the Native s
(and Non-Native s) Points of View 223
Sam Pack
The Dirt Roads of Consciousness: Teaching and Producing Videos
with an Indigenous Purpose 246
Beverly Singer
Section Three: Conversations with Filmmakers
Introduction to Section Three 261
Pockets Full of Stories: An Interview with Sterlin Harjo and
Blackhorse Lowe 265
Joanna Hearne and Zack Shlachter
Wrestling the Greased Pig: An Interview with Randy Redroad 288
M Elise Marubbio
An Upstream Journey: An Interview with Sandra Osawa 303
Saza Osawa
Video as Community Ally and Dakota Sense of Place:
An Interview with Mona Smith 322
Jennifer A Machiorlatti
The Journey s Discovery: An Interview with Shelley Niro 337
Elizabeth Weatherford
Acknowledgments 359
Selected Filmography 361
List of Contributors 369
Index 373
The film industry and mainstream popular culture
are notorious for promoting stereotypical images
of Native Americans: the noble and ignoble savage,
the ruthless warrior, the pronoun-challenged
sidekick, the princess, the sexualized maiden,
the drunk, and others. While some advocates
have spoken out against these inappropriate and
damaging representations, Hollywood continues
to produce exploitative images of Native people,
which are often found in blockbuster colonial
or mid- to late-nineteenth-century films such as
The Last of the Mohicans
(1992)
or Dances with
Wolves
(1990).
Over the years, however, Indig¬
enous filmmakers have both challenged these
representations and moved past them, offering
their own distinct forms of cinematic expression.
Native Americans on Film: Conversations, Teaching,
and Theory examines the numerous ways in which
Native American, First Nations, and Indigenous
filmmakers weave together their cultural storytelling
structures with Hollywood s narrative traditions to
create particularly Indigenous practices in film.
Emphasizing the implications of long-standing
stereotypes and exploring the development of
Fourth Cinema
—
the growing corpus of Native
and Indigenous motion pictures
—
Native Americans
on Film provides new insights into an expanding
area of study.
Drawing inspiration from the Indigenous film
movement, M.
Elise
Marubbio and Eric
L
Buffalohead, along with an interdisciplinary team
of scholars, bring filmmakers into an intertextuai
conversation with academics to analyze represen¬
tational styles and concepts of media sovereignty
in Indigenous film. Considering key narrative and
documentary films across disciplines such as
ethnic studies, visual anthropology, American
Indian studies, and film studies, these writings
engage ongoing debates about the definition
of Native film and the Native filmmaker identity.
Interviews with seminal figures in Native film,
including Beverly Singer,
Mona
Smith, Shelley
Niro, Sandy Osawa, Randy Redroad,
Sterlin
Harjo, and Btackhorse Lowe, spark a complex
dialogue that opens the doors for vigorous and
dynamic debate.
Offering theoretical paths to understanding
Indigenous cinema, along with strategies for
teaching particular films, Native Americans
on Film highlights different voices and worldviews
that emerge across the movement. Marubbio
and Buffalohead bring together theoretical
perspectives, pedagogical approaches,
and interviews with Native filmmakers in a
rnultifaceted and unique combination of voices.
ι
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| contents | Introduction: talking back, moving forward -- Theoretical conversations. Dimensions of difference in indigenous film / Houston Wood -- Reading Nanook's smile: visual sovereignty, indigenous revisions of ethnography, and Atanarjuat: The fast runner / Michelle H. Raheja -- Dismantling the master's house: the feminist fourth cinema documentaries of Alanis Obomsawin and Loretta Todd / Jennifer L. Gauthier -- Indigenous (re)memory and resistance: video works by Dana Claxton / Carla Taunton -- Pedagogical conversations. Native resistance to Hollywood's persistence of vision: teaching films about contemporary American Indians / Carole Gerster -- Geographies of identity and belonging in Sherman Alexie's The business of fancydancing / Amy Corbin -- Teaching Native American filmmakers: Osawa, Eyre, and Redroad / Angelica Lawson -- "The native's point of view" as seen through the native's (and non-native's) points of view / Sam Pack -- The dirt roads of consciousness: teaching and producing videos with an indigenous purpose / Beverly Singer -- Conversations with filmmakers. "Pockets full of stories": an interview with Sterlin Harjo and Blackhorse Lowe / Joanna Hearne and Zack Shlachter -- Wrestling the greased pig: an interview with Randy Redroad / M. Elise Marubbio -- An upstream journey: an interview with Sandra Osawa / Saza Osawa -- Video as community ally and Dakota sense of place: an interview with Mona Smith / Jennifer A. Machoirlatti -- The journey's discovery: an interview with Shelley Niro / Elizabeth Weatherford |
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| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines Anglistik / Amerikanistik |
| era | Geschichte gnd |
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| publisher | Univ. Press of Kentucky |
| record_format | marc |
| spelling | Native Americans on film conversations, teaching, and theory ed. by M. Elise Marubbio ... Lexington Univ. Press of Kentucky 2013 VIII, 390 S. Ill. txt rdacontent n rdamedia nc rdacarrier Introduction: talking back, moving forward -- Theoretical conversations. Dimensions of difference in indigenous film / Houston Wood -- Reading Nanook's smile: visual sovereignty, indigenous revisions of ethnography, and Atanarjuat: The fast runner / Michelle H. Raheja -- Dismantling the master's house: the feminist fourth cinema documentaries of Alanis Obomsawin and Loretta Todd / Jennifer L. Gauthier -- Indigenous (re)memory and resistance: video works by Dana Claxton / Carla Taunton -- Pedagogical conversations. Native resistance to Hollywood's persistence of vision: teaching films about contemporary American Indians / Carole Gerster -- Geographies of identity and belonging in Sherman Alexie's The business of fancydancing / Amy Corbin -- Teaching Native American filmmakers: Osawa, Eyre, and Redroad / Angelica Lawson -- "The native's point of view" as seen through the native's (and non-native's) points of view / Sam Pack -- The dirt roads of consciousness: teaching and producing videos with an indigenous purpose / Beverly Singer -- Conversations with filmmakers. "Pockets full of stories": an interview with Sterlin Harjo and Blackhorse Lowe / Joanna Hearne and Zack Shlachter -- Wrestling the greased pig: an interview with Randy Redroad / M. Elise Marubbio -- An upstream journey: an interview with Sandra Osawa / Saza Osawa -- Video as community ally and Dakota sense of place: an interview with Mona Smith / Jennifer A. Machoirlatti -- The journey's discovery: an interview with Shelley Niro / Elizabeth Weatherford Geschichte gnd rswk-swf Indians in motion pictures Indians in the motion picture industry / United States Indigenous films / United States Indian motion picture producers and directors / United States / Interviews Stereotypes (Social psychology) in motion pictures Film (DE-588)4017102-4 gnd rswk-swf Indianer (DE-588)4026718-0 gnd rswk-swf Indianer Motiv (DE-588)4122591-0 gnd rswk-swf Filmregisseur (DE-588)4154375-0 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content USA (DE-588)4078704-7 g Film (DE-588)4017102-4 s Indianer Motiv (DE-588)4122591-0 s Geschichte z DE-604 Indianer (DE-588)4026718-0 s Filmregisseur (DE-588)4154375-0 s Marubbio, Miriam Elise 1963- (DE-588)133624439 edt Erscheint auch als Online-Ausgabe, EPUB 978-0-8131-4034-6 Erscheint auch als Online-Ausgabe, PDF 978-0-8131-3681-3 HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025683001&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Passau - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025683001&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Native Americans on film conversations, teaching, and theory Introduction: talking back, moving forward -- Theoretical conversations. Dimensions of difference in indigenous film / Houston Wood -- Reading Nanook's smile: visual sovereignty, indigenous revisions of ethnography, and Atanarjuat: The fast runner / Michelle H. Raheja -- Dismantling the master's house: the feminist fourth cinema documentaries of Alanis Obomsawin and Loretta Todd / Jennifer L. Gauthier -- Indigenous (re)memory and resistance: video works by Dana Claxton / Carla Taunton -- Pedagogical conversations. Native resistance to Hollywood's persistence of vision: teaching films about contemporary American Indians / Carole Gerster -- Geographies of identity and belonging in Sherman Alexie's The business of fancydancing / Amy Corbin -- Teaching Native American filmmakers: Osawa, Eyre, and Redroad / Angelica Lawson -- "The native's point of view" as seen through the native's (and non-native's) points of view / Sam Pack -- The dirt roads of consciousness: teaching and producing videos with an indigenous purpose / Beverly Singer -- Conversations with filmmakers. "Pockets full of stories": an interview with Sterlin Harjo and Blackhorse Lowe / Joanna Hearne and Zack Shlachter -- Wrestling the greased pig: an interview with Randy Redroad / M. Elise Marubbio -- An upstream journey: an interview with Sandra Osawa / Saza Osawa -- Video as community ally and Dakota sense of place: an interview with Mona Smith / Jennifer A. Machoirlatti -- The journey's discovery: an interview with Shelley Niro / Elizabeth Weatherford Indians in motion pictures Indians in the motion picture industry / United States Indigenous films / United States Indian motion picture producers and directors / United States / Interviews Stereotypes (Social psychology) in motion pictures Film (DE-588)4017102-4 gnd Indianer (DE-588)4026718-0 gnd Indianer Motiv (DE-588)4122591-0 gnd Filmregisseur (DE-588)4154375-0 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4026718-0 (DE-588)4122591-0 (DE-588)4154375-0 (DE-588)4078704-7 (DE-588)4143413-4 |
| title | Native Americans on film conversations, teaching, and theory |
| title_auth | Native Americans on film conversations, teaching, and theory |
| title_exact_search | Native Americans on film conversations, teaching, and theory |
| title_full | Native Americans on film conversations, teaching, and theory ed. by M. Elise Marubbio ... |
| title_fullStr | Native Americans on film conversations, teaching, and theory ed. by M. Elise Marubbio ... |
| title_full_unstemmed | Native Americans on film conversations, teaching, and theory ed. by M. Elise Marubbio ... |
| title_short | Native Americans on film |
| title_sort | native americans on film conversations teaching and theory |
| title_sub | conversations, teaching, and theory |
| topic | Indians in motion pictures Indians in the motion picture industry / United States Indigenous films / United States Indian motion picture producers and directors / United States / Interviews Stereotypes (Social psychology) in motion pictures Film (DE-588)4017102-4 gnd Indianer (DE-588)4026718-0 gnd Indianer Motiv (DE-588)4122591-0 gnd Filmregisseur (DE-588)4154375-0 gnd |
| topic_facet | Indians in motion pictures Indians in the motion picture industry / United States Indigenous films / United States Indian motion picture producers and directors / United States / Interviews Stereotypes (Social psychology) in motion pictures Film Indianer Indianer Motiv Filmregisseur USA Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025683001&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025683001&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT marubbiomiriamelise nativeamericansonfilmconversationsteachingandtheory |