Verfügbarkeit: Keramika Sogda V - VII vekov kak istoriko-kulʹturnyj pamjatnik

Keramika Sogda V - VII vekov kak istoriko-kulʹturnyj pamjatnik: (k metodike izučenija keramičeskich kompleksov)

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Bibliographische Detailangaben
1. Verfasser:	Maršak, Boris I. 1933-2006 (VerfasserIn)
Format:	Buch
Sprache:	Russian
Veröffentlicht:	Sankt-Peterburg Izdat. Gosudarstvennogo Ėrmitaža 2012
Schlagworte:	Geschichte 400-700 Archaeology Ceramics Decorative arts Fine arts Archäologie Keramik Funde Sogdiana
Online-Zugang:	Inhaltsverzeichnis Abstract
Beschreibung:	PST: Sogdian pottery of the 5th-7th centuries as historical and cultural phenomenon. - In kyrill. Schr., russ. - Zsfassung in engl. Sprache
Beschreibung:	383 S. zahlr. Ill., Kt. 27 cm
ISBN:	9785935724542

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Datensatz im Suchindex

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adam_text	ОГЛАВЛЕНИЕ ПРИНЦИП ИССЛЕДОВАНИЯ ................................................................................... Э ГЛАВА I СТРАТИГРАФИЯ НИЖНИХ СЛОЕВ ПЕНДЖИКЕНТА (работы 1955-1960 годов) ...........................................................................................13 Методика раскопок на объекте XII.......................................................................14 ПОСТРОЙКИ ПЕРВОГО ПЕРИОДА .................................................................16 Разрушение здания первого строительного периода ...........................................19 ВТОРОЙ СТРОИТЕЛЬНЫЙ ПЕРИОД ............................................................20 Первая группа жилых помещений ........................................................................22 Забутовка помещений здания первого строительного периода ..........................24 Другие жилища здания второго строительного периода. Помещения 16, 18, 19, 2, 7, 8, 13, 14......................................................................25 Вторая группа помещений .....................................................................................28 Перестройка второго здания (здания второго строительного периода) ..........31 ТРЕТИЙ СТРОИТЕЛЬНЫЙ ПЕРИОД ............................................................41 Постройки на забутовках и ремонты в помещениях 5, 14, 18............................44 СЛОЙ СВАЛКИ .....................................................................................................48 ЧЕТВЕРТЫЙ СТРОИТЕЛЬНЫЙ ПЕРИОД ....................................................50 Перекопы и подсыпки, связанные со строительством верхнего здания объекта XII.................................................................................................53 ГЛАВА II КЕРАМИКА НИЖНИХ СЛОЕВ ПЕНДЖИКЕНТА .............................................58 Обзор комплексов находок ....................................................................................58 Систематические отклонения ................................................................................59 Исключение случайностей отбора ........................................................................61 Значение отличительных признаков .....................................................................63 Техника. Общие признаки .....................................................................................64 Соотношение долей групп керамики по технике и назначению .........................69 Обмеры профилей ..................................................................................................71 Круг форм ...............................................................................................................73 Внешний облик и назначение сосудов. Окраска ..................................................75 Изменение долей чаш, кувшинов, широкогорлых сосудов ..................................76 Признаки чаш .........................................................................................................79 Классификация чаш ...............................................................................................81 Эволюция чаш по формам .....................................................................................83 Признаки формы столовых кувшинов ..................................................................86 5 ОГЛАВЛЕНИЕ Классификация столовых кувшинов ....................................................................91 Связи между формами кувшинов. Построение таблицы ....................................94 Ранние кувшины. Появление новых форм ...........................................................96 Кружки. Вопрос о полноте комплекса ..................................................................97 Средние кувшины ..................................................................................................99 Кувшины с рожком. Вопрос о далеких аналогиях .............................................100 Связи кувшинов с рожком. Наиболее простые и наиболее парадные кувшины ................................................................................................................101 Средние кувшины с примятым сливом ..............................................................104 Водолей, ритоны. Влияние торевтики ...............................................................105 Связи форм и создание новых форм ...................................................................108 Резная амфора. Связь форм и орнаментов сосудов с изобразительным искусством ............................................................................................................111 Встречаемость кувшинов в комплексах ..............................................................116 Размеры чаш. Стандарты .....................................................................................118 Размеры столовых кувшинов. Традиции мастерских ........................................123 Формы столовой посуды и судьбы мастерских ...................................................126 Водоносные кувшины ..........................................................................................128 Широкогорлые сосуды. Качественные признаки ..............................................129 Варианты венчиков. Непрерывные изменения признаков ...............................130 Связи венчиков широкогорлых сосудов .............................................................131 Изменения в процентном отношении групп венчиков широкогорлых сосудов ...................................................................................................................132 Широкогорлые сосуды. Размеры и качественные признаки ............................135 Детали формы и орнамент ...................................................................................138 Хумы. Общие признаки и венчики .....................................................................141 Высокие хумы. Вопрос о производстве на заказ ..............................................143 Соотношение долей видов венчиков хумов по комплексам ...............................146 Широкие хумы. Связь со столовой посудой ......................................................148 Тагоры ...................................................................................................................149 Фляги .....................................................................................................................150 Редкие формы посуды и гончарных изделий круговой формовки ...................151 Ранняя керамика .................................................................................................152 Связи форм (кроме связей между формами столовых кувшинов) ..................153 Лепные котлы. Размеры и пропорции ................................................................154 Примеси в тесте котлов ........................................................................................157 Признаки ручек и сливов котлов .........................................................................159 Разновидности ручек котлов ...............................................................................161 Изменения в ручках котлов .................................................................................162 Интерпретация изменений котлов .....................................................................163 Лепные котлы в долине Кашкадарьи. Символика ручек ...................................165 Уменьшение влияний магических представлений .............................................167 Станковые котлы ..................................................................................................168 Лепная столовая посуда. Формы и размеры ......................................................169 Крышки .................................................................................................................172 Светильники и сковороды ...................................................................................175 6 ОГЛАВЛЕНИЕ Комплекс VI. Абсолютная датировка по некерамическим находкам ...............176 Комплекс VI и датировочный масштаб ...............................................................177 Добавочные обоснования датировки второго строительного периода (комплексы III-V/3) ..........................................................................................180 Основные выводы по стратиграфии и керамике Пенджикента .......................181 ГЛАВА III КЕРАМИКА НИЖНИХ СЛОЕВ ПЕНДЖИКЕНТА И КЕРАМИКА СОГДА В ЦЕЛОМ В V-VI ВЕКАХ ..........................................................................182 Связи между районами Согда по керамике .......................................................182 Обзор хронологии ................................................................................................185 Сравнение временных и локальных связей ........................................................188 К разработке критериев сходства и различия керамических комплексов .......189 ГЛАВА IV СОГДИЙСКАЯ КЕРАМИКА КОНЦА VII - НАЧАЛА VIII ВЕКА ВЛИЯНИЕ ТОРЕВТИКИ НА КЕРАМИКУ ...........................................................206 Смена стиля в керамике Согда VII века. Вводные замечания ..........................206 Переходный период. Керамика Чилека VII века ...............................................207 Переходный период. Краткий обзор памятников .............................................209 Монетная датировка основных комплексов нового стиля и политические события ......................................................................................211 Общие сведения о квартале гончаров Кафыр-калы ...........................................213 Технические новшества VII века в керамике Кафыр-калы ...............................216 Чаши .....................................................................................................................219 Глиняные кружки. I тип ......................................................................................219 Глиняные кружки (II и III типы) .......................................................................222 Узкогорлые кувшины ..........................................................................................224 Металлические кувшины .....................................................................................225 Орнамент в глине и металле ................................................................................227 Штампованные орнаменты ................................................................................229 Орнаменты кувшинов без слюды .......................................................................234 Мелкие кувшинчики ............................................................................................237 Водоносные кувшины ..........................................................................................239 Широкогорлые сосуды ........................................................................................240 Хумы ......................................................................................................................241 Кухонная посуда ...................................................................................................242 Редкие формы керамики ......................................................................................243 Столовая и хозяйственная керамика в период нового стиля ............................244 VII— VIII века как переходный этап в истории раннесредневековой керамики ...............................................................................................................246 ЗАКЛЮЧЕНИЕ ..........................................................................................................248 ИЛЛЮСТРАЦИИ ......................................................................................................251 ЦИТИРОВАННАЯ ЛИТЕРАТУРА ..........................................................................368 СПИСОК СОКРАЩЕНИЙ .......................................................................................380 SUMMARY ..................................................................................................................382 SUMMARY This monograph has grown out of an unpublished dissertation written in 1958—64 and defended in 1965. It was based on a research carried out at the Penjikent archaeo¬ logical site in 1955—60. Some chapters of the dissertation have been published as articles. For the present edition, the author has revised the work, taking into consideration his many years experience, which has led to re-evaluation of a number of conclusions. On the other hand, his materials and methodology have not lost their significance during the past lifty years, firstly, because Penjikent remains a model early medieval city and, secondly, because the author applies statistical and combinatorial methods, typical of processual ar¬ chaeology in the 1950s — 1960s, to the solution of historical and cultural problems, rather than purely descriptive ones. The principles of pottery classification used in the present work are not always simple or obvious. The most important of these result from a compari¬ son of different groups of vessels, both synchronous and successive. The significance of the principles and their combinations depends on their historical and cultural meaning. In this respect, Marshak s work forestalls post-processual archaeology, although it is more con¬ sistently systemic in its approach. It follows that every fragment under study must be re¬ garded as an element of a system, to be interpreted from the point of view of this system, complicated enough to admit a false or trivial interpretation, which is much more probable in an approach relying on individual facts. The monograph has practically no references to works published after 1965, because its conclusions are based on materials which are both varied and variable, so that explana¬ tory power of analogizing is negligible. Nineteenth- and early twentieth-century archaeologists, using pottery for dating, were able to discern stages and horizons within the accuracy of 100 years in better ex¬ plored areas, other than Greece where the knowledge of pottery is more detailed. Although they distinguished shapes and ornaments typical of certain countries and periods, they could not explain transitions from one stage to another. The present work is an attempt to solve such problems on the basis of a wide range of materials from only one site, the Sogdian city of Penjikent. These well stratified materials, correlating with individual gen¬ erations, rather than centuries, allow one to come closer to individual craftsmen and their customers. Where possible, the changes are accounted for by immanent causes; analogy is used only when cause-and-consequence explanations are not possible. In historical ar¬ chaeology, ties between human beings and artifacts are much more intricate than in pre- historical archaeology. Hence, questions arise as to the degree of freedom of individual artists creating new forms and the limitations society imposes on this freedom. This, in turn, is connected with the problem of customers tastes and requirements, teacher-and- pupil relationship, etc. In this situation, the idea of equipollency of different pottery types of objects discernible in any complex turns out to be an illusion. In reality, certain types, 382 SUMMARY i.e. complexes of objects with a permanent set of distinctive features, coexist with indeter¬ minate groups of more or less similar vessels. The systematization of the Penjikent finds is based on two different, but interconnected aspects, viz. (a) a set of features represented in different combinations, traceable for several generations, and (b) factors responsible for changes in bundles of features. The factors in question depended on peoples traditions and living conditions, therefore archaeology remains a humanity essentially, although it uses mathematical methods. The lower layers of Penjikent, with their fractional stratification and abundant archaeological materials, are most favourable for systematization. The 5th — 7th centuries in Central Asia were a period of most noticeable Sogdian in¬ fluence on the development of the adjacent tribes and peoples. Yet, archaeological discover¬ ies in the realm of Sogdian culture are from the 7th — 8th centuries. These include cities with temples, palaces and craftsmen s workshops, as well as excellent specimens of monu¬ mental and applied arts. Written sources, not numerous, but informative, give a good idea of Sogdian political and social history during the period under review. Less is known about the earlier period, from the 5th to 7th centuries, represented mainly by pottery complexes from the settlements in the valleys of the Zarevshan and the Kashkadarya. Due to their abundance and variability, these materials can be used for trac¬ ing the history of the settlements and are therefore the chief source on the culture of Sogd in the 5th — 7th centuries. Besides, pottery helps to formulate a number of problems of a more general nature, concerning the evolution of medieval crafts and trade. Trends in pottery evolution reflect more general historical patterns. For example, a study of hand-thrown wheeled pottery and moulded wares reveal the relationship be¬ tween workshop- and home industries. Changes in the shape of vessels demonstrate the role of the tradition and its reliance on individual craftsmen s achievements and its suscep¬ tibility to fashion and to foreign influence, as well as mutual influence of different crafts. A study of pottery may show, whether its evolution results in pottery uniformity or local diversification of its types. The answer bears directly on the problem of style, its depend¬ ence on ethnic and social history and the development of art. Besides, pottery can help in reconstructing the economy of individual settlements and smaller regions. The lower horizons of Penjikent (Stage XII) excavated by Marshak in 1955—63 yield¬ ed well defined architectural complexes including the city wall and adjacent living quar¬ ters and household buildings. Four rebuildings of the wall, with synchronous construction works in the living quarters, revealed pottery complexes with clear stratigraphie references. The many construction stages in the history of the living quarters reflect changes in indi¬ vidual types of ware. Owing to the fractional chronology of the site, in combination with pottery abundance and diversity, new valuable materials pertaining to Sogdian archaeol¬ ogy have become available and accessible. In view of today s state of archaeological re¬ search at Sogd, the dating of the lower horizons between the 5th and the first half of the 7th centuries requires no corroborât ion. In this context, the main goal of the present publication is not simply identification, but interpretation of the materials from the point of view of their connection with the above historical and cultural problems. The question arises, how to use as a historical source those pottery features, which, unlike inscriptions and depictions on vessels, cannot be used for primary attribution and which are not a direct reflection of ideological aspects. Traditional archaeological methods do not seem to be expedient in this case. Therefore Marshak chooses the statistical method, much less popular in archaeology, which he ap¬ plies, for the first time, to the study of pottery. In the development of this method he sees one of the aims of the science of archaeology. 383
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geographic	Sogdiana (DE-588)4055386-3 gnd
geographic_facet	Sogdiana
id	DE-604.BV040677286
illustrated	Illustrated
indexdate	2024-07-10T00:28:54Z
institution	BVB
isbn	9785935724542
language	Russian
oai_aleph_id	oai:aleph.bib-bvb.de:BVB01-025503739
oclc_num	844026317
open_access_boolean
owner	DE-12
owner_facet	DE-12
physical	383 S. zahlr. Ill., Kt. 27 cm
publishDate	2012
publishDateSearch	2012
publishDateSort	2012
publisher	Izdat. Gosudarstvennogo Ėrmitaža
record_format	marc
spelling	Maršak, Boris I. 1933-2006 Verfasser (DE-588)12435646X aut Keramika Sogda V - VII vekov kak istoriko-kulʹturnyj pamjatnik (k metodike izučenija keramičeskich kompleksov) B. I. Maršak Sogdian pottery of the 5th-7th centuries as historical and cultural phenomenon Sankt-Peterburg Izdat. Gosudarstvennogo Ėrmitaža 2012 383 S. zahlr. Ill., Kt. 27 cm txt rdacontent n rdamedia nc rdacarrier PST: Sogdian pottery of the 5th-7th centuries as historical and cultural phenomenon. - In kyrill. Schr., russ. - Zsfassung in engl. Sprache Geschichte 400-700 gnd rswk-swf Archaeology Ceramics Decorative arts Fine arts Archäologie Keramik (DE-588)4030270-2 gnd rswk-swf Funde (DE-588)4071507-3 gnd rswk-swf Sogdiana (DE-588)4055386-3 gnd rswk-swf Sogdiana (DE-588)4055386-3 g Keramik (DE-588)4030270-2 s Funde (DE-588)4071507-3 s Geschichte 400-700 z DE-604 Digitalisierung BSB Muenchen 2 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025503739&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen 2 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025503739&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract
spellingShingle	Maršak, Boris I. 1933-2006 Keramika Sogda V - VII vekov kak istoriko-kulʹturnyj pamjatnik (k metodike izučenija keramičeskich kompleksov) Archaeology Ceramics Decorative arts Fine arts Archäologie Keramik (DE-588)4030270-2 gnd Funde (DE-588)4071507-3 gnd
subject_GND	(DE-588)4030270-2 (DE-588)4071507-3 (DE-588)4055386-3
title	Keramika Sogda V - VII vekov kak istoriko-kulʹturnyj pamjatnik (k metodike izučenija keramičeskich kompleksov)
title_alt	Sogdian pottery of the 5th-7th centuries as historical and cultural phenomenon
title_auth	Keramika Sogda V - VII vekov kak istoriko-kulʹturnyj pamjatnik (k metodike izučenija keramičeskich kompleksov)
title_exact_search	Keramika Sogda V - VII vekov kak istoriko-kulʹturnyj pamjatnik (k metodike izučenija keramičeskich kompleksov)
title_full	Keramika Sogda V - VII vekov kak istoriko-kulʹturnyj pamjatnik (k metodike izučenija keramičeskich kompleksov) B. I. Maršak
title_fullStr	Keramika Sogda V - VII vekov kak istoriko-kulʹturnyj pamjatnik (k metodike izučenija keramičeskich kompleksov) B. I. Maršak
title_full_unstemmed	Keramika Sogda V - VII vekov kak istoriko-kulʹturnyj pamjatnik (k metodike izučenija keramičeskich kompleksov) B. I. Maršak
title_short	Keramika Sogda V - VII vekov kak istoriko-kulʹturnyj pamjatnik
title_sort	keramika sogda v vii vekov kak istoriko kulʹturnyj pamjatnik k metodike izucenija keramiceskich kompleksov
title_sub	(k metodike izučenija keramičeskich kompleksov)
topic	Archaeology Ceramics Decorative arts Fine arts Archäologie Keramik (DE-588)4030270-2 gnd Funde (DE-588)4071507-3 gnd
topic_facet	Archaeology Ceramics Decorative arts Fine arts Archäologie Keramik Funde Sogdiana
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025503739&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025503739&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA
work_keys_str_mv	AT marsakborisi keramikasogdavviivekovkakistorikokulʹturnyjpamjatnikkmetodikeizucenijakeramiceskichkompleksov AT marsakborisi sogdianpotteryofthe5th7thcenturiesashistoricalandculturalphenomenon

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