A realist theory of art history:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London [u.a.]
Routledge
2013
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Ontological explorations
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | "As the theoretical alignments within academia shift, this book introduces a surprising variety of realism to abolish the old positivist-theory dichotomy that has haunted Art History. Demanding frankly the referential detachment of the objects under study, the book proposes a stratified, multi-causal account of art history that addresses postmodern concerns while saving it from its errors of self-refutation. Building from the very basic distinction between intransitive being and transitive knowing, objects can be affirmed as real while our knowledge of them is held to be fallible. Several focused chapters address basic problems while introducing philosophical reflection into art history. These include basic ontological distinctions - society and culture, general and 'special' history, the discontinuity of cultural objects, the importance of definition for special history, scales, facets and fiat objects as forms of historical structure, the nature of evidence and proof, historical truth and controversies. Stressing critical realism as the stratified, multi-causal approach needed for productive research today in the academy, this book creates the subject of the ontology of art history and sets aside a theoretical space for metaphysical reflection, thus clarifying the usually muddy distinction between theory, methodology and historiography in art history"-- Provided by publisher. Hier auch später erschienene, unveränderte Nachdrucke |
| Beschreibung: | XIX, 168 S. graph. Darst. |
| ISBN: | 9780415531511 9781138798557 |
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| 490 | 0 | |a Ontological explorations | |
| 500 | |a "As the theoretical alignments within academia shift, this book introduces a surprising variety of realism to abolish the old positivist-theory dichotomy that has haunted Art History. Demanding frankly the referential detachment of the objects under study, the book proposes a stratified, multi-causal account of art history that addresses postmodern concerns while saving it from its errors of self-refutation. Building from the very basic distinction between intransitive being and transitive knowing, objects can be affirmed as real while our knowledge of them is held to be fallible. Several focused chapters address basic problems while introducing philosophical reflection into art history. These include basic ontological distinctions - society and culture, general and 'special' history, the discontinuity of cultural objects, the importance of definition for special history, scales, facets and fiat objects as forms of historical structure, the nature of evidence and proof, historical truth and controversies. Stressing critical realism as the stratified, multi-causal approach needed for productive research today in the academy, this book creates the subject of the ontology of art history and sets aside a theoretical space for metaphysical reflection, thus clarifying the usually muddy distinction between theory, methodology and historiography in art history"-- Provided by publisher. | ||
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
List of figures
xii
List of tables
xiii
Preface
xiv
1
Introduction
1
The institutions of art history
3
Breaking the theory-empiricism dichotomy
5
Depoliticizing epistemology
7
Suspicion of the aesthetic
10
2
What is realism?
13
The need for Critical Realism
14
Untying the
Gordian
Knot
16
Meta-theory, discipline-specific meta-theory, theory, methodology
18
Ontological realism
19
Epistemologicul
fallibilism
20
The stratification of the world
22
Critical naturalism
24
Ontology and emancipation
27
3
A relational approach to history and truth
29
The
ontologicul
project
-
relational determination
30
Historical pluralism
31
Scales and facets in history
32
Shapes of history (fiat objects)
35
Do scale and facet really interlock?
37
Reference and historical truth
38
χ
Contents
4
Structure
and knowledge
43
Properties of historical periods
43
Properties of past historiographical practices
45
Traditional mode
-
affirmation
48
Exemplary mode
-
regularity
49
Genetic mode
-
transformation
50
Speculative philosophy of history
52
The work of art history as a literary document
55
5
Art history and varieties of history, I
58
Understanding and explanation
59
Society and culture
61
General and special history
63
Special history
66
Style
67
The centrality of definition in special history
69
An example: the history of philosophy
70
The problem of periodization
71
6
Art history and varieties of history, II
73
Directions
of inquiry
73
Causality and the arrow of time
74
Sequential history
-
what happened?
77
Explanatory history
-
what caused it?
78
Interpretive history
—
what was it like?
80
Direction of inquiry as emplotment
81
A case study: Jacob Burckhardt
83
The ontology of ideology
86
A case study:
Ε. Η.
Gombrich
87
7
Historical evidence
90
Fact and interpretation
90
Facts
94
Facts as the cause of research
95
Warrant for belief
98
A case study: reconstructing Duccio s
Maestà
100
Contents xi
8
Resolving historical controversies
105
Levels and facets of explanation
105
A case study: Caravaggio
110
Disputing a definition of an object of study
113
A case study: Caravaggio again
114
Description, description, description
115
Progress in art history
117
Reflexivity
in art history
120
Notes
122
Bibliography
146
Index
165
|
| any_adam_object | 1 |
| author | Verstegen, Ian 1969- |
| author_GND | (DE-588)132970945 |
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| dewey-search | 707.2/2 |
| dewey-sort | 3707.2 12 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| edition | 1. publ. |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| indexdate | 2024-07-10T00:28:15Z |
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| isbn | 9780415531511 9781138798557 |
| language | English |
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| spelling | Verstegen, Ian 1969- Verfasser (DE-588)132970945 aut A realist theory of art history Ian Verstegen 1. publ. London [u.a.] Routledge 2013 XIX, 168 S. graph. Darst. txt rdacontent n rdamedia nc rdacarrier Ontological explorations "As the theoretical alignments within academia shift, this book introduces a surprising variety of realism to abolish the old positivist-theory dichotomy that has haunted Art History. Demanding frankly the referential detachment of the objects under study, the book proposes a stratified, multi-causal account of art history that addresses postmodern concerns while saving it from its errors of self-refutation. Building from the very basic distinction between intransitive being and transitive knowing, objects can be affirmed as real while our knowledge of them is held to be fallible. Several focused chapters address basic problems while introducing philosophical reflection into art history. These include basic ontological distinctions - society and culture, general and 'special' history, the discontinuity of cultural objects, the importance of definition for special history, scales, facets and fiat objects as forms of historical structure, the nature of evidence and proof, historical truth and controversies. Stressing critical realism as the stratified, multi-causal approach needed for productive research today in the academy, this book creates the subject of the ontology of art history and sets aside a theoretical space for metaphysical reflection, thus clarifying the usually muddy distinction between theory, methodology and historiography in art history"-- Provided by publisher. Hier auch später erschienene, unveränderte Nachdrucke Geschichte gnd rswk-swf Kunst Philosophie Art Historiography Art Philosophy SOCIAL SCIENCE / Sociology / General bisacsh Ästhetik (DE-588)4000626-8 gnd rswk-swf Kunstwissenschaft (DE-588)4120632-0 gnd rswk-swf Kritischer Realismus (DE-588)4139717-4 gnd rswk-swf Kritischer Realismus (DE-588)4139717-4 s Ästhetik (DE-588)4000626-8 s Kunstwissenschaft (DE-588)4120632-0 s Geschichte z DE-604 Erscheint auch als Online-Ausgabe 978-0-203-07246-2 Digitalisierung UB Bamberg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025474902&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Verstegen, Ian 1969- A realist theory of art history Kunst Philosophie Art Historiography Art Philosophy SOCIAL SCIENCE / Sociology / General bisacsh Ästhetik (DE-588)4000626-8 gnd Kunstwissenschaft (DE-588)4120632-0 gnd Kritischer Realismus (DE-588)4139717-4 gnd |
| subject_GND | (DE-588)4000626-8 (DE-588)4120632-0 (DE-588)4139717-4 |
| title | A realist theory of art history |
| title_auth | A realist theory of art history |
| title_exact_search | A realist theory of art history |
| title_full | A realist theory of art history Ian Verstegen |
| title_fullStr | A realist theory of art history Ian Verstegen |
| title_full_unstemmed | A realist theory of art history Ian Verstegen |
| title_short | A realist theory of art history |
| title_sort | a realist theory of art history |
| topic | Kunst Philosophie Art Historiography Art Philosophy SOCIAL SCIENCE / Sociology / General bisacsh Ästhetik (DE-588)4000626-8 gnd Kunstwissenschaft (DE-588)4120632-0 gnd Kritischer Realismus (DE-588)4139717-4 gnd |
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