The slave in European art: from Renaissance trophy to abolitionist emblem
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English French |
| Veröffentlicht: |
London
<<The>> Warburg Institute
2012
Turin Aragno |
| Schriftenreihe: | Warburg Institute Colloquia
20 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | "This volume had its origin in a conference held at the Warburg Institute in 2007, the bicentenary of the ending of the slave trade by Britain. [The conference was] entitled "The Iconography of Slavery in Europe, 1500-1800 ..." (S. IX). - Includes bibliographical reference and index. - Beitr. überw. engl., teilw. franz. |
| Beschreibung: | X, 386 S. Ill. 25 cm |
| ISBN: | 9781908590435 |
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Datensatz im Suchindex
| _version_ | 1804149735579189248 |
|---|---|
| adam_text | Titel: The slave in European art
Autor: McGrath, Elizabeth
Jahr: 2012
Table of Contents
vii Contributors
ix Preface
I. Introduction: Reality and Metaphor
3 Caryatids, Page Boys, and African Fetters. Themes of Slavery in European Art
Elizabeth McGrath
39 Allegory and Ambiguity in Michelangelo s Slaves
Charles Robertson
63 L Esclavage comme metaphore religieuse dans l iconographie de l ordre des
Trinitaires
Jean-Luc Liez
II. Galley Slaves and Moorish Captives
85 The Iconography of Mediterranean Slavery in the Seventeenth Century
Jean Michel Massing
121 Messina 1535 to Lepanto 1571. Vasari, Borghini and the Imagery of Moors,
Barbarians and Turks
Rick Scorza
165 From Borgo Pinti to Doccia: The Afterlife of Pietro Tacca s Moors for Livorno
Anthea Brook
III. Europe, the Americas and the Slave Trade
195 The Urban Slave in Spain and New Spain
Carmen Fracchia
217 Black slavery and the Mulatto Escape Hatch in the Brazilian Ensembles of Frans
Post and Albert Eckhout
Ernst van den Boogaart
253 Becoming Human. The Iconography of Black Slavery in French, British and Durch
Book Illustrations c. 1600-c. 1800
Eimer Kolfin
IV. Abolitionism and its Critics
297 George Morland s Slave Trade and African Hospitality : Slavery, Sentiment and
the Limits ofthe Abolitionist Image
Meredith Gamer
321 They are a Happy People : Some Newly Identified Pro-Slavery Caricatures from
the Age of Abolition
David Bindman
333 Abolitionists, African Diplomats and the Black Joke in George Cruikshank s The
New Union Club
Temi Odumosu
361 Plates
379 Index
vi
|
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| dewey-hundreds | 700 - The arts |
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| spelling | The slave in European art from Renaissance trophy to abolitionist emblem ed. by Elizabeth McGrath and Jean Michel Massing The iconography of slavery in Europe, 1500 - 1800 London <<The>> Warburg Institute 2012 Turin Aragno X, 386 S. Ill. 25 cm txt rdacontent n rdamedia nc rdacarrier Warburg Institute Colloquia 20 "This volume had its origin in a conference held at the Warburg Institute in 2007, the bicentenary of the ending of the slave trade by Britain. [The conference was] entitled "The Iconography of Slavery in Europe, 1500-1800 ..." (S. IX). - Includes bibliographical reference and index. - Beitr. überw. engl., teilw. franz. Geschichte 1500-1800 gnd rswk-swf Slavery in art / Congresses Art, European / Congresses Sklaverei Motiv (DE-588)4204853-9 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Europa (DE-588)4015701-5 gnd rswk-swf (DE-588)1071861417 Konferenzschrift 2007 London gnd-content Europa (DE-588)4015701-5 g Kunst (DE-588)4114333-4 s Sklaverei Motiv (DE-588)4204853-9 s Geschichte 1500-1800 z DE-604 McGrath, Elizabeth (DE-588)133327760 edt Massing, Jean Michel 1948- (DE-588)129280143 edt Warburg Institute Colloquia 20 (DE-604)BV037479419 20 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025453896&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | The slave in European art from Renaissance trophy to abolitionist emblem Warburg Institute Colloquia Slavery in art / Congresses Art, European / Congresses Sklaverei Motiv (DE-588)4204853-9 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)4204853-9 (DE-588)4114333-4 (DE-588)4015701-5 (DE-588)1071861417 |
| title | The slave in European art from Renaissance trophy to abolitionist emblem |
| title_alt | The iconography of slavery in Europe, 1500 - 1800 |
| title_auth | The slave in European art from Renaissance trophy to abolitionist emblem |
| title_exact_search | The slave in European art from Renaissance trophy to abolitionist emblem |
| title_full | The slave in European art from Renaissance trophy to abolitionist emblem ed. by Elizabeth McGrath and Jean Michel Massing |
| title_fullStr | The slave in European art from Renaissance trophy to abolitionist emblem ed. by Elizabeth McGrath and Jean Michel Massing |
| title_full_unstemmed | The slave in European art from Renaissance trophy to abolitionist emblem ed. by Elizabeth McGrath and Jean Michel Massing |
| title_short | The slave in European art |
| title_sort | the slave in european art from renaissance trophy to abolitionist emblem |
| title_sub | from Renaissance trophy to abolitionist emblem |
| topic | Slavery in art / Congresses Art, European / Congresses Sklaverei Motiv (DE-588)4204853-9 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Slavery in art / Congresses Art, European / Congresses Sklaverei Motiv Kunst Europa Konferenzschrift 2007 London |
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