Cultures of emancipation: photography, race, and modern American literature
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Heidelberg
Winter
2012
|
| Schriftenreihe: | American studies
228 |
| Schlagworte: | |
| Online-Zugang: | Inhaltstext Inhaltsverzeichnis Klappentext |
| Beschreibung: | 247 S. Ill. 210 mm x 135 mm |
| ISBN: | 9783825359706 3825359700 |
Internformat
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Datensatz im Suchindex
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| adam_text |
IMAGE 1
TABLE O F CONTENTS
LIST OF FIGURES 9
ACKNOWLEDGMENTS 13
INTRODUCTION: FLUID IDENTITIES AND SHIFTING SOCIAL CATEGORIES 17
1 DEGREES O F EXPOSURE: FREDERICK DOUGLASS, DAGUERREOTYPES, 31 AND
REPRESENTATIONS O F FREEDOM
2 SHOW BUSINESS: THE ECONOMICS O F PHOTOGRAPHY IN 67
HAROLD FREDERIC'S "MARSENA" AND HENRY JAMES'S NEW YORK EDITION
3 WORDS ARE N O T THE THING: GERTRUDE STEIN'S LITERARY 121
PORTRAITS, YOUR SAINTS IN THREE ACTS, AND POPULAR CULTURE
4 SHADOW ARCHIVE: LYNCHING PHOTOGRAPHY, AFRO- 171
MODERNIST LITERATURE, AND BLACK CITIZENSHIP
CODA: STILL PHOTOGRAPHS AND MOVING IMAGES 219
BIBLIOGRAPHY 225
HTTP://D-NB.INFO/1026022169
Emancipation,
both in aesthetic and political terms,
was the decisive aim of modernist authors in the
United States. Cultures of
Emancipation
investigates
how black and white writers from the
ι
86os to
1945
(Frederick Douglass, Harold Frederic, Henry James,
Gertrude Stein, Jean Toomer, and Charles Chesnutt)
enlisted photograph}· to set themselves free, polit¬
ically and artistically. In the face of personal and
historical crises such as Abolitionism and the Great
Migration, they turned to photograph}' to abolish
slaver\:, obtain equal rights, and refashion themselves
as writers of an era that would become dominated
by images. Photograph}· served as the thematic,
structural, and conceptual fulcrum of modernist liter¬
ature. Reading interdisciplinary modernism across
the color line, this is the first study to place photog¬
raphy at the center of both black and white literary
modernism. At the intersection of literary and visual
studies, race studies, and cultural history, Cultures
of Emancipation shows how vital photography was
to the rise and development of modernist literature,
as well as to the aesthetics and politics of modern self¬
hood. |
| any_adam_object | 1 |
| author | Faisst, Julia |
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| author_facet | Faisst, Julia |
| author_role | aut |
| author_sort | Faisst, Julia |
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| classification_rvk | HT 1121 HT 1520 HT 1691 HU 1121 HU 1520 HU 1691 |
| ctrlnum | (OCoLC)816479241 (DE-599)DNB1026022169 |
| dewey-full | 813.409357 813.409355 810.9355 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 813 - American fiction in English 810 - American literature in English |
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| dewey-search | 813.409357 813.409355 810.9355 |
| dewey-sort | 3813.409357 |
| dewey-tens | 810 - American literature in English |
| discipline | Anglistik / Amerikanistik |
| era | Geschichte 1860-1945 gnd |
| era_facet | Geschichte 1860-1945 |
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| title | Cultures of emancipation photography, race, and modern American literature |
| title_auth | Cultures of emancipation photography, race, and modern American literature |
| title_exact_search | Cultures of emancipation photography, race, and modern American literature |
| title_full | Cultures of emancipation photography, race, and modern American literature Julia Faisst |
| title_fullStr | Cultures of emancipation photography, race, and modern American literature Julia Faisst |
| title_full_unstemmed | Cultures of emancipation photography, race, and modern American literature Julia Faisst |
| title_short | Cultures of emancipation |
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