Offertorium and offerenda: kinship and structure
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Ottawa, Canada [Lions Bay, BC]
Inst. of Mediaeval Music
2012
|
| Schriftenreihe: | Wissenschaftliche Abhandlungen / Institute of Mediaeval Music
99 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Part I - Introduction -- Part II - Analyses |
| Beschreibung: | VIII, 35, 135 S. 28 cm |
Internformat
MARC
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| 245 | 1 | 0 | |a Offertorium and offerenda |b kinship and structure |c by Terence Bailey |
| 264 | 1 | |a Ottawa, Canada [Lions Bay, BC] |b Inst. of Mediaeval Music |c 2012 | |
| 300 | |a VIII, 35, 135 S. |c 28 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
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| 490 | 1 | |a Wissenschaftliche Abhandlungen / Institute of Mediaeval Music |v 99 | |
| 500 | |a Part I - Introduction -- Part II - Analyses | ||
| 650 | 4 | |a Ambrosian chants / History and criticism | |
| 650 | 4 | |a Offertories | |
| 650 | 4 | |a Offertories (Music) / History and criticism | |
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS
PART I
-
INTRODUCTION
Gregorian-Ambrosian concordances
.......................................................
I.I
Stylistic differences between the Ambrosian
and Gregorian versions
....................................................................1.5
Other Ambrosian and Gregorian counterparts
......................................1.5
The source of the Roman chants imported by Milan
.............................1.6
The time of the importations
....................................................................1.7
The objectives of this book
........................................................................1.8
The notation employed in the schemata
................................................
1.
10
The texts
....................................................................................................1.11
The small- and larger-scale structure of the melodies
Text phrases and musical phrases
....................................................1.12
Tone series
........................................................................................1.12
Analogies
Raags
................................................................................................1.25
Cantus
firmi
......................................................................................1.25
Ton
Reihe..........................................................................................1.25
Formulaic to idiomelic
.............................................................................1.26
Observations about the analyses
Alternatives
......................................................................................1.26
Skeletons and
protheses
...................................................................1.27
Missing notes and empty brackets
...................................................1.28
The evolution of the schemata
................................................................1.29
The sources of the melodies
....................................................................1.30
v
Modal
assignments
...................................................................................1.32
Sources cited
.............................................................................................1.34
TABLES AND MUSICAL EXAMPLES
Table
1.
Ambrosian offerendae
with counterparts in the Sextuplex
.................................................1.2
Table
2.
Synopses of the
protheses,
skeletons and tone series
with the widest ambitus
.................................................................1.14
Example
1.
The direct comparison, including repeated notes, of
the beginning of the Gregorian and Ambrosian Sperent in
te
............ 1.29
Example
2.
The first two phrases of the Ambrosian Sperent in
te
arranged to show the successive repetition of
melodic segments
............................................................................1.31
PART II
-
ANALYSES
First mode1
In die sollemnitatis vestrae
.........................................................................
II.
1
Iubilate (domino)2 deo
universa
..................................................................
II.
3
Si oblitus
fuero Ierusalem
...........................................................................
II.
9
Super
ilumina
Babylonis illic sedimus
.....................................................11.12
Second mode
Ego
autem
dixi in
mea
abundantia
............................................................11.14
Exaltabo
te domine
quoniam susceptisti
...................................................11.19
In
te speravi
dixi
tu es deus meus
.............................................................11.22
Pars
(Portio)
mea domine
.........................................................................11.24
Veritas mea
et
misericordia
......................................................................11.28
Third mode
Eripe me domine de imimicis
...................................................................11.30
1
For an alphabetical listing of the offertories, with page numbers, see
1.2—1.4.
Ambrosian variants are given in parentheses.
vi
Sperent in te omnes
quinovemnt
.............................................................11.32
Fourth mode
Afferentur
regi
virgines proximae eius
.....................................................11.35
Benedixisti domine terram tuam
...............................................................11.37
v. Ostende nobis
domine
.................................................................11.39
Confortamini et
iam
nolite timere
.............................................................11.42
v. Audite
itaque
domus
David
.........................................................11.45
Exaudi domine iustitiam meam
................................................................11.48
Perfice gressus meos in semitis
tuis
..........................................................11.51
Fifth mode
Oravit Moyses
dominům
et dixit
..............................................................11.54
v. Dum
pertransiero auferam manum meum
...................................11.61
Orietur in diebus eius iustitia
....................................................................11.67
v. Et dominabitur a mari
usque
ad mare
..........................................11.69
Sixth mode
Desiderium animae eius tribuisti ei
..........................................................11.72
Domine
convertere et eripe
.......................................................................11.74
v.
Miserere mihi domine quoniam infïrmus
....................................11.75
Erit
vobis hic
(Erit
hic
vobis) dies
memorialis
.........................................11.77
v. Dixit Moyses
(Alleluia
dixit Moyses) ad populum
.....................11.77
Gloriabuntur in te omnes
..........................................................................11.82
In
virtute
tua domine laetabitur
.................................................................11.84
Quoniam ad te orabo domine
....................................................................11.86
Eighth mode
Angelus
domini
descendit de caelo
..........................................................11.90
v.
1
Euntes
dicite
discipulis eius
......................................................11.93
v.
2
Iesus stetit
in medio
eorum
.......................................................11.94
Deus
enimfirmavit orbem
........................................................................11.98
vu
Dixit dominus adMoysen
.......................................................................11.100
v.
Et
piacatus
factus est3
................................................................11.130
Dixit Moyses et
Aaron
............................................................................11.105
v.
Et
piacatus
factus est3
................................................................11.130
Dominus regnavit
decorem
induit
...........................................................11.111
Oratio
mea
munda est et
ideo
(Exaudita est
oratio
mea
domine et
ideo)
........
IL
115
v.
1
Probavit me dominus sicutaurum
..........................................11.119
v.
2
Liberavit pauperum de manupotentis
....................................11.121
Inveni David servum meum
....................................................................11.123
Precatus est Moyses in conspectu
domini
...............................................11.126
v. Et
piacatus
factus est
.................................................................11.130
Scapulis suis obumbravit tibi
..................................................................11.131
v. Super aspidem et
sub
permis
......................................................11.133
This
verse
is found with its original
caput,
Precatus
est
Moyses.
viii
|
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| spelling | Bailey, Terence 1937- Verfasser (DE-588)103808377X aut Offertorium and offerenda kinship and structure by Terence Bailey Ottawa, Canada [Lions Bay, BC] Inst. of Mediaeval Music 2012 VIII, 35, 135 S. 28 cm txt rdacontent n rdamedia nc rdacarrier Wissenschaftliche Abhandlungen / Institute of Mediaeval Music 99 Part I - Introduction -- Part II - Analyses Ambrosian chants / History and criticism Offertories Offertories (Music) / History and criticism Gregorianischer Gesang (DE-588)4021952-5 gnd rswk-swf Offertorium (DE-588)4172498-7 gnd rswk-swf Offertorium-Vertonung (DE-588)1115219634 gnd rswk-swf Ambrosianischer Gesang (DE-588)4196457-3 gnd rswk-swf Melodie (DE-588)4139233-4 gnd rswk-swf Ambrosianischer Gesang (DE-588)4196457-3 s Gregorianischer Gesang (DE-588)4021952-5 s Offertorium (DE-588)4172498-7 s Melodie (DE-588)4139233-4 s DE-604 Offertorium-Vertonung (DE-588)1115219634 s Institute of Mediaeval Music Wissenschaftliche Abhandlungen 99 (DE-604)BV000625411 99 Digitalisierung BSB Muenchen 3 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025432838&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Bailey, Terence 1937- Offertorium and offerenda kinship and structure Ambrosian chants / History and criticism Offertories Offertories (Music) / History and criticism Gregorianischer Gesang (DE-588)4021952-5 gnd Offertorium (DE-588)4172498-7 gnd Offertorium-Vertonung (DE-588)1115219634 gnd Ambrosianischer Gesang (DE-588)4196457-3 gnd Melodie (DE-588)4139233-4 gnd |
| subject_GND | (DE-588)4021952-5 (DE-588)4172498-7 (DE-588)1115219634 (DE-588)4196457-3 (DE-588)4139233-4 |
| title | Offertorium and offerenda kinship and structure |
| title_auth | Offertorium and offerenda kinship and structure |
| title_exact_search | Offertorium and offerenda kinship and structure |
| title_full | Offertorium and offerenda kinship and structure by Terence Bailey |
| title_fullStr | Offertorium and offerenda kinship and structure by Terence Bailey |
| title_full_unstemmed | Offertorium and offerenda kinship and structure by Terence Bailey |
| title_short | Offertorium and offerenda |
| title_sort | offertorium and offerenda kinship and structure |
| title_sub | kinship and structure |
| topic | Ambrosian chants / History and criticism Offertories Offertories (Music) / History and criticism Gregorianischer Gesang (DE-588)4021952-5 gnd Offertorium (DE-588)4172498-7 gnd Offertorium-Vertonung (DE-588)1115219634 gnd Ambrosianischer Gesang (DE-588)4196457-3 gnd Melodie (DE-588)4139233-4 gnd |
| topic_facet | Ambrosian chants / History and criticism Offertories Offertories (Music) / History and criticism Gregorianischer Gesang Offertorium Offertorium-Vertonung Ambrosianischer Gesang Melodie |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025432838&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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