Cinematic perspectives on digital culture: consorting with the machine
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Basingstoke [u.a.]
Palgrave Macmillan
2012
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XIII, 242 S. Ill., graph. Darst. 23 cm |
| ISBN: | 9780230298927 0230298923 |
Internformat
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| 653 | |a Foucault, Michel, 1926-1984. | ||
| 653 | |a Deleuze, Gilles, 1925-1995. | ||
| 653 | |a Digital electronics--Social aspects. | ||
| 653 | |a Motion pictures--Social aspects. | ||
| 653 | |a Identity (Psychology) | ||
| 653 | |a Actor-network theory. | ||
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Datensatz im Suchindex
| _version_ | 1804149687842766848 |
|---|---|
| adam_text | Titel: Cinematic perspectives on digital culture
Autor: Taylor, Norman
Jahr: 2012
Contents
List of Illustrations ix
Preface x
Acknowledgements xiii
Introduction 1
Time and space 4
Masochism 4
Affect 6
Agency 8
Part I Approaches to Digital Culture
1 A Conceptual History 19
Alternating culture and counterculture 22
Whose culture is it anyway? 24
Film and the real: Cinema as mindset 26
Technology and the public sphere 31
2 Mobile Affect 36
Absent presence and prosthetic affect 38
The attention economy 41
The teenage affect 44
Urban metabolism 47
Conceptual spaces of conflict and resolution 52
The technological affect 55
Latencies and genealogies 58
3 Affective Networks 61
Agency and remediation 62
Hybrid subjectivity 67
Monstration and the genealogical principle 69
Approaching hybrid agency 73
Networks, hybrids and the assemblage 78
Summary 83
Part II Cinematic Perspectives
4 Classical Hollywood s Mature Technology 95
Cinematic affect 96
Mature technology 99
The machine in the ghost: Film as anthropology 103
An endogenous reading: Latent agency 110
An exogenous reading: Cultural transposition 114
5 Stars and Avatars 120
The corporeal screen 121
The actor-user and the machinic assemblage 123
Technology and the perversity of users 128
Masochistic delusion: Deleuzian masochism 131
The avatar s disavowal of gender 136
Assembling desire 141
Plugging into the assembly (on)line 144
The abject assemblage 150
Assembling the uncanny 152
6 Film and Hybridity 158
Cinema, actor networks and double births 159
The real Norma Desmond 161
Enunciation and concentric discourses 166
Producers and users at the consumption junction 169
A producer-user s script 171
Masochism and monstration 175
The subject and prosthetic affect 176
Actor networks and affect 179
Part HI Consorting with the Machine
7 Celebrating Metamorphosis 189
Machines of celebrity 190
Machines of legal subjectivity 193
Machines of the networked assemblage 196
Machines to consort with 199
Notes 203
Bibliography 226
Index 236
|
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| illustrated | Illustrated |
| indexdate | 2024-07-10T00:27:00Z |
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| isbn | 9780230298927 0230298923 |
| language | English |
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| physical | XIII, 242 S. Ill., graph. Darst. 23 cm |
| publishDate | 2012 |
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| spelling | Taylor, Norman Verfasser aut Cinematic perspectives on digital culture consorting with the machine Norman Taylor Basingstoke [u.a.] Palgrave Macmillan 2012 XIII, 242 S. Ill., graph. Darst. 23 cm txt rdacontent n rdamedia nc rdacarrier Sunset Boulevard Film (DE-588)4672118-6 gnd rswk-swf Handy (DE-588)4338635-0 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Foucault, Michel, 1926-1984. Deleuze, Gilles, 1925-1995. Digital electronics--Social aspects. Motion pictures--Social aspects. Identity (Psychology) Actor-network theory. Film (DE-588)4017102-4 s Handy (DE-588)4338635-0 s Sunset Boulevard Film (DE-588)4672118-6 u DE-604 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025426762&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Cinematic perspectives on digital culture consorting with the machine |
| title_auth | Cinematic perspectives on digital culture consorting with the machine |
| title_exact_search | Cinematic perspectives on digital culture consorting with the machine |
| title_full | Cinematic perspectives on digital culture consorting with the machine Norman Taylor |
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| title_full_unstemmed | Cinematic perspectives on digital culture consorting with the machine Norman Taylor |
| title_short | Cinematic perspectives on digital culture |
| title_sort | cinematic perspectives on digital culture consorting with the machine |
| title_sub | consorting with the machine |
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